The outbreak of the First World War saw an upsurge of patriotism. The Church generally saw the war as justified, and many clergy encouraged the men in their congregations to join the army. There was, however, already a strong strand of anti-war sentiment, opposed to the dominant theology of the Establishment. This was partly based on traditional Christian pacifism, but included other religious, social and political influences. Campaigners and conscientious objectors voiced a growing concern about the huge human cost of a conflict seemingly endlessly bogged down in the mud of the Flanders poppy fields. 'Subversive Peacemakers' recounts the stories of a strong and increasingly organised opposition to war, from peace groups to poets, from preachers to politicians, from women to working men, all of whom struggled to secure peace in a militarised and fragmenting society. Clive Barrett demonstrates that the Church of England provided an unlikely setting for much of this war resistance. Barrett masterfully narrates the story of the peace movement, bringing together stories of war-resistance until now lost, disregarded or undervalued. The people involved, as well as the dramatic events of the conflict themselves, are seen in a new light.

This book examines part of the development of the Bruderhof community, which emerged in Germany in 1920. Community members sought to model their life on the New Testament. This included sharing goods. The community became part of the Hutterite movement, with its origins in sixteenth-century Anabaptism. After the rise to power of the Nazi regime, the Bruderhof became a target and the community was forcibly dissolved. Members who escaped from Germany and travelled to England were welcomed as refugees from persecution and a community was established in the Cotswolds. In the period 1933 to 1942, when the Bruderhof’s witness was advancing in Britain, its members were in touch with many individuals and movements. This book covers the Bruderhof’s connections with (among others) the Fellowship of Reconciliation, Dietrich Bonhoeffer, the Peace Pledge Union, the social work of Muriel and Doris Lester in East London, Jewish refugee groups, and artistic pioneers like Eric Gill. As significant numbers of British people joined the Bruderhof, its farming, publishing and arts and crafts activities extended considerably. But with the outbreak of the Second World War, German members came to be regarded with suspicion and British members became unpopular locally because they were pacifists. Although the Bruderhof was defended in Parliament, notably by Lady Astor, it seemed that German members would be interned as enemy aliens. The consequence was that by 1942 over 300 community members had left England. With Mennonite assistance, they began to forge a new life in South America. This book traces a remarkable Christian peace experiment being undertaken in a time of great political upheaval.

To Lee Griffith, being a peacemaker means much more than sporting PEACE T-shirts or voting for left-wing political candidates. Peacemaking is for him a daily practice of community formation, lifestyle decisions, and prayer ordinary living that is faithful to the gospel and happily out of sync with most of the world most of the time and it is a vital part of following Jesus Christ. In these challenging talks, Griffith a veteran anti-war activist who has been arrested many times for his pro-peace demonstrations sets forth a solidly biblical argument for uncompromising nonviolence. Along the way, he describes encounters with dumpster divers and prostitutes, with bag ladies and judges, with people who hear voices and see ghosts and he shares how, through these encounters and more, he has come to know better the subversive God of the gospel.

Nominated for the 2017 Dayton Literary Peace Prize in non-fiction This volume examines peace museums, a small and important (but often overlooked) series of museums whose numbers have multiplied world-wide in recent decades. They relate stories and display artifacts—banners, diaries, and posters for example about such themes as: art and peace, antiwar histories, protest, peacekeeping and social justice and promote cultures of peace. This book introduces their different approaches from Japan, which has the largest number of sites, to Bradford, UK and Guernica, Spain. Some peace museums and centers emphasize popular peace symbols and figures, others provide alternative narratives about conscientious objection or civil disobedience, and still others are sites of persuasion, challenging the status quo about issues of war, peace, disarmament, and related issues. Introducing Peace Museums distinguishes between different types of museums that are linked to peace in name, theme or purpose and discusses the debates which surround peace museums versus museums for peace. This book is the first of its kind to critically evaluate the exhibits and activities of this group of museums, and to consider the need for a "critical peace museum studies" which analyses their varied emphasis and content. The work of an experienced specialist, this welcome introduction to peace museums considers the challenges and opportunities faced by these institutions now and in the future.

Museums for Peace: In Search of History, Memory and Change highlights the inspiring as well as conflicting representations and purposes of diverse museums for peace around the world. Coming from various cultural and professional backgrounds, the authors explore “what are museums for peace and what do they mean?” Some chapters introduce alternative histories of peace, conflict, and memorialization. This innovative collection examines grassroots museums, military sexual slavery, historical memory in East Asia, and cultural heritage in the Africanized peace museum movement. The chapters discuss differing representations of Gandhi, technology of war and opposition to it, and structural violence such as racial terror and imperialism. Investigating how institutions interact with political and cultural forces, the volume demonstrates that some museums reinforce hegemonic narratives, while others resist authoritative tropes to reveal silenced histories, including peace histories. Museums for Peace will appeal to academics and students in museum studies, heritage studies, peace studies, memory studies, social justice, and human rights. Those working in cultural studies and trauma studies will also find this volume valuable.

A Cultural History of Peace presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of peace throughout history. This volume, A Cultural History of Peace in the Age of Empire, explores peace in the period from 1800 to 1920. As with all the volumes in the illustrated Cultural History of Peace set, this volume presents essays on the meaning of peace, peace movements, maintaining peace, peace in relation to gender, religion and war and representations of peace. A Cultural History of Peace in the Age of Empire is the most authoritative and comprehensive survey available on peace in the long 19th century.

Incisive contributions from leading and emerging scholars in the field of Peace Studies In the Wiley Blackwell Companion to Religion and Peace, a team of renowned scholars delivers an authoritative and interdisciplinary sourcebook that addresses the key concepts, history, theories, models, resources, and practices in the complex and ambivalent relationship between religion and peace. The editors have included contributions from a wide range of perspectives and locations that reflect diverse methods and approaches. The Companion provides a collection grounded in experience and context that draws on established, developing, and new research characterized by academic rigor. The differences between the approaches taken by several religious traditions are fully explored and numerous case studies highlight relevant theories, models, and resources. Accessible as either a standalone collection or as a partner to the Companion to Religion and Violence, this edited volume also offers: A thorough introduction to religion and its search for peace, including the relationships between religion and peace and theories and practices for studying the interplay between religion and peace Comprehensive explorations of religion and peace in local contexts, including discussions of women's empowerment and peacebuilding in an Islamic context Practical discussions of practices and embodiments of religion and peace, including treatments of museums for peace and self-religion in global peace movements In-depth examinations of lived Christian theologies and building peace, including discussions of Martin Luther King Jr. and spiritual activism in Scotland Perfect for students and scholars of peacemaking, peacekeeping, and peace building, the Wiley Blackwell Companion to Religion and Peace will also earn a place in the libraries of anyone professionally or personally interested in the field of Peace or Religious Studies, International Relations, History, Politics, or Theology.

This volume aims to provide a wider view of First World War experience through focusing on landscapes less commonly considered in historiography, and on voices that have remained on the margins of popular understanding of the war. The landscape of the western front was captured during the conflict in many different ways: in photographs, paintings and print. The most commonly replicated voicing of contemporary attitudes towards the war is that of initial enthusiasm giving way to disillusionment and a sense of overwhelming futility. Investigations of the many components of war experience drawn from social and cultural history have looked to landscapes and voices beyond the frontline as a means of foregrounding different perspectives on the war. Not all of the voices presented here opposed the war, and not all of the landscapes were comprised of trenches or flanked by barbed wire. Collectively, they combine to offer further fresh insights into the multiplicity of war experience, an alternate space to the familiar tropes of mud and mayhem.

How should Christians respond to war? This age-old question has become more pressing given Western governments' recent overseas military interventions and the rise of extremist Islamist jihadism. Grounded in conservative evangelical theology, this book argues the historic church position that it is inadmissible for Christians to use violence or take part in war. It shows how the church's propensity to support the "just wars," crusades, rebellions, or "humanitarian interventions" of its host nations over time has been disastrous for the reputation of the gospel. Instead, the church's response to war is simply to be the church, by preaching the gospel and making peace in the love and power of God. The book considers challenges to this argument for "gospel peace." What about warfare in the Old Testament and military metaphors in the New? What of church history? And how do we deal with tyrants like Hitler and terrorists like Islamic State? Charting a path between just war theory and liberal pacifism, numerous inspiring examples from the worldwide church are used to demonstrate effective and authentically Christian responses to violence. The author argues that as Christians increasingly drop their unbiblical addiction to war, we may be entering one of the most exciting periods of church history.

The gospel of Jesus Christ is the good news of peace. Gathering contributions from theologians, pastors, and practitioners, Shawn Graves and Marlena Graves cast a vision of Christian nonviolence in today's world, not only responding to the realities of war but also offering a deeper understanding of peace—a holistic shalom.