Land of carpools and cul-de-sacs! Home to good schools and green lawns! An idyllic place where nothing bad ever happens--right? Right?Wrong. As David Lynch and Desperate Housewives have taught us, life in the 'burbs has a dark side--and Surburban Legends shows the worst of it. Here are 75 spooky tales of corpses buried in back yards, ghosts in department stores, UFO sightings, vanishing persons, and much more!

It's a Terrible Day in the Neighborhood They told you the suburbs were a great place to live. They said nothing bad could ever happen here. But they were wrong. This collection of terrifying true stories exposes the dark side of life in the ’burbs—from corpses buried in backyards and ghosts lurking in fast food restaurants to UFOs, vanishing persons, bizarre apparitions, and worse. Consider: • The Soccer Mom’s Secret. Meet Melinda Raisch of Columbus, Ohio. She’s the wife of a dentist. A mother of three. A PTA member. And she has enough murderous secrets to fill a minivan. • Noise Pollution. More than 100 residents of Kokomo, Indiana, claim their small town is under attack by a low-pitched humming sound that erodes health and sanity. Too bad they’re the only ones who can hear it. • Death Takes a Holiday inn. There’s nothing more reassuring than a big chain hotel in a quaint small town—unless it’s the Holiday Inn of Grand Island, New York, where you’ll spend the night with the spirit of a mischievous little girl. So lock your doors, dim the lights, and prepare to stay up all night with this creepy collection of true tales. We promise you’ll never look at white picket fences the same way again!

The first sustained examination of the depiction of American suburbia in gothic and horror films, television and literature from 1948 to the present day. Beginning with Shirley Jackson's The Road Through the Wall , Murphy discusses representative texts from each decade, including I Am Legend , Bewitched , Halloween and Desperate Housewives .

A newly married woman discusses the adjustments and observations made since she married.

Resurrecting scores of rare images of the 19th century American West, "Print the Legend" offers engaging tales of ambitious photographic adventurers, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photos and to envision their expanding nation. 138 illustrations.

Tom Siegert is The Suburban FootballerTom was a below average junior player and his career has been in free fall ever since. It is the final round of the season and once again he finds himself in the familiar position of warming the interchange bench. It's freezing cold, rain is tumbling down and his head is thumping with his worst hangover since last week. As he sits, wishing he was anywhere but playing a game of footy, he wonders why he does it to himself. Should this be his final season or should he go around one last time?

In this new collection of essays on film, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of 'Time in Film and Video Art' to a study of 'Riff-Raff Realism' in British films. There are provocative discussions of the works of established auteur directors such as Howard Hawks and Alfred Hitchcock and of the film-making careers of such experimental movie-makers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner. Other essays deal with the relationship of film to the other arts, such as dance and architecture, and explore the interaction between film and anthropology. This is not a theoretical book but it is one that suggests many new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, Stalinism, love of speed and digital technology. Full of fascinating new insights, Peter Wollen's new book is based on the premise that there are no fixed ways of writing about film but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the twentieth century's major art-form.

Carousel (1945) was Rodgers and Hammerstein's second collaboration following their hugely successful Oklahoma! (1943). Based on Ferenc Molnár's play, Liliom (1909), it took Broadway musical theater in far darker directions given its subject and extensive music. Here we discover how it came about, and what it was trying to achieve.