Capital is often depicted as an all-encompassing and abstract social force which seeks to "subsume" all of human life. But what in fact is involved in such "subsumption" and how might it be resisted? Tracing the discourse of subsumption through the work of Kant, Hegel, Marx and the critical Marxist tradition, this book offers a materialist framework for analysing capitalist power. Saenz de Sicilia argues that capitalist subsumption operates at three distinct yet interrelated levels: exchange, production, and reproduction, each characterised by distinct logics of domination and resistance. Conflicts over subsumption at each of these levels lie at the heart of capitalism’s struggle to determine the shapes of human social life. A major intervention into debates surrounding the historical trajectories of capitalism, Subsumption in Kant, Hegel and Marx: From the Critique of Reason to the Critique of Society systematically refutes the influential thesis that we are now in a stage of "total" capitalist subsumption which leaves no space of refuge or resistance.

The main purpose of Supersuming Subsumption is to extrapolate from the Marxian understanding of subsumption — and the author's own socially historically situated reading of it — a dynamic and holistic theory of capitalist social power relations. The work brings this theory to bear on the anti-capitalist analysis of everyday practices. Despite a recent and renewed interest in the subject, subsumption remains a fairly under-explored category, used either as a ‘floating signifier’ to describe a vague and wide-ranging tendency of capital to colonise social life, or, alternatively, as a highly technical concept in the specialist literature on Marx's later writings. The present work aims to maintain the specificity of the concept while opening up its domain of application to the realms of everyday life and practical politics.

The past decade has witnessed a resurgence of interest in Marxism both within and without the academy. Marxian frameworks, concepts and categories continue to be narratively relevant to the features and events of contemporary capitalism. Most crucially, an attention to shifting cultural conditions has lead contemporary researchers to re-confront some classical and essential Marxist concepts, as well as elaborating new critical frameworks for the analysis of capitalism today. The SAGE Handbook of Marxism showcases this cutting-edge of today’s Marxism. It advances the debate with essays that rigorously map and renew the concepts that have provided the groundwork and main currents for Marxist theory, and showcases interventions that set the agenda for Marxist research in the 21st century. A rigorous and challenging collection of scholarship, this book contains a stunning range of contributions from contemporary academics, writers and theorists from around the world and across disciplines, invaluable to scholars and graduate students alike. Part 1: Reworking the critique of political economy Part 2: Forms of domination, subjects of struggle Part 3: Political perspectives Part 4: Philosophical dimensions Part 5: Land and existence Part 6: Domains Part 7: Inquiries and debates

This book extends the approach that Murray and Schuler develop in their companion volume, False Moves in Philosophy and Social Theory: Losing Public Purpose. The chapters form a connected inquiry into consequences of capital, a far-reaching social form, through a critique of political economy and the mindset it shares with much modern philosophy and social theory. The authors call this bifurcating mentality factoring philosophy. Factoring philosophy mistakes the distinguishable for the separable. It splits the subjective and objective, form and content, and it takes the object of social theory to be an impossible economy-in-general, stripped of constitutive social forms. The critique of factoring philosophy structures the collection, which makes a wide-ranging contribution to the research field of the critique of political economy as critical social theory. Ultimately, this book solidifies Murray and Schuler’s impact on the study of political economy, political philosophy, modern philosophy, Hegel, Marx, and critical theory.

Despite insoluble contradictions, intense volatility and fierce resistance, the crisis-ridden capitalism of the 21st century lingers on. To understand capital's paradoxical expansion and entrenchment amidst crisis and unrest, Mute Compulsionoffers a novel theory of the historically unique forms of abstract and impersonal power set in motion by the subjection of social life to the profit imperative. Building on a critical reconstruction of Karl Marx's unfinished critique of political economy and a wide range of contemporary Marxist theory, philosopher Sren Mau sets out to explain how the logic of capital tightens its stranglehold on the life of society by constantly remoulding the material conditions of social reproduction. In the course of doing so, Mau intervenes in classical and contemporary debates about the value form, crisis theory, biopolitics, social reproduction, humanism, logistics, agriculture, metabolism, the body, competition, technology and relative surplus populations.

This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption – called "contemporary art" – emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part I is methodological and theoretical in scope, while Part II is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies.

Through a discussion with current perspectives in philosophy of history and a rigorous reading of his oeuvre this book highlights the possibilities of the best Marx in terms of his capacity to account for the development of spatiotemporally complex societies.

The SAGE Handbook of Frankfurt School Critical Theory expounds the development of critical theory from its founding thinkers to its contemporary formulations in an interdisciplinary setting. It maps the terrain of a critical social theory, expounding its distinctive character vis-a-vis alternative theoretical perspectives, exploring its theoretical foundations and developments, conceptualising its subject matters both past and present, and signalling its possible future in a time of great uncertainty. Taking a distinctively theoretical, interdisciplinary, international and contemporary perspective on the topic, this wide-ranging collection of chapters is arranged thematically over three volumes: Volume I: Key Texts and Contributions to a Critical Theory of Society Volume II: Themes Volume III: Contexts This Handbook is essential reading for scholars and students in the field, showcasing the scholarly rigor, intellectual acuteness and negative force of critical social theory, past and present.

In this book, Maria Chehonadskih unsettles established narratives about the formation of a revolutionary canon after the October Revolution. Displacing the centre of gravity from dialectical materialism to the rapid dissemination, canonisation and decline of a striking convergence of empiricism and Marxism, she explores how this tendency, overshadowed by official historiography, establishes a new attitude to modernity and progress, nature and environment, agency and subjectivity, party and class, knowledge and power. The book traces the adventure of the synthesis of empiricism and Marxism across philosophy, science, politics, art and literature from the 1890s to the 1930s, offering a radical rethinking of the true scope and scale that the main proponent of Empirio-Marxism, Alexander Bogdanov, had on the post-revolutionary socialist legacies. Chehonadskih draws on both key and forgotten figures and movements, such as Proletkult, Productivism and Constructivism, filling a gap in the literature that will be particularly significant for Marxism, continental philosophy, art theory and Slavic studies specialists.

This original and challenging book presents a radical revision of traditional assessments of Hegel. Gillian Rose argues that the classical origins of contemporary non-Marxist and Marxist sociology rest on the 'neo-Kantian' paradigm and that Hegel's thought anticipates and criticises the limitations of this paradigm and the problems of methodologism and moralism in sociological method. Hegel's major mature works are expounded in the light of his early radical writings. From this unusual perspective Dr Rose shows that Hegel's speculative discourse is a powerful critique of bourgeois property relations and law, or art and religion as misrepresentation and of the inversions and end of culture. The book concludes with a discussion of the end of philosophy, the repetition of sociology and the culture and fate of Marxism.