From the dawn of European civilization to the twentieth century, the automaton—better known today as the robot—has captured the Western imagination and provided a vital lens into the nature of humanity. Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today. Sublime Dreams of Living Machines is an ambitious historical exploration and, at heart, an attempt to fully elucidate the rich and varied ways we have utilized our most uncanny creations to explore essential questions about ourselves.

Case studies exploring the roots of persuasion and rhetorical unconsciousness Rhetorical Unconsciousness and Political Psychoanalysis investigates unintentional forms of persuasion, their political consequences, and our ethical relation to the same. M. Lane Bruner argues that the unintentional ways we are persuaded are far more important than intentional persuasion; in fact all intentional persuasion is built on the foundations of rhetorical unconsciousness, whether we are persuaded through ignorance (the unsayable), unconscious symbolic processes (the unspoken), or productive repression (the unspeakable). Bruner brings together a wide range of theoretical approaches to unintentional persuasion, establishing the locations of such persuasion and providing examples taken from the Western European transition from feudalism to capitalism. To be more specific, phenomena related to artificial personhood and the commodity self have led to transformations in material culture from architecture to theater, showing how rhetorical unconsciousness works to create symptoms. Bruner then examines ethical considerations, the relationships among language in use, unconsciousness, and the seemingly irrational aspects of cultural and political history.

A beautiful lady who can only be seen from far away, a machine that generates an entire civilization, a king who loves the hidden life of an inanimate statue, a city that appears once a year across a great chasm, an ancient Korean king assassinated in the dark of the night, a ghost that haunts soldiers on the DMZ - these are just some of the marvels you will encounter in these stories from the transcultural and metafictional imagination of Minsoo Kang. In diverse narratives grouped under the titles of Tales from a Lost History, Fables of the Dream World, and Stories from an Imaginary Homeland, Kang explores the nature and possibilities of storytelling itself as he spins out variations on an episodic theme, reinterprets an old myth, and struggles with a past that seeks a voice in the present. The result is a marvelously surrealistic landscape where histories, ideas, and legends freely intermingle and dance to the music of wonder and longing.

Hong Gildong, a brilliant but illegitimate son of a noble government minister, cannot advance in society and embarks on a series of adventures, joining a band of outlaws, vanquishing assassins and monsters, and founding his own kingdom.

Is it possible to design robots and other machines that can reproduce and evolve? And, if so, what are the implications: for the machines, for ourselves, for our environment, and for the future of life on Earth and elsewhere? In this book the authors provide a chronological survey and comprehensive archive of the early history of thought about machine self-reproduction and evolution. They discuss contributions from philosophy, science fiction, science and engineering, and uncover many examples that have never been discussed in the Artificial Intelligence and Artificial Life literature before now. In the final chapter they provide a synthesis of the concepts discussed, offer their views on the field’s future directions, and call for a broad community discussion about the significant implications of intelligent evolving machines. The book will be of interest to general readers, and a valuable resource for researchers, practitioners, and historians engaged with ideas in artificial intelligence, artificial life, robotics, and evolutionary computing.

The automaton, known today as the robot, can be seen as a metaphor for the historical period in which it is explored. Chapters include examinations of Iconoclasm's fear that art might surpass nature, the Cartesian mind/body divide, automata as objects of courtly desire, the uncanny Olympia, and the revolutionary Robots in post-WWI drama.

Diverse and wide-ranging, the essays collected here examine nineteenth-century visual culture as European culture redefined itself, embracing political and social change yet expressing tensions and anxieties about modernity. Scholars of history, art, the history of science and literature combine forces to investigate the role of visual representation by looking at changing ideas expressed in representations of science, technology, politics, and culture in advertising, art, periodicals, and novels.

Dream Machines is a history of the ways in which machines have been imagined. It considers seven different kinds of speculative, projected or impossible machine: machines for teleportation, dream-production, sexual pleasure and medical treatment and cure, along with 'influencing machines', invisibility machines and perpetual motion machines.

When her lover dies suddenly, all Catherine has left is her work. In an act of compassion her manager at London’s Swinburne Museum gives her a very particular project: a box of intricate clockwork parts that constitute a nineteenth-century automaton, a beautiful mechanical bird. It’s an object made of equal parts magic, love, madness and science, a delight that contains the seeds of our age’s downfall. Once Catherine discovers the diary of the man who commissioned it, one obsession merges into another.

Called “an enduring literary achievement . . . astonishing” by The New York Times, this highly acclaimed debut novel from the Pulitzer Prize-winning author of Night Watch introduces the Hampsons, an ordinary, small-town American family profoundly affected by the extraordinary events of history—from the Depression to the Vietnam War. One of The Atlantic’s Great American Novels of the Past 100 Years Here is a stunning chronicle that is revealed in the thoughts, dreams, and memories of each member of the Hampson family. Mitch struggles to earn a living as Jeans becomes the main breadwinner, working to complete college and raise the family. While the couple fight to keep their marriage intact, their daughter Danner and son Billy forge a sibling bond of uncommon strength. When Billy goes off to Vietnam, Danner becomes the sole bond linking her family, whose dissolution mirrors the fractured state of America in the 1960s. Deeply felt and vividly imagined, this lyrical novel is "among the wisest of a generation to grapple with a war that maimed us all" (The Village Voice), by a master of contemporary fiction.