Sub-Versions of the Archive: Manuel Puig's and Severo Sarduy's Alternative Identities analyzes recent theories of the archive to examine how Manuel Puig and Severo Sarduy reformulate the Latin American literary tradition. This study focuses on eclectic theories of the archive as both repository and danger, drawing from an array of sources both within and outside the Hispanic literary tradition: from Borges, Foucault, Arrom, Derrida, Gonz_lez Echevarr'a, and Guillory to digital media and biotechnology. This book also applies theories of cultural contamination (Maria Lugones) and symbolic capital (Pierre Bourdieu) to the novels of Puig and Sarduy to explore the representation of marginal cultures within a body of literature that previously altered or elided these subaltern cultures from the tradition. Through close readings and critical theoretical applications, this book demonstrates how archival fiction continues to be one of the most popular strategies among Latin American novelists and, most importantly, how they have successfully managed to find new ways to inscribe their alternative fictions within this tradition. Puig's and Sarduy's novels reproduce discourses-popular culture and the mass media-that lack prestige within the traditional archive. These discourses mirror realities of marginal groups-gay people, children, the poor, the illiterate, women, and racial minorities. Their cultural variants, sub-versions of hegemonic masterstories, are endowed with truth-bearing power for them, but were previously left out of the archive as legitimate novelistic models. To date, this is the only study of contemporary Latin American fiction that puts current theories of the archive-especially that of Roberto Gonz_lez Echevarr'a-to practice in such a systematic way. Riob-'s analysis of how Puig and Sarduy reformulate the Latin American canon is both a necessary complement of Gonz_lez Echevarr'a's work and an intelligent answer to the first of his projected masterstories. Riob-'s multidisciplinary approach offers a deep understanding and analysis of both the archive and of some of the Spanish language's most innovative and complex fiction.

Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles

"This contextualizing of the imagination reveals two dimensions in the writer's discursive strategy: the ideological function of reconciling contradictions, and the utopian drive to subvert imperialist subjection via the invention of an egalitarian, resurgent Filipino community--the fulfillment of the dream of the 1896 Revolution. Joaquin's corpus is therefore as conflicted, as torn by the same contradictions as the body politic which his art seeks to mediate."--P. [4] of cover.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

A revolutionary study of Spanish-language Filipino literature as the first creative reaction to American imperialism

In this richly illustrated book, Margot Francis explores how whiteness and Indigeneity are articulated through four icons of Canadian identity -- the beaver, the railway, the wilderness of Banff National Park, and "Indianness" -- and the contradictory and contested meanings they evoke. These seemingly benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood. Juxtaposing these nostalgic images with the work of contemporary Canadian artists, she investigates how everyday objects can be re-imagined to challenge ideas about history, memory, and national identity.

Uses ethnographic tools to analyze political disorder and its representation at the end of the Cold War.

The book has an introductory chapter that gets the reader started quickly with programming in Perl. The initial part of the book discusses Perl expressions, statements, control flow, built-in data types such as arrays and hashes, and complex data structures built using references. On Perl has several chapters covering specialized topics. The chapter on socket-based network programming deals with forking and using fork to write complex interactive client-server programs. There is a chapter with in-depth discussion of CGI programming including error-handling and security issues that arise. The chapter on web-client programming deals with writing programs that access Web pages, fill up GET and POST forms, handle cookies and redirected Web pages. The book has several unique chapters not found in any other book on Perl in the market. The chapter on security discusses hashes such as MD5, message authentication codes (MACs), digital signature schemes, and encryption techniques such as DES, Rijndael, and RSA. Other chapters deal with writing recursive programs that work with files and directories; this chapter also discusses predefined modules that deal with portability in file names and paths across operating systems, recursive traversal of file hierarchies and tarring and untarring of filles. The chapter on functional programming illustrates that Perl functions are first-class, can be used to write closures and can be composed to form more complex functions. In particular, this can be useful for programming in artificial intelligence.