The pages of the Hebrew Bible are filled with stories - short and long, funny and sad, histories, fables, and morality tales. The ancient narrators used a variety of stylistic devices to structure, to connect, and to separate their tales - and thus to establish contexts within which meaning comes to light. What are these devices, and how do they guide our reading and our understanding of the text? Style and Structure in Biblical Hebrew Narrative explores some of the answers and shows scriptural interpretation can be a matter of style." Part one of Style and Structure in Biblical Hebrew Narrative examines a wide variety of symmetrical patterns biblical Hebrew narrative uses to organize its units and subunits, and the interpretive dynamics those patterns can imply. Part two addresses the question of boundaries between literary units. Part three examines devices that biblical Hebrew narrative uses to connect consecutive literary units and subunits. Chapters in Part One: Structures of Organization are "Reverse Symmetry," "Forward Symmetry," "Alternating Repetition," "Partial Symmetry," "Multiple Symmetry," "Asymmetry." Chapters in Part Two: Structures of Disjunction are "Narrative Components," "Repetition," and "Narrative Sequence." Chapters in Part Three: Structures of Conjunction are "Threads," "Links: Examples," "Linked Threads: Examples," "Hinges: Examples," and "Double-Duty Hinges: Examples." Jerome T. Walsh, PhD, is a professor of theology and religious studies at the University of Botswana. He is the author of 1 Kings in the Berit Olam (The Everlasting Covenant) Studies in Hebrew Narrative and Poetry series for which he is also an associate editor. "

The Old Testament's stories are intriguing, mesmerizing, and provocative not only due to their ancient literary craft but also because of their ongoing relevance. In this volume, well suited to college and seminary use, Jerome Walsh explains how to interpret these narrative passages of Scripture based on standard literary elements such as plot, characterization, setting, pace, point of view, and patterns of repetition. What makes this book an exceptional resource is an appendix that offers practical examples of narrative interpretation- something no other book on Old Testament interpretation offers.

After almost two centuries of historical criticism, biblical scholarship has recently taken major shifts in direction, most notably toward literary study of the Bible. Much germinal criticism has taken as its primary focus narrative texts of the Hebrew Bible (the "Old Testament"). This study provides a lucid guide to the interpretive possibilities of this movement. Attempting to be both theoretical and practical, it combines discussion of methods and the business of reading in general with numerous illustrations through readings of particular texts. Gunn and Fewell discuss how literary criticism is related to other dominant ways of reading the text over the last two thousand years. In addition, they address characters, including the narrator and God; plot, modifying recent theory to accommodate the peculiar complexity of biblical narratives; and the play of language through repetition, ambiguity, multivalence, metaphor, and intertextuality. Finally, the authors discuss readers and responsibility, exploring the ideological dimension of narrative interpretation. An extensive bibliography completes the book, arranged by subject and biblical text.

Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.

Adultery, though not an umbrella concept for all the sexual prohibitions in the Hebrew Bible, enjoys a certain pride of place. Remarkably, it is the one sexual prohibition attested in all biblical genres, which makes it very representative in the Hebrew Bible. It is the only Hebrew biblical sexual prohibition explicitly mentioned in the Decalogue. A solid understanding of Hebrew biblical adultery, therefore, is an important step towards grasping the vital role of human sexuality in the Hebrew Bible, both in terms of inter-human relationships and the relationship between the human and the divine. Without prejudice to the contents of the Hebrew biblical lexicons and theological dictionaries, this work aims at providing a comprehensive understanding of adultery in the Hebrew Bible: its meaning, punishments and the implications thereof. Among others, it corrects some wrong assumptions about the concept of adultery in the Hebrew Bible, and provides a balanced and unbiased Hebrew biblical conception of adultery and the implications thereof for todays couples.

Informed by literary theory and Homeric scholarship as well as biblical studies, Biblical Narrative and the Death of the Rhapsode sheds new light on the Hebrew Bible and, more generally, on the possibilities of narrative form. Robert S. Kawashima compares the narratives of the Hebrew Bible with Homeric and Ugaritic epic in order to account for the "novelty" of biblical prose narrative. Long before Herodotus or Homer, Israelite writers practiced an innovative narrative art, which anticipated the modern novelist's craft. Though their work is undeniably linked to the linguistic tradition of the Ugaritic narrative poems, there are substantive differences between the bodies of work. Kawashima views biblical narrative as the result of a specifically written verbal art that we should counterpose to the oral-traditional art of epic. Beyond this strictly historical thesis, the study has theoretical implications for the study of narrative, literature, and oral tradition. Indiana Studies in Biblical Literature -- Herbert Marks, General Editor

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

"A Michael Glazier book". Includes bibliographical references (p. 339-349) and index.

This book is a revision of a dissertation that studies three texts--Genesis 38; 1 Samuel 25; and 1 Kings 13:11-32 + Kings 12:15-20--in which the author finds examples of the literary device, mise-en-abyme ("placement of the abyss").

Serious Bible readers, including biblical scholars, Sunday Bible teachers, laypersons of church, and even the Sunday school kids, ask the question, "Is Balaam a good or bad person?" or "Is Balaam a prophet of God or a pagan diviner?" However, nobody has provided a relieving answer for the question up to this day. Then, what does the Balaam story in the passage of Num 22-24 tell us about the character of Balaam? More fundamentally, what does the passage want readers to know? This book suggests a new way for Bible reading, especially the Old Testament. The Old Testament readers can discover a proper strategy to understand the intention and message of every single passage of the Old Testament through the ways that are suggested in this book.