This book contains various work from Locke's Master's program, along with a select group of articles from his blog called Not the Guy on Lost, (locke-on-politics.blogspot.com) and his most recent essays from his first semester as a doctoral student at Union Institute and University. John Locke covers a variety of topics, but throughout, there is a common thread: economic and social justice. This is the stuff he's written...so far.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Techniques of the Selling Writer provides solid instruction for people who want to write and sell fiction, not just to talk and study about it. It gives the background, insights, and specific procedures needed by all beginning writers. Here one can learn how to group words into copy that moves, movement into scenes, and scenes into stories; how to develop characters, how to revise and polish, and finally, how to sell the product. No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can shorten any beginner's apprenticeship by years. This is the book for writers who want to turn rejection slips into cashable checks.

Discover optimistic and inspirational treats between the covers of Stuff Ive Written Along the Way! This book is divided into three major parts, with each part bringing optimism and inspiration to its readers. It is uniquely designed so that readers can draw, write and reflectproviding enough space where they can express their thoughts, feelings, and impressions. The poems in this collection reflect the poets experiences during his early years. In his own words, Much of it landed on paper during my high school and college years. You remember, dont you? Those years when we dont yet need to be practical and idealism rules. Each poem and essay may be a piece of your story too. They may arouse your memories, and perhaps stir your soul.

'It is dark, dirty, grim and confusing – in a very good way. It’s also warm, humane, funny and mischievous, and all the pages are in the right order' Jeremy Hardy

Seventeen-year-old Gwen is preparing to audition for New York City’s top music schools when her grandfather mysteriously disappears, leaving Gwen only a phone message telling her not to worry. But there’s nothing more stressful than practicing for her auditions, not knowing where her grandfather is, and being forced to lie about his whereabouts when her insistent great-uncle demands an audience with him. Then Gwen meets Robert, also in town for music auditions, and the two pair up to brave the city without supervision. As auditions approach and her great-uncle becomes more aggressive, Gwen and Robert make a startling discovery. Suddenly Gwen’s hopes are turned upside down, and she and Robert are united in ways neither of them could have foretold. . . .

What makes a good story or a screenplay great? The vast majority of writers begin the storytelling process with only a partial understanding where to begin. Some labor their entire lives without ever learning that successful stories are as dependent upon good engineering as they are artistry. But the truth is, unless you are master of the form, function and criteria of successful storytelling, sitting down and pounding out a first draft without planning is an ineffective way to begin. Story Engineering starts with the criteria and the architecture of storytelling, the engineering and design of a story--and uses it as the basis for narrative. The greatest potential of any story is found in the way six specific aspects of storytelling combine and empower each other on the page. When rendered artfully, they become a sum in excess of their parts. You'll learn to wrap your head around the big pictures of storytelling at a professional level through a new approach that shows how to combine these six core competencies which include: • Four elemental competencies of concept, character, theme, and story structure (plot) • Two executional competencies of scene construction and writing voice The true magic of storytelling happens when these six core competencies work together in perfect harmony. And the best part? Anyone can do it!

Barely out of their teens and trained as assassins, Rigel members are taught that the Kalideyes are evil and must be destroyed. Makise—now named Maru—and her team fight against all odds during their training within the Rigel organization to rid her country of the dreaded and mysterious “people” called Kalideyes. Facing horrors, nightmares, depression, and injuries, how many will survive? As Maru prepares for her first mission, she realizes that relying on herself in times of crisis isn’t enough, but her teammates are as broken as she is. When she is forced to fight for her life, who will be there to save her? It won’t be long before Maru learns the truth behind the enemy and an even bigger truth, but are these enough to lead her to safety?

In this second volume of The Antipodean Philosopher, Graham Oppy and N.N. Trakakis have brought together fourteen leading Australasian philosophers, inviting them to speak in a frank and accessible way about their philosophical lives: for example, what drew them to a career in philosophy, what philosophy means to them, and their perceptions and criticisms of the ways in which philosophy is studied and taught in Australia and New Zealand. The philosophers interviewed include Brian Ellis, Frank Jackson, Jeff Malpas, Alan Musgrave, Philip Pettit, Graham Priest, Peter Singer and Michael Smith – philosophers who have distinguished themselves in the discipline, both nationally and internationally, over many years and in various branches of philosophy. What emerges from the discussion with these philosophers is a distinctive and engaging narrative of the history of philosophy in Australasia, its recent successes and flourishing, and the problems and prospects facing it in the twenty-first century. These interviews will challenge and entertain anyone with an interest in contemporary philosophy and the challenges of living out the examined life today.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.