This collection of essays focuses on the reception of Plato and Greek political thought in the work of some major (pre)Victorian classical scholars and expands on a remarkable range of hotly debated issues on the interpretation of Greek antiquity. The central figure in this volume is the radical philosopher, utilitarian, and Platonist George Grote, whose works on the history of Greece and Plato moved away from traditional models of classical interpretation. His works and their background are critically explored in light of his philosophical commitment and political radicalism. Article IV brings to light a forgotten manuscript by Grote, "On the Character of Socrates," produced in the 1820s. Grote sought to counter the current literature on ancient Greece and its predominant motifs, which is here examined in its own right along with an independent study on Bishop Connop Thirlwall's influential History of Greece. The second half of this volume is devoted to analyzing important aspects of the revival of Platonic studies in the ideological and discursive context of early and middle Victorian times. This collection of essays presents comprehensive and illuminating contextual analyses of nineteenth-century works on classical reception, providing simultaneously a rich bibliographic guide to further research.

This collection of essays focuses on the reception of Plato and Greek political thought in the work of some major (pre)Victorian classical scholars and expands on a remarkable range of hotly debated issues on the interpretation of Greek antiquity. The central figure in this volume is the radical philosopher, utilitarian, and Platonist George Grote, whose works on the history of Greece and Plato moved away from traditional models of classical interpretation. His works and their background are critically explored in light of his philosophical commitment and political radicalism. Article IV brings to light a forgotten manuscript by Grote, "On the Character of Socrates," produced in the 1820s. Grote sought to counter the current literature on ancient Greece and its predominant motifs, which is here examined in its own right along with an independent study on Bishop Connop Thirlwall's influential History of Greece. The second half of this volume is devoted to analyzing important aspects of the revival of Platonic studies in the ideological and discursive context of early and middle Victorian times. This collection of essays presents comprehensive and illuminating contextual analyses of nineteenth-century works on classical reception, providing simultaneously a rich bibliographic guide to further research.

This edited collection highlights the inquisitive and synthetic aspects of John Stuart Mill's mode of philosophising while exploring various aspects of Mill's thought, intellectual development and influence. The contributors to this volume discuss a number of Mill's ideas including those on political participation, democracy, liberty and justice.

The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This fourth volume, and second to appear in the series, covers the years 1790-1880 and explores romantic and Victorian receptions of the classics. Noting the changing fortunes of particular classical authors and the influence of developments in archaeology, aesthetics and education, it traces the interplay between classical and nineteenth-century perceptions of gender, class, religion, and the politics of republic and empire in chapters engaging with many of the major writers of this period.

Ancient Greece first coined the concept of "democracy", yet almost every major ancient Greek thinker-from Plato and Aristotle onwards- was ambivalent towards or even hostile to democracy in any form. The explanation for this is quite simple: the elite perceived majority power as tantamount to a dictatorship of the proletariat. In ancient Greece there can be traced not only the rudiments of modern democratic society but the entire Western tradition of anti-democratic thought. In Democracy, Paul Cartledge provides a detailed history of this ancient political system. In addition, by drawing out the salient differences between ancient and modern forms of democracy he enables a richer understanding of both. Cartledge contends that there is no one "ancient Greek democracy" as pure and simple as is often believed. Democracy surveys the emergence and development of Greek politics, the invention of political theory, and-intimately connected to the latter- the birth of democracy, first at Athens in c. 500 BCE and then at its greatest flourishing in the Greek world 150 years later. Cartledge then traces the decline of genuinely democratic Greek institutions at the hands of the Macedonians and-subsequently and decisively-the Romans. Throughout, he sheds light on the variety of democratic practices in the classical world as well as on their similarities to and dissimilarities from modern democratic forms, from the American and French revolutions to contemporary political thought. Authoritative and accessible, Cartledge's book will be regarded as the best account of ancient democracy and its long afterlife for many years to come.

Plato is a philosophical writer of unusual and ingenious versatility. His works engage in argument but are also full of allegory, imagery, myth, paradox and intertextuality. He astutely characterises the participants whom he portrays in conversation. Sometimes he composes fictive dialogues in dramatic form while at other times he does so as narratives. In this book, world-renowned scholar Malcolm Schofield illustrates the variety of the literary resources that Plato deploys to achieve his philosophical purposes. He draws key passages for discussion particularly, but not only, from Republic and the less well-known Laws and also shows how reconstructing the original historical context of a dialogue and of its assumed readership is essential to understanding Plato's approach. The book will open the eyes of readers of all levels of expertise to Plato's masterly ability as a writer and how an understanding of this is crucial if we are to appreciate his philosophy.

Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today.

Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.

This volume discusses ways in which the history of philosophy has been written, from 1800 to 1950, and how it has been informed and guided by institutional, cultural, political, philosophical, and non-philosophical factors. Since its inception as a discipline, histories of philosophy have been written in different ways, depending on author, place, and time; they have varied according to institutional frameworks, cultural settings, and philosophical and non-philosophical contexts. At each stage of the discipline’s development and evolution, philosophy has constantly used the history of philosophy for its own purposes by adapting it, transforming it, rejecting it, embracing it, and rewriting it at every step of the way. The chapters in this book examine the methods deployed by historians of philosophy, epistemological foundations laid down for those methods, and the philosophical (or non-philosophical) aims pursued using those methods. This book will be a great resource for academics, researchers, and advanced students of philosophy and related fields, including political philosophy and history of philosophy. It was originally published as a special issue of the British Journal for the History of Philosophy.

Frederick Rosen presents an original study of John Stuart Mill's moral and political philosophy, which explores the main themes of his writings—particularly those that emerge from the two major works, System of Logic (1843) and Principles of Political Economy (1848). From these, Mill developed the more widely-read later essays, On Liberty (1859), Utilitarianism (1861), Considerations on Representative Government (1861), and The Subjection of Women (1869). He was one of the greatest thinkers of the nineteenth century, and attempted to understand the political as well as intellectual struggles of his time, including those between capitalism and socialism, liberty and despotism, and Christianity and secular forces (particularly the sciences) that seemed to undermine religious belief. Rosen examines Mill's complex relationships with other contemporary thinkers (such as Jeremy Bentham, James Mill, Auguste Comte, George Grote, and Harriet Taylor Mill), and his philosophical sources, including Socrates, Plato, Aristotle, Hobbes, Locke, and Hume; and goes on to illustrate Mill's influence on subsequent philosophers, logicians, and economists. Rosen considers Mill's approaches to the study of active character and happiness in his work on logic and in the study of political economy, from which new interpretations of his ideas of liberty, justice, equality, and utility follow. Many of the debates with which Mill was engaged remain part of contemporary life, and Rosen's book is a guide for exploring and resolving them. Mill's ideas, his arguments, and the versions of utilitarianism and liberalism that he developed have created a humane, civilising philosophy for our times.