This book deals with the "Book of Splendor" (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar's teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This book deals with the "Book of Splendor" (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar's teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This book deals with the “Book of Splendor” (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar’s teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.

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In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.

This book deals with the nature and development of Jewish myth from the Talmudic period through Kabbalah to Hasidism. It describes the changes in this myth in its various stages and the external influences on it. The author shows that myth is in the essence of the Jewish religion and that, rather than being created out of external influences, Kabbalah is one of its manifestions. The book also deals with the related subject of Messianism, and delves into the special spiritual personalities of some messianic figures in Jewish history to show how myth was incarnate in them.

Nathaniel Berman’s Divine and Demonic in the Poetic Mythology of the Zohar: The “Other Side” of Kabbalah offers a new approach to the central work of Jewish mysticism, the Sefer Ha-Zohar (“Book of Radiance”). Berman explicates the literary techniques through which the Zohar constructs a mythology of intricately related divine and demonic personae. Drawing on classical and modern rhetorical paradigms, as well as psychoanalytical theories of the formation of subjectivity, Berman reinterprets the meaning of the Zohar’s divine and demonic personae, exploring their shared origins and their ongoing antagonisms and intimacies. Finally, he shows how the Zoharic portrayal of the demonic, the “Other Side,” contributes to reflecting on alterity of all kinds.

The Science of Kabbalah (Pticha) is the first in a series of texts that Rav Michael Laitman, Kabbalist and scientist, designed to introduce readers to the special language and terminology of the Kabbalah. Here, Rav Laitman reveals authentic Kabbalah in a manner that is both rational and mature. Readers are gradually led to an understanding of the logical design of the Universe and the life whose home it is. The Science of Kabbalah, a revolutionary work that is unmatched in its clarity, depth, and appeal to the intellect, will enable readers to approach the more technical works of Baal HaSulam (Rabbi Yehuda Ashlag), such as 'Talmud Eser Sefirot' and Zohar. Although scientists and philosophers will delight in its illumination, laymen will also enjoy the satisfying answers to the riddles of life that only authentic Kabbalah provides. Now, travel through the pages and prepare for an astonishing journey into the 'Upper Worlds'.

National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2016. The Zohar is one of the most sacred, authoritative, and influential books in Jewish culture. Many scholarly works have been dedicated to its ideas, its literary style, and the question of its authorship. This book focuses on other issues: it examines the various ways in which the Zohar has been received by its readers and the impact it has had on Jewish culture, including the fluctuations in its status and value and the different cultural practices linked to these changes. This dynamic and multi-layered history throws important new light on many aspects of Jewish cultural history over the last seven centuries. Boaz Huss has broken new ground with this study, which examines the reception and canonization of the Zohar as well as its criticism and rejection from its inception to the present day. His underlying assumption is that the different values attributed to the Zohar are not inherent qualities of the zoharic texts, but rather represent the way it has been perceived by its readers in different cultural contexts. He therefore considers the attribution of different qualities to the Zohar through time, and the people who were engaged in attributing such qualities and making innovations in cultural practices and rituals. For each historical period from the beginning of Zohar reception to the present, Huss considers the social conditions that stimulated the veneration of the Zohar as well as the factors that contributed to its rejection, alongside the cultural functions and consequences of each approach. Because the multiple modes of the reception of the Zohar have had a decisive influence on the history of Jewish culture, this highly innovative and wide-ranging approach to Zohar scholarship will have important repercussions for many areas of Jewish studies.