One of the most widely-read and translated Spanish works in sixteenth-century Europe was Fernando de Rojas' Celestina, a 1499 novel in dialogue about a couple that faces heartbreak and tragedy after being united by the titular brothel madam. In 'Celestina' and the Ends of Desire, E. Michael Gerli illustrates how this work straddles the medieval and the modern in its exploration of changing categories of human desire - from the European courtly love tradition to the interpretation of want as an insatiable, destructive force. Gerli's analysis draws on a wide range of Celestina scholarship but is unique in its use of modern literary and psychoanalytic theory to confront the problematic links between literature and life. Explorations of influence of desire on knowledge, action, and lived experience connect the work to seismic shifts in the culture of early modern Europe. Engaging and original, 'Celestina' and the Ends of Desire takes a fresh look at the timeless work's widespread appeal and enduring popularity.

Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volume's historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados' central role in Catalan identity; from Francisco Barbieri's Madrid to the Wagnerian's influence in Benito Perez Galdos' prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist' cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culture--zarzuelas, choruses of industrial workers, opera, national anthems--but also their inter-dependence in the artists' creativity.

This book examines the religious and ideological consequences of mass conversion in Iberia, where Jews and Muslims were forcibly converted or expelled at the end of the XVth century and beginning of the XVIth, and in this way it explores the fraught relationship between origins and faith. It treats also of the consequences of coercion on intellectual debates and the production of knowledge, taking into account how integrating new converts from Judaism and Islam stimulated Christian scholars to confront the converts’ sacred texts and created a distinctive peninsular hermeneutics. The book thus assesses the importance of the “Converso problem” in issues such as religious dissidence, dissimulation, and doubt and skepticism while establishing the process by which religious dissidence came to be categorized as heresy and was identified with converts from Judaism and Islam even when Lutheranism was often in the background.

From his first book, From Spanish Court to Italian Ghetto, to his well-known volume on Jewish memory, Zakhor, to his treatment of Sigmund Freud in Freud's Moses, Yosef Hayim Yerushalmi (1932-2009) earned recognition as perhaps the greatest Jewish historian of his day, whose scholarship blended vast erudition, unfettered creativity, and lyrical beauty. This volume charts his intellectual trajectory by bringing together a mix of classic and lesser-known essays from the whole of his career. The essays in this collection, representative of the range of his writing, acquaint the reader with his research on early modern Spanish Jewry and the experience of crypto-Jews, varied reflections on Jewish history and memory, and Yerushalmi-s enduring interest in the political history of the Jews. Also included are a number of little-known autobiographical recollections, as well as his only published work of fiction.

On June 11, 1485, in the pilgrimage town of Guadalupe, the Holy Office of the Inquisition executed Alonso de Paredes--a converted Jew who posed an economic and political threat to the town's powerful friars--as a heretic. Wedding engrossing narratives of Paredes and other figures with astute historical analysis, this finely wrought study reconsiders the relationship between religious identity and political authority in late-Medieval and early-modern Spain. Gretchen Starr-LeBeau concentrates on the Inquisition's handling of conversos (converted Jews and their descendants) in Guadalupe, taking religious identity to be a complex phenomenon that was constantly re-imagined and reconstructed in light of changing personal circumstances and larger events. She demonstrates that the Inquisition reified the ambiguous religious identities of conversos by defining them as devout or (more often) heretical. And she argues that political figures used this definitional power of the Inquisition to control local populations and to increase their own authority. In the Shadow of the Virgin is unique in pointing out that the power of the Inquisition came from the collective participation of witnesses, accusers, and even sometimes its victims. For the first time, it draws the connection between the malleability of religious identity and the increase in early modern political authority. It shows that, from the earliest days of the modern Spanish Inquisition, the Inquisition reflected the political struggles and collective religious and cultural anxieties of those who were drawn into participating in it.

The Marranos were former Jews forced to convert to Christianity in Spain and Portugal, and their later descendents. Despite economic and some political advancement, these "Conversos" suffered social stigma and were persecuted by the Inquisition. In this unconventional history, Yirmiyahu Yovel tells their fascinating story and reflects on what it means for modern forms of identity. He describes the Marranos as "the Other within"—people who both did and did not belong. Rejected by most Jews as renegades and by most veteran Christians as Jews with impure blood, Marranos had no definite, integral identity, Yovel argues. The "Judaizers"—Marranos who wished to remain secretly Jewish—were not actually Jews, and those Marranos who wished to assimilate were not truly integrated as Hispano-Catholics. Rather, mixing Jewish and Christian symbols and life patterns, Marranos were typically distinguished by a split identity. They also discovered the subjective mind, engaged in social and religious dissent, and demonstrated early signs of secularity and this-worldliness. In these ways, Yovel says, the Marranos anticipated and possibly helped create many central features of modern Western and Jewish experience. One of Yovel's philosophical conclusions is that split identity—which the Inquisition persecuted and modern nationalism considers illicit—is a genuine and inevitable shape of human existence, one that deserves recognition as a basic human freedom. Drawing on historical studies, Inquisition records, and contemporary poems, novels, treatises, and other writings, this engaging critical history of the Marrano experience is also a profound meditation on dual identities and the birth of modernity.

Hidden lives, hidden history, and hidden manuscripts. In The Virgin of Guadalupe and the Conversos, Marie-Theresa Hernández unmasks the secret lives of conversos and judaizantes and their likely influence on the Catholic Church in the New World. The terms converso and judaizante are often used for descendants of Spanish Jews (the Sephardi, or Sefarditas as they are sometimes called), who converted under duress to Christianity in the fourteenth and fifteenth centuries. There are few, if any, archival documents that prove the existence of judaizantes after the Spanish expulsion of the Jews in 1492 and the Portuguese expulsion in 1497, as it is unlikely that a secret Jew in sixteenth-century Spain would have documented his allegiance to the Law of Moses, thereby providing evidence for the Inquisition. On a Da Vinci Code – style quest, Hernández persisted in hunting for a trove of forgotten manuscripts at the New York Public Library. These documents, once unearthed, describe the Jewish/Christian religious beliefs of an early nineteenth-century Catholic priest in Mexico City, focusing on the relationship between the Virgin of Guadalupe and Judaism. With this discovery in hand, the author traces the cult of Guadalupe backwards to its fourteenth-century Spanish origins. The trail from that point forward can then be followed to its interface with early modern conversos and their descendants at the highest levels of the Church and the monarchy in Spain and Colonial Mexico. She describes key players who were somehow immune to the dangers of the Inquisition and who were allowed the freedom to display, albeit in a camouflaged manner, vestiges of their family's Jewish identity. By exploring the narratives produced by these individuals, Hernández reveals the existence of those conversos and judaizantes who did not return to the “covenantal bond of rabbinic law,” who did not publicly identify themselves as Jews, and who continued to exhibit in their influential writings a covert allegiance and longing for a Jewish past. This is a spellbinding and controversial story that offers a fresh perspective on the origins and history of conversos.

Islam in Spanish Literature is a sweeping reinterpretation of Spanish literature, taking as its given the enormous debt to Arab culture that Spain incurred through the eight centuries of Islamic presence on the Iberian Peninsula. This volume takes up the thread of the work of the Arabist Miguel Asín Palacios, the first to comment extensively upon the marked Islamic features in many Spanish classics. After an initial survey of the presence of Islam and Judaism in Spanish history and culture, succeeding chapters explore the Muslim context of Juan Ruiz, the author of the Libro de buen amor; St John of the Cross; St Teresa de Jesus; the anonymous sonnet "No me mueve, mi Dios"; aljamiado-morisco literature and then "official" Moorophile literature, standing in such dramatic contrast to one another; and last, the novelist Juan Goytisolo, who, writing today, continues to reflect upon the impact of the East on Spanish culture. It is no exaggeration to state that this book redefines the ground of the study of Spanish literature; it will be hard for the contemporary reader ever again to read it with innocence, as a literature exclusively "European."