This book introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene's literary expression.

Byzantine princess Anna Komnene is known for writing history and plotting to become empress by murdering her brother. This book explains how Anna broke her culture's rules for women's behavior by writing history, her efforts to be acceptable, and how her writing nonetheless fired the story of her bloodthirsty ambition.

A revised edition of Anna Komnene's Alexiad, to replace our existing 1969 edition. This is the first European narrative history written by a woman - an account of the reign of a Byzantine emperor through the eyes and words of his daughter which offers an unparalleled view of the Byzantine world in the eleventh and twelfth centuries.

"The Alexiad, written in the twelfth century by a Byzantine princess, Anna Komnene, tells the story of the Byzantine Empire during the reign of her father, offering accounts of its political and military history, including its involvement with the First Crusade. Structure and Features of Anna Komnene's Alexiad: Emergence of a Personal History introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene's literary expression. The book's approach focuses mainly on the author, the subject, the structure and the inner stylistic features, as well as the genre itself. The result is a substantially new outlook on the main Byzantine historiographical work of the twelfth century."--Bloomsbury Publishing.

“Kolovou . . . rescues Anna from the talons of misogynist historians and places her where she belongs as an extraordinary, but very human, woman.” —Beating Tsundoku A woman of extraordinary education and intellect, Anna Komnene was the only Byzantine female historian and one of the first and foremost historians in medieval Europe. Yet few people know of her and her extraordinary story. Subsequent historians and scholars have skewed the picture of Anna as an intellectual princess and powerful author. She has been largely viewed as an angry, bitter old woman, who greedily wanted a throne that did not belong to her. After being exiled to a convent, she composed the Alexiad, the history of the First Crusade and the Byzantine Emperor, Alexios I Komnenos (1081-1118), her father. This book aims to present Anna Komnene—the fascinating woman, pioneer intellectual, and charismatic author—to the general public. Drawing on the latest academic research to reconstruct Anna’s life, personality and work, it moves away from the myth of Anna the conspirator and “power-hungry woman” which has been unfairly built around her over centuries of misrepresentation. It places Anna Komnene in the context of her own time: the ancient Greek colony and medieval Eastern Roman empire, known as Byzantium, with the magnificent city of Constantinople at its heart. At the forefront of an epic clash between East and West, this was a world renowned for its dazzling wealth, mystery and power games. This was a world with Anna Komnene directly at the center. “Well-written, well-researched, and an overall fascinating read . . . A brilliant addition to women’s history.” —Where There’s Ink There’s Paper

A historical analysis of the warfare during the Norman Conquest of England, and a look at the truth behind the legendary victor, King William I. The reality of war, in any period, is its totality. Warfare affects everyone in a society. Here, for the first time, is a comprehensive analysis of eleventh century warfare as exposed in the record of the Norman Conquest of England. King William I experienced a lifetime of conflict on and off so many battlefields. In English Collusion and the Norman Conquest, Arthur Wright’s second book on the Norman Conquest, he argues that this monarch has received an undeserved reputation bestowed on him by clerics ignorant alike of warfare, politics, economics and of the secular world, men writing half a century after events reported to them by doubtful sources. How much of this popular legend was actually created by an avaricious Church? Was he just a lucky, brutal soldier, or was he instead a gifted English King who could meld cultures and talents? This is a tale of blood, deceit, ambition and power politics which pieces together the self-interested distortion of events, brutalizing conflict and superb strategic acumen by using and analyzing contemporary evidence the like of which is not to be found elsewhere in Europe. By 1072 King William should have been secure upon the English throne, so what went wrong? How did a Norman Duke and a few thousand mercenaries take and hold such a wealthy and populous Kingdom? Even in the “Harrowing of the North,” which probably saw the death of tens of thousands, who was really to blame and why did it happen? Praise for English Collusion and the Norman Conquest “Arthur C Wright’s fresh look at how things panned out before and after the invasion provides new and fresh evidence that should not be overlooked. Brilliant.” —Books Monthly (UK)

The 'Alexiad', written in the twelfth century by a Byzantine princess, Anna Komnene, tells the story of the Byzantine Empire during the reign of her father, offering accounts of its political and military history, including its involvement with the First Crusade. This book introduces new methods of research for studying the 'Alexiad', aiming primarily at analysing Anna Komnene?s literary expression. The book?s approach focuses mainly on the author, the subject, the structure and the inner stylistic features, as well as the genre itself. The result is a substantially new outlook on the main Byzantine historiographical work of the twelfth century.

A critical appraisal of the literary art of a great Byzantine text by the first woman historian, Anna Komnene.

A neglected aspect of Byzantium, physical beauty appears as a quality with an unmistakable dark side, relating ambiguously to notions of power, goodness, evil, masculinity, effeminacy, life and death. Examined as an attribute of the human and, in particular, of the male body, this study of beauty refines our understanding of the Byzantine world.

Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.