Growing up, Hev worked for a man named Jake who ran the streets. As Hev aged, he became smarter and had new idea on how to make more money. He then ran into a childhood friend named Dan who becomes his right hand man. Hev and Dan start up a business from ground zero and take control of the streets. Riches, fame, and fortune are all at hand for Hev. As his "business" grows, some tough life threatening actions happen that Hev has to cope with. In the end, was it worth it?

While the number of women in U.S. jails remains low in comparison with the number of men, over the past 10 years their admission rate has soared and now surpasses the rate of increase for men. While demographic information is available on these women, it tells us little about who they are as people, how they become repeat offenders, or how they survive on the street. The author sheds light on these issues in a study of female repeat offenders admitted to a New York state jail. Despite the women's self-defeating behaviors, many of them reveal a surprising degree of initiative and self-sufficiency. This finding runs counter to previous research in which drug use and criminal activity by women have been viewed as reflecting the perpetrators' victim status and lack of agency. The author argues for seeing these behaviors in a broader social context and suggests avenues for future study, as well as more humane and constructive intervention strategies.

From the South Bronx projects to the boardroom—at only nineteen years old, Cin Fabré ran with the wolves of Wall Street. Growing up, Cin Fabré didn’t know anything about the stock market. But she learned how to hustle from her immigrant parents, saving money so that one day she could escape her abusive father and poverty in the Bronx. Through a tip from a friend, Cin pushed her way into brokerage firm VTR Capital—an offshoot of Stratton Oakmont, the company where the Wolf of Wall Street, Jordan Belfort, had reigned. She was shocked to find an army of young workers, mostly Black and Brown, with no real prospects for promotion sitting at phones doing the drudge work of finding investment leads for white male brokers. But she felt the pull of profit and knew she would do whatever she had to do to be successful. Pulling back the curtain on the inequities she and so many others faced, Wolf Hustle reveals how Cin worked grueling hours, ascending from cold caller to stockbroker, becoming the only Black woman to do so at her firm. She also discloses the excesses she took part in on 1990s Wall Street—the strip clubs, the Hamptons parties, the Gucci shopping sprees—while reveling in the thrill of making money. From landing clients worth hundreds of millions to gaining, losing, then gaining back fortunes in seconds, Cin examines her years spent trading frantically and hustling successfully, grappling with what it takes to build a rich life, and, ultimately, beating Wall Street at its own game.

NEW YORK TIMES BESTSELLER For the first time, Curtis “50 Cent” Jackson opens up about his amazing comeback—from tragic personal loss to thriving businessman and cable’s highest-paid executive—in this unique self-help guide, his first since his blockbuster New York Times bestseller The 50th Law. In his early twenties Curtis Jackson, known as 50 Cent rose to the heights of fame and power in the cutthroat music business. A decade ago the multi-platinum selling rap artist decided to pivot. His ability to adapt to change was demonstrated when he became the executive producer and star of Power, a high-octane, gripping crime drama centered around a drug kingpin’s family. The series quickly became “appointment” television, leading to Jackson inking a four-year, $150 million contract with the Starz network—the most lucrative deal in premium cable history. Now, in his most personal book, Jackson shakes up the self-help category with his unique, cutting-edge lessons and hard-earned advice on embracing change. Where The 50th Law tells readers “fear nothing and you shall succeed,” Hustle Harder, Hustle Smarter builds on this message, combining it with Jackson’s street smarts and hard-learned corporate savvy to help readers successfully achieve their own comeback—and to learn to flow with the changes that disrupt their own lives.

By using true tales of thieves, swindlers, and fraudsters at work, Financial Serial Killers illustrates how these perpetrators get their hooks into investors' wallets, savings accounts, and portfolios—and never let go. The worst financial crisis since the great depression revealed that thousands of mom and pop investors had lost millions to so-called Mini-Madoffs. They are the thieves and conmen who had used phony financial acumen to steal investors' money, wipe out savings, and damage lives. Financial Serial Killers reveals the cons—from the grand to picayune—advisers cultivate with their victims—relationships that are essential to the fraud. Take the story of Lillian, the little old lady who invested with Warren Buffett, one of the richest men in the world. After her husband died, she thought her family's treasure of $24 million in stock controlled by Buffett was safe. It was—until a family relative introduced the eighty-nine-year-old grandmother to a pair of unscrupulous insurance agents who convinced her to reinvest her savings in life insurance—decimating her nest egg while padding the agents' pockets. Lillian's story, as well as other accounts of deceit and fraud are the core of Financial Serial Killers. Readers will learn how to better protect their family's wealth and savings after reading this book.

In this rich, well-written study, Eleanor Miller analyzes the social organization of street hustling and the lives of the women involved in it. Miller views hustling as "illegal work": prostitution, fraud, forgery, embezzlement, and larceny. Using information garnered from life histories and interviews with 64 female street hustlers in Milwaukee, she vividly describes a female underclass recruited to the world of the street for a substantial period of their lives.Street Woman offers a challenging alternative to recent sociological studies that view the "women's movement" as directly linked to the increasing participation of women in property crime. Miller shows that this increase in crime is a response to sustained poverty. Thus, many sociologists are out of touch with the typical female criminal in this country on both a demographic and personal level. "Typical" female hustlers, as their own words poignantly reveal, are young, poor minority women who have limited education and skills and who also have several children of their own. They adopt characteristic interpersonal relationships and familial forms that insure their survival but which leave the youngsters at greater risk of being recruited to street life.Street Woman is a work of great importance to sociologists and criminologists alike, both in its ramifications for public policy and its explicit implications for further research. Most important, Miller's desire to render a more personal portrait, to enable us to "at least recognize the individual in the picture painted of the group," leaves the reader with haunting portrayals of the women who struggle to survive in the violent, desperate, drug-ridden world of the street. Author note: Eleanor M. Miller is Assistant Professor of Sociology at the University of Wisconsin, Milwaukee.

Gowan shows some of the diverse ways that men on the street in San Francisco struggle for survival, autonomy, and self-respect. Living for weeks at a time among homeless men--working side-by-side with them as they collected cans, bottles, and scrap metal; helping them set up camp; watching and listening as they panhandled and hawked newspapers; and accompanying them into soup kitchens, jails, welfare offices, and shelters--Gowan immersed herself in their routines, their personal stories, and their perspectives on life on the streets. She observes a wide range of survival techniques, from the illicit to the industrious, from drug dealing to dumpster diving. She also discovered that prevailing discussions about homelessness and its causes--homelessness as pathology, homelessness as moral failure, and homelessness as systemic failure--powerfully affect how homeless people see themselves and their ability to change their situation.

The game once had three major rules that were never to be broken or compromised, regardless of how serious things got in one's life. Death before dishonor was more than just a code; it was the law of the streets, written in the blood of the OGs who killed and died upholding it. Back then, there were many rewards for those who followed the codes. On the other hand, the penalty was death for anyone who violated the laws, and anybody close to him. At the very least, that person would be blackballed from the hood and any illegal street ventures. Clearly the game as we once knew it has been changed by today's hustlers, gangsters, and crooks. Most of them have strayed far from the script. The majority of them would rather save their asses than save face. They would sooner live with shame and disgrace than die with honor and respect. With the current status of the game and the sheisty individuals who are playing it, is there anyone who will honor the past and acknowledge the rules of the game for what they used to be? A newcomer to the urban lit scene, Amir Sanchez delivers a realistic, gripping story of life on the streets, where hustlers still rule, but honor and loyalty have taken on new meaning.

One of the seminal artists of contemporary photography, Philip-Lorca diCorcia produces work that exists on a wide spectrum of fictionalized documentary. Yet a thematic and conceptual unity, most often realized in serial form and particularly suited to monograph format marks each series in his oeuvre. With Thousand, diCorcia effectively inverts his own tendency: the monograph is now the work itself. The sheer volume of material, which spans over 20 years of personal and artistic creation, shifts notions of context, narrative, and individual perception. Flipping through the pages of Thousand is not so much a retrospective or summation of the artist s life as it is an exercise in the construction of memory. An unwashed pan soaking in the sink precedes an unknown woman resembling an odalisque; the familiar linoleum aisles of a generic supermarket give way to a verdant swatch of lawn. These images are bothalien and deeply familiar, and just as one moment in our lives may recall another, these photos echo among one another, within the book, within the canon of diCorcia's work, and within our personal experience. The Polaroid proves to be the perfect souvenir unique and subject to reinterpretation, like memory itself. Philip-Lorca diCorcia was born in Hartford, Connecticut, in 1951. He received his MFA in Photography from Yale University in 1979. Published volumes accompany his solo exhibits at the Museum of Modern Art (Philip-Lorca diCorcia, 1995) and PaceWildenstein Gallery, New York (Streetwork 1993-1997, 1997; Heads, 2001; A Storybook Life, 2003). His work is included in the collections of the Bibliotheque Nationale de France, the Museum of Modern Art, and the Metropolitan Museum of Art, among others. He has been named a Guggenheim Foundation Fellow and has received multiple grants from the National Endowment for the Arts. DiCorcia lives and works in New York City.