*A BookMovement Group Read* **A People Pick for Best New Books** Yara Zgheib’s poetic and poignant debut novel is a haunting portrait of a young woman’s struggle with anorexia on an intimate journey to reclaim her life. The chocolate went first, then the cheese, the fries, the ice cream. The bread was more difficult, but if she could just lose a little more weight, perhaps she would make the soloists’ list. Perhaps if she were lighter, danced better, tried harder, she would be good enough. Perhaps if she just ran for one more mile, lost just one more pound. Anna Roux was a professional dancer who followed the man of her dreams from Paris to Missouri. There, alone with her biggest fears – imperfection, failure, loneliness – she spirals down anorexia and depression till she weighs a mere eighty-eight pounds. Forced to seek treatment, she is admitted as a patient at 17 Swann Street, a peach pink house where pale, fragile women with life-threatening eating disorders live. Women like Emm, the veteran; quiet Valerie; Julia, always hungry. Together, they must fight their diseases and face six meals a day. Every bite causes anxiety. Every flavor induces guilt. And every step Anna takes toward recovery will require strength, endurance, and the support of the girls at 17 Swann Street.

Explores encounters between those who make their living by engaging in street-based prostitution and the criminal justice and social service workers who try to curtail it Working together every day, the lives of sex workers, police officers, public defenders, and social service providers are profoundly intertwined, yet their relationships are often adversarial and rooted in fundamentally false assumptions. The criminal justice-social services alliance operates on the general belief that the women they police and otherwise regulate choose sex work as a result of traumatization, rather than acknowledging the fact that socioeconomic realities often inform their choices. Drawing on extraordinarily rich ethnographic research, including interviews with over one hundred street-involved women and dozens of criminal justice and social service professionals, Women of the Street argues that despite the intimate knowledge these groups have about each other, measures designed to help these women consistently fail because they do not take into account false assumptions about street life, homelessness, drug use and sex trading. Reaching beyond disciplinary silos by combining the analysis of an anthropologist and a legal scholar, the book offers an evidence-based argument for the decriminalization of prostitution.

The Fleet Street Girls is the inspiring and evocative story of the female journalists who broke down barriers in the 1970s and 1980s as women moved up the ranks in Fleet Street for the first time. When Julie Welch called in her first ever football report at the Observer, an entire room of men fell silent. Heart in her mouth, Julie waited for the voice on the other end of the line to declare it passable. She'd done it. She was the first ever female football reporter. In The Fleet Street Girls, Julie looks back at the steps that led to that moment, from the National Union of Journalists nearly calling a strike when she dared to write an article as a mere secretary (despite allowing men who weren't journalists to write for the same pages), and many other battles in between. Julie also shines a light on the other trail-blazing women who were climbing the ladder against all odds, from Lynn Barber (of An Education fame) to Wendy Holden, a war correspondent for the Daily Telegraph, and many more, as well as some of the secretaries whom the men overlooked but who actually knew everything. Pioneers one and all. The Fleet Street Girls is a fascinating story of the hopes and despairs, triumphs and tribulations of a group of women in the glitzy heyday of journalism, where they could be interviewing Elton John one moment and ducking flying bullets or fighting off the sex pests the next. At a time when Fleet Street was the biggest, cosiest all-male club you can imagine, and the interests of half the human race were consigned to 'The Women's Page' in the paper, we follow Julie and her contemporaries through dramas, excitement and sheer fun in their battle to make sure women's voices were heard.

Meet the Beacon Street Girls...They're real, they're fun - they're just like you! Love is in the air at Abigail Adams Junior High. There's a big dance coming up, and the BSG are having fun thinking up dream dates. But as the day of the dance approaches, things start to get complicated. Why is Dillon paying more attention to Avery than Maeve? And why is Nick spending so much time with Chelsea, when everyone knows he and Charlotte are made for each other? Who will the BSG share the last dance with?

Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.

This is the story of the Meninadanca Project - a charity established to reach out to the street girls of Belo Horizonte, to offer them a place of security and safety, rehabilitation and re-integration into society.

Monique Layton was educated in Morocco, France, England, and Canada. At university, she studied Romance Studies, Comparative Literature, and Cultural Anthropology. After receiving her Ph.D. from the University of British Columbia (1978), she worked at the Universities Council of British Columbia and Simon Fraser University. While at SFU, she conducted research projects in Cuba and the Seychelles. She has five children, a large number of grand children, and is married to John, who has somehow accepted to cohabit with her may absorbing "projects" (from translating L vi-Strauss to two years of non-stop quilting). "The reader of Monique Layton's ethnography is invited into the oral tradition of prostitute drug addicts, is encouraged to think about them differently and to learn about their verbal creativity." - Dr. Elvi Whittaker

Yikes! As if being the new girl isn't bad enough, Charlotte just made the biggest cafeteria blunder in the history of Abigail Adams Junior High. There's no way that Katani, Avery, and Maeve will want anything to do with her now. Can a mysterious landlady, a romantic evening gone wrong, and a cryptic key to nowhere help four very different girls become the best of friends? Or will they remain worst enemies forever?

Last volume! It’s the final concert for this dishonorable idol enterprise! After President Inugane sacrificed his own jewels to avoid a scandal, he ends up going to prison for being a flagrant offender! This means the girls can wash their hands of this hellish idol lifestyle for good … doesn’t it? Read and find out what tomorrow will bring for the three Gokudols now that they’ve found freedom!

Audriana Escobar, aka Audi, is the 18-year-old leader of the Gucci Girlz−a crew made up of her closest friends. Growing up in poverty, their only current goal is to find a way out of the poor town of Aetna and achieve a life of happiness, love, and luxury. When they cross paths with another crew named the Tru Aetna Boyz, all of their wants and desires seem to be coming true. DeAndre, aka Dre, leads the team that includes his friends Raheem, Devonte and Lyrical and, together, they make up one of the most dangerous gangs in their hometown. With their intentions set on gaining money, status, women and fame, meeting a group of women with the same goals in mind seems like the best kind of luck. Sparks fly almost immediately and, together, they quickly become a force that totally dominates the street game without competition or resistance... until they catch the eye of police sergeant, Naomi Mills. Pursuing money and love always comes with its own set of troubles, which the Gucci Girlz and Tru Aetna Boyz eventually realize on their own. As they begin to step into the lives that they always envisioned for themselves, everything is turned upside down when they become the trophy for a sergeant with a chip on her shoulder. Will they be able to step into their dream of luxury and true love?