It begins with a dire call-right before his father disappears and his skyscraper home's doors explode inward. Street Freaks is the kind of thrilling futuristic story only New York Times bestselling author Terry Brooks can tell. "Go into the Red Zone. Go to Street Freaks." his father directs Ashton Collins before the vid feed goes suddenly silent. The Red Zone is the dangerous heart of mega-city Los Angeles; it is a world Ash is forbidden from and one he knows little about. But if he can find Street Freaks, the strangest of aid awaits―human and barely human alike. As Ash is hunted, he must unravel the mystery left behind by his father and discover his role in this new world. Brooks has long been the grandmaster of fantasy. Now he turns his hand to science fiction filled with what his readers love best: complex characters, extraordinary settings, exciting action, and a page-turning story. Through it, Brooks reimagines his bestselling career yet again.

Erroneously states "1st Touchstone hardcover edition" in paperback copy.

In Victorian London, a lonely band of misfits trapped in a sideshow decides to put their extraordinary talents to use to solve the mysteries that no one else cares about, starting with the stealing of poor children from the banks of the Thames.

From the moment Bob Langmuir, a down-and-out rare book dealer, spies some intriguing photographs in the archive of a midcentury Times Square freak show, he knows he's on to something. It turns out he's made the find of a lifetime--never-before-seen prints by the legendary Diane Arbus. Furthermore, he begins to suspect that what he's found may add a pivotal chapter to what is now known about Arbus as well as about the "old weird America," in Greil Marcus's phrase, that Hubert's inhabited. Bob's ensuing adventure--a roller-coaster ride filled with bizarre characters and coincidences--takes him from the fringes of the rare book business to Sotheby's, and from the exhibits of a run-down Times Square freak show to the curator's office of the Metropolitan Museum of Art. Will the photos be authenticated? How will Arbus's notoriously protective daughter react? Most importantly, can Bob, who always manages to screw up his most promising deals, finally make just one big score?

There are more Christian martyrs today than there were in ad 100--in the days of the Roman Empire. Now in the twenty-first century, according to the Center for the Study of Global Christianity, more than 150,000 Christians are martyred around the world every year. "Remember the Lord's people who are in jail and be concerned for them. Don't forget those who are suffering, but imagine that you are there with them." Hebrews 13:3 cev Their stories must be told.

Soon to be a major motion picture with Bette Midler, Laverne Cox, Abigail Breslin, and Alex Lawther starring as Billy Bloom "Freak Show has it all. It's hilarious, sad, sexy, and glamorous—just the way life should be."--Perez Hilton "Gutsy, funny, over-the-top Billy Bloom is a profile in courage."--The Washington Post Meet Billy Bloom, new student at the ultra-white, ultra-rich, ultra-conservative Dwight D. Eisenhower Academy and drag queen extraordinaire. Actually, ?drag queen? does not begin to describe Billy and his fabulousness. Any way you slice it, Billy is not a typical seventeen-year-old, and the Bible Belles, Aberzombies, and Football Heroes at the academy have never seen anyone quite like him before. But thanks to the help and support of one good friend, Billy?s able to take a stand for outcasts and underdogs everywhere in his own outrageous, over-thetop, sad, funny, brilliant, and unique way.

Fashion and wisdom from style rebels in New York City and beyond In a world where stores, clothes, and trends have become increasingly standardized, fashion is one of the most powerful ways to explore and express our personalities, identities, and individuality. For years, renowned photographer Robbie Quinn has come across style rebels and bold expressionists on the streets of NYC and the world’s largest cities, stopping them for impromptu photoshoots and testimonials. He’s even given these eccentric lovers of style a name: Street Unicorns. In these pages, Quinn shares the portraits, viewpoints, and aspirations of more than 250 Street Unicorns with the hopes of inspiring readers to rediscover the most authentic parts of themselves. A vibrant declaration against ageism, racism, homophobia, and all other discriminations, this book is a love letter to those who aren’t afraid to stand out, embrace nonconformity, and share who they are with the world.

Until the early nineteenth century, "risk" was a specialized term: it was the commodity exchanged in a marine insurance contract. Freaks of Fortune tells the story of how the modern concept of risk emerged in the United States. Born on the high seas, risk migrated inland and became essential to the financial management of an inherently uncertain capitalist future. Focusing on the hopes and anxieties of ordinary people, Jonathan Levy shows how risk developed through the extraordinary growth of new financial institutions-insurance corporations, savings banks, mortgage-backed securities markets, commodities futures markets, and securities markets-while posing inescapable moral questions. For at the heart of risk's rise was a new vision of freedom. To be a free individual, whether an emancipated slave, a plains farmer, or a Wall Street financier, was to take, assume, and manage one's own personal risk. Yet this often meant offloading that same risk onto a series of new financial institutions, which together have only recently acquired the name "financial services industry." Levy traces the fate of a new vision of personal freedom, as it unfolded in the new economic reality created by the American financial system. Amid the nineteenth-century's waning faith in God's providence, Americans increasingly confronted unanticipated challenges to their independence and security in the boom and bust chance-world of capitalism. Freaks of Fortuneis one of the first books to excavate the historical origins of our own financialized times and risk-defined lives.

Using extensive interviews, hundreds of transcripts, focus-group discussions with viewers, and his own experiences as an audience member, Joshua Gamson argues that talk shows give much-needed, high-impact public visibility to sexual nonconformists while also exacerbating all sorts of political tensions among those becoming visible. With wit and passion, Freaks Talk Back illuminates the joys, dilemmas, and practicalities of media visibility. "This entertaining, accessible, sobering discussion should make every viewer sit up and ponder the effects and possibilities of America's daily talk-fest with newly sharpened eyes."—Publishers Weekly "Bold, witty. . . . There's a lot of empirical work behind this deceptively easy read, then, and it allows for the most sophisticated and complex analysis of talk shows yet."—Elayne Rapping, Women's Review of Books "Funny, well-researched, fully theorized. . . . Engaged and humane scholarship. . . . A pretty inspiring example of what talking back to the mass media can be."—Jesse Berrett, Village Voice "An extraordinarily well-researched volume, one of the most comprehensive studies of popular media to appear in this decade."—James Ledbetter, Newsday

Tree-huggers may actually be squeezing the life out of the environment. In a book that is alternately alarming, enlightening, ironic, and entertaining, award-winning journalist John Berlau explores the myriad ways in which shortsighted environmentalism actually endangers trees, wildlife, and people. In chapter after chapter, Berlau debunks myths and libels about: global warming and climate change the dangers of pesticides like DDT trees and pollution fuel economy and the auto industry the threat posed by asbestos the lifesaving role of dams and levees plans to "rewild" America Mother Nature is not a gentle person, and Berlau's pointed reporting reveals the very real dangers to people and their environments when Eco-Freaks prevent us from restraining her. "Berlau makes a powerful case. . . . Thinking environmentalists who read this book will be forced to revisit at least some of their most deeply held beliefs." -Joel Himelfarb, Washington Times "Berlau says a lot of things that are not generally known that needed to be said." -Bruce N. Ames, recipient, National Medal of Science, 1998 Save the Planet . . . and Ourselves In Eco-Freaks, award-winning journalist John Berlau provides a much needed and startling exposé about how the environmental movement with its radical, shortsighted eco-activists has actually helped amplify the dangers of natural disasters and destroyed the lives and property of millions of Americans. As Berlau writes, "America . . . is still mighty prosperous, but environmentalism is putting us on the brink of danger as well. As technology after technology that our grandparents put in place is being banned, and new technologies never even come to market, we risk a public-health disaster. Environmentalists have promoted all sorts of doomsday scenarios about population explosions and massive cancer crises from pesticides that have been shown to be false. But now, because we have done away with so many useful products based on those scares, we are in danger of an old-fashion doomsday returning, because we've lost what protected us from the wrath of nature. Indeed, as we will see throughout this book, public health hazards caused by environmental policies are already on the scene."