C Street - where piety, politics, and corruption meet Jeff Sharlet is the only journalist to have reported from inside the C Street House, the Fellowship residence known simply by its Washington, DC address. The house has lately been the scene of notorious political scandal, but more crucially it is home to efforts to transform the very fabric of American democracy. And now, after laying bare its tenants' past in The Family, Sharlet reports from deep within fundamentalism in today's world, revealing that the previous efforts of religious fundamentalists in America pale in comparison with their long-term ambitions. When Barack Obama entered the White House, headlines declared the age of culture wars over. In C Street, Sharlet shows why these conflicts endure and why they matter now - from the sensationalism of Washington sex scandals to fundamentalism's long shadow in Africa, where Ugandan culture warriors determined to eradicate homosexuality have set genocide on simmer. We've reached a point where piety and corruption are not at odds but one and the same. Reporting with exclusive sources and explosive documents from C Street, the war on gays in Uganda, and the battle for the soul of America's armed forces - waged by a 15,000-strong movement of officers intent on "reclaiming territory for Christ in the military" Sharlet reveals not the last gasp of old-time religion but the new front lines of fundamentalism.

No visitor to Mexico can fail to recognize the omnipresence of street vendors, selling products ranging from fruits and vegetables to prepared food and clothes. The vendors compose a large part of the informal economy, which altogether represents at least 30 percent of Mexico's economically active population. Neither taxed nor monitored by the government, the informal sector is the fastest growing economic sector in the world. In Street Democracy Sandra C. Mendiola García explores the political lives and economic significance of this otherwise overlooked population, focusing on the radical street vendors during the 1970s and 1980s in Puebla, Mexico's fourth-largest city. She shows how the Popular Union of Street Vendors challenged the ruling party's ability to control unions and local authorities' power to regulate the use of public space. Since vendors could not strike or stop production like workers in the formal economy, they devised innovative and alternative strategies to protect their right to make a living in public spaces. By examining the political activism and historical relationship of street vendors to the ruling Institutional Revolutionary Party (PRI), Mendiola García offers insights into grassroots organizing, the Mexican Dirty War, and the politics of urban renewal, issues that remain at the core of street vendors' experience even today.

On June 12, 1962, 60 young activists drafted a manifesto for their generation--The Port Huron Statement--that ignited a decade of dissent. Miller brings to life the hopes and struggles, the triumphs and tragedies, of the students and organizers who took the political vision of The Port Huron Statement to heart--and to the streets.

The financial crisis that began in 2008 has made Americans keenly aware of the enormous impact Wall Street has on the economic well-being of the nation and its citizenry. How did financial markets and institutions-commonly perceived as marginal and elitist at the beginning of the twentieth century-come to be seen as the bedrock of American capitalism? How did stock investment-once considered disreputable and dangerous-first become a mass practice? Julia Ott tells the story of how, between the rise of giant industrial corporations and the Crash of 1929, the federal government, corporations, and financial institutions campaigned to universalize investment, with the goal of providing individual investors with a stake in the economy and the nation. As these distributors of stocks and bonds established a broad, national market for financial securities, they debated the distribution of economic power, the proper role of government, and the meaning of citizenship under modern capitalism. By 1929, the incidence of stock ownership had risen to engulf one quarter of American households in the looming financial disaster. Accordingly, the federal government assumed responsibility for protecting citizen-investors by regulating the financial securities markets. By recovering the forgotten history of this initial phase of mass investment and the issues surrounding it, Ott enriches and enlightens contemporary debates over economic reform.

This book explores street art’s contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), São Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy.

This widely used and popular text provides a broad-ranging analysis of the relationship between the media and politics. Revised and updated throughout, this second edition includes coverage of the mediatization of politics; of E-politics and governance; of the impact of 'reality TV'; and of issues raised by the reporting of war in Iraq.

Toward the end of the twentieth century in places ranging from Latin America and the Caribbean to Europe, the United States, South Africa, Nigeria, Iran, Japan, China, and South Asia, women and young people took to the streets to fight injustices they believed they could not confront in any other way. In the hope of changing the way politics is done, they called officials to account for atrocities they had committed and unjust laws they had upheld. They attempted to drive authoritarian governments from power by publicizing the activities these officials tried to hide. This powerful book takes us into the midst of these movements to give us a close-up look at how a new generation bore witness to human rights violations, resisted the efforts of regimes to shame and silence young idealists, and created a vibrant public life that remains a vital part of ongoing struggles for democracy and justice today. Through personal interviews, newspaper accounts, family letters, and research in the archives of human rights groups, this book portrays women and young people from Argentina, Chile, and Spain as emblematic of others around the world in their public appeals for direct democracy. An activist herself, author Temma Kaplan gives readers a deep and immediate sense of the sacrifices and accomplishments, the suffering and the power of these uncommon common people. By showing that mobilizations, sometimes accompanied by shaming rituals, were more than episodic—more than ways for societies to protect themselves against government abuses and even state terrorism—her book envisions a creative political sphere, a fifth estate in which ordinary citizens can reorient the political practices of democracy in our time.

Conflict, Improvisation, Governance presents a carefully crafted and edited collection of first hand accounts of diverse public sector and non-profit urban practitioners facing the practical challenges of "doing democracy" in the global/local context of the interconnected major European city of Amsterdam and its region. The book examines street level democratic processes through the experiences of planning and city governance practitioners in community development, youth work, public service delivery, urban public administration, immigration and multi-cultural social policy. These profiles and case studies show widely shared challenges in global and local urban environments, and new, "bottom-up," democratic and improvisational strategies that community members and public officials alike can use to make more inclusive, democratic cities.

From the leading voice in the "shared capitalism" movement comes a manifesto for spreading wealth and creating a truly democratic society.

Deconstructs the implications of street art to the social, political, and cultural movements of post-Pinochet dictatorship Chile.