In the quaint seaside village of Cape Willington, Maine, Candy Holliday has a mostly idyllic life, tending to the Blueberry Acres farm she runs with her father and occasionally stepping in to solve a murder or two… Summer has arrived! But as the community gears up for another festive strawberry-picking season, the villagers are shocked when local berry farmer Miles Crawford is found dead in a hoophouse near his strawberry fields. Rumors have been swirling around about a secret real estate deal between Miles and Lydia St. Graves. And now Lydia is missing after she was seen fleeing the scene of the crime… When Henry “Doc” Holliday becomes involved in the mystery, his daughter Candy finds herself caught in the jam as well. But things turn very sticky when Lydia suddenly reappears and asks for Candy’s help in finding the true murderer… INCLUDES DELICIOUS RECIPES!

In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.

A collection of traditional songs from across the English-speaking world.

Songs of the West is a collection of traditional folk songs originating from the Devon and Cornwall areas in England. Most of them have been collected by word of mouth from regular people who were not musicians. The songs have been notated for piano and singers by Henry Fleetwood Sheppard and Frederick Bussell.