This study presents the first broad analysis of Maghrebian women's dramatic literature undertaken in English. The book considers sixty-five plays and works of performance art by they twenty-eight women dramatists from the Maghreb.

Cultural expressions of the Middle East and North Africa (MENA) region have a rich tradition, communal narratives, and spiritual connectivity. This tapestry, distinct from the secular drama prevalent in Western cultures, is a unique blend of indigenous traditions and Western influences. This book introduces the rich and diverse theatrical practices developed and matured in the region from the nineteenth to twenty-first centuries. The introduction of Western-style theatre in the nineteenth century marked a shift from traditional entertainment forms. In the twentieth century, subjects of colonialism, nationalism, independence, and Islamic ideology have often dominated the theatrical discourse, reflecting the region’s socio-political realities. The book’s final section looks at theatre from a twenty-first global perspective, including the crucial role of the diaspora. This book shows how colonialism, Islamic ideology, politics, war, refugee crisis, and nationalism have permeated MENA’s theatre in the past and have continued to shape it in the present.

This balanced exploration provides the basis for an energetic engagement with what it means to be a Muslim woman in a globalized world. The expert essays in Women and Islam are designed to stimulate discussion and help readers achieve a more sober understanding of the lives of Muslim women around the world. They explore the issues Muslim women face as they fight for gender justice and meet the challenges of living in a globalized, post-9/11 world—whether in Iran or France, Ethiopia, or the United States. Each chapter examines a different part of the globe, exploring issues arising from cultural and religious codes, as well as from internal and global politics, economics, education, and the law. Readers will glimpse the many and diverse ways in which Muslim women are actively involved in addressing the conditions embedded in their discrete environments and taking up the opportunities afforded to them, adopting strategies ranging from the political to the legal, from the theatrical to the religious.

The contributions to this volume in the African Theatre series make clear that the role of women in the theatre across the continent has changed as control is mainly held by literate elites and women's traditional standing has been lost to men.

Family, Body, Sexuality and Health is Volume III of the Encyclopedia of Women & Islamic Cultures. In almost 200 well written entries it covers the broad field of family, body, sexuality and health and Islamic cultures.

Modern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially neglected, a problem that this book addresses.

Dissident Writings of Arab Women: Voices Against Violence analyzes the links between creative dissidence and inscriptions of violence in the writings of a selected group of postcolonial Arab women. The female authors destabilize essentialist framings of Arab identity through a series of reflective interrogations and "contesting" literary genres that include novels, short stories, poetry, docudramas, interviews and testimonials. Rejecting a purist "literature for literature’s sake" ethic, they embrace a dissident poetics of feminist critique and creative resistance as they engage in multiple and intergenerational border crossings in terms of geography, subject matter, language and transnationality. This book thus examines the ways in which the women’s writings provide the blueprint for social justice by "voicing" protest and stimulating critical thought, particularly in instances of social oppression, structural violence, and political transition. Providing an interdisciplinary approach which goes beyond narrow definitions of literature as aesthetic praxis to include literature’s added value as a social, historical, political, and cultural palimpsest, this book will be a useful resource for students and scholars of North African Studies, Postcolonial Studies, Francophone Studies, and Feminist Studies.

This volume investigates the rise of human rights discourses manifested in the global spectrum of theatre and performance since 1945. Essays address topics such as disability, discrimination indigenous rights, torture, gender violence, genocide and elder abuse.

This insightful and engaging new title in the Theatre & series explores the various connections between theatre and Islam. Drawing on both historical and recent examples to trace their relationship and offer a new perspective on a topical subject, this persuasive text argues against a long-standing assumption that Islam has worked in opposition to theatrical presentation. From the 13th century puppet plays of Ibn Daniyal to Islamic themes in 21st century productions, Theatre and Islam is chronologically wide-ranging and ambitious in its scope. Ambitious yet concise, this is the perfect introduction for undergraduate and postgraduate students of religious studies, Islamic studies, Middle Eastern studies and drama.

Focusing on the case of the Hazaras, a population from central Afghanistan, this book shows how migration studies and transnationalism are at the heart of theoretical and methodological debates which animate anthropology.