Marshall's book is a greatly beneficial resource for music education students and teachers alike, giving an insightful glimpse into the range of possibilities within a music educator's career. Musicians and actors with varying levels of skill and experience will be able to grow simultaneously through Marshall's innovative teaching plans. Through collaborative techniques, steps in the book serve to educate both director and student. Thoroughly illustrated with charts, diagrams, and scores, Strategies for Success in Musical Theatre is an ideal companion for all who work with school and community based musical theater productions. - Herbert Marshall is Associate Professor in Music Education at Baldwin Wallace University Conservatory of Music and serves on the editorial board of Research and Issues in Music Education. He maintains an active schedule as a clinician, consultant, adjudicator, and conductor, and teaches workshops for the Gordon Institute of Music Learning.

This comprehensive guide, from the author of Acting in Musical Theatre, will equip aspiring directors with all of the skills that they will need in order to guide a production from beginning to end. From the very first conception and collaborations with crew and cast, through rehearsals and technical production all the way to the final performance, Joe Deer covers the full range. Deer’s accessible and compellingly practical approach uses proven, repeatable methods for addressing all aspects of a production. The focus at every stage is on working with others, using insights from experienced, successful directors to tackle common problems and devise solutions. Each section uses the same structure, to stimulate creative thinking: Timetables: detailed instructions on what to do and when, to provide a flexible organization template Prompts and Investigations: addressing conceptual questions about style, characterization and design Skills Workshops: Exercises and ‘how-to’ guides to essential skills Essential Forms and Formats: Including staging notation, script annotation and rehearsal checklists Case Studies: Well-known productions show how to apply each chapter’s ideas Directing in Musical Theatre not only provides all of the essential skills, but explains when and how to put them to use; how to think like a director.

"Musical theatre dance is an ever-changing, evolving dance form, egalitarian in its embrace of any and all dance genres. It is a living, transforming art developed by exceptional dance artists and requiring dramaturgical understanding, character analysis, knowledge of history, art, design and most importantly an extensive knowledge of dance both intellectual and embodied. Its ghettoization within criticism and scholarship as a throw-away dance form, undeserving of analysis: derivative, cliché ridden, titillating and predictable, the ugly stepsister of both theatre and dance, belies and ignores the historic role it has had in musicals as an expressive form equal to book, music and lyric. The standard adage, "when you can't speak anymore sing, when you can't sing anymore dance" expresses its importance in musical theatre as the ultimate form of heightened emotional, visceral and intellectual expression. Through in-depth analysis author Liza Gennaro examines Broadway choreography through the lens of dance studies, script analysis, movement research and dramaturgical inquiry offering a close examination of a dance form that has heretofore received only the most superficial interrogation. This book reveals the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown. Making Broadway Dance is essential reading for theatre and dance scholars, students, practitioners and Broadway fans"--

Do you dream of performing on Broadway? It can become a reality but you need a process to identify all the dreams within youand a step-by-step system to build your Craft to take it to the deepest level. In DREAM, both the TIYA system and this secret process is completely revealedFull of Strategy, Inspiration, Personalization, Motivation, and Industry insight. It will help guide you through all the disheartening rejection. It will keep you focused with no limits on yourself and what you can achieve. It will even walk you step-by-step through the homework assignments, word reflection, dream staircase, and more! You have a right to your Dreamand this is where your Journey begins.

In this textbook for performers, the position of a Swing-an Understudy for the Ensemble-on Broadway is examined from every angle, showing just how vital Swings are to the success of any musical theatre production. Authors J. Austin Eyer and Lyndy Franklin Smith draw on their own experiences as performers, and gather first-hand stories from other Swings about the glories and hardships of their industry. The book features interviews with over 100 Broadway pros-Swing veterans, Stage Managers, Casting Directors, Choreographers, and Directors-including Rob Ashford, Susan Stroman, Jerry Mitchell, Larry Fuller, Tony Stevens, Beverley Randolph, and Frank DiLella. Broadway Swings is the ideal guide for anyone considering a career in this most unique of positions, or anyone curious about what really goes on, behind-the- scenes, in a long-running show.

Musical Theatre Song is a handbook for musical theatre performers, providing them with the wide-ranging skill set they need for success in today's competitive musical theatre environment. Breaking down the process into knowing how to select your song material based upon your individuality and how to prepare and perform it in a manner that best highlights your attributes, Stephen Purdy provides a succinct and personalized trajectory toward presentation, taking the reader through a series of challenges that is designed to evoke original, personal and vibrant song performances. Written by renowned Broadway and West End vocal and audition coach Stephen Purdy, Musical Theatre Song is a must-have guide for all performers who are looking to succeed in the musical theatre industry.

Acting in Musical Theatre remains the only complete course in approaching a role in a musical. It covers fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Updates in this expanded and revised second edition include: A brand new companion website for students and teachers, including Powerpoint lecture slides, sample syllabi, and checklists for projects and exercises. Learning outcomes for each chapter to guide teachers and students through the book’s core ideas and lessons New style overviews for pop and jukebox musicals Extensive updated professional insights from field testing with students, young professionals, and industry showcases Full-colour production images, bringing each chapter to life Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing group and solo exercises, making it the definitive textbook for students and practitioners alike.

Auditioning is a Craft in itself. It's a performance, the "big game," and a business interview all in 1. You usually get up really early, wait all day, pour out your heart in a nervous 45 second performance, and you're often Rejected constantly over and overand you don't even get paid! It truly is the 'real job" of a performer and therefore, you definitely want to "stack the deck" in your favor and avoid as many mistakes as possible. So... where can you find the best auditions? What's the difference between an open call and a Broadway AEA Chorus call? What is AEA?and how can YOU join? What is an EPA? How do you submit yourself for auditions even if you don't have representation? What is the #1 auditioning mistake almost all aspiring Broadway performers make repeatedlyand how can you avoid it? In AUDITIONING, you'll not only learn each and every answer to these questions with extreme insider Industry detail, you'll also have a Huge advantage over other performers because at the end of the Chapter, the Top 10 list of Broadway Auditioning Secrets is revealed. This list will walk you step-by step to help guide you to audition at your top performancefrom the minute you walk in the room, to the last second before you leave. Auditioning well is a Craft, a Process, and the fastest way to get on Broadway. The sooner you start understanding how it all works, the better you will Audition. And the better you audition, the closer you will be to making your Broadway Dream a Reality.

"The iTheatrics Method is the world's first musical theatre education textbook specifically devoted to building high-quality, sustainable musical theatre programs in schools and community settings."--Publisher's description.

Actors and singers use different training and distinctive vocabularies to hone their skills. Chris Will's accessible handbook bridges the gap between the two, helping singing actors integrate theater and music into successful performances.Will covers all the essential skills you need to succeed in musical theater. How to Succeed in Musical Theater starts with discussions of how to merge theater and music before moving into the specific challenges facing the musical theater song. Copious exercises are spread throughout the book to strengthen learning through doing. Whether you're a seasoned performer or just starting out, this little book will be a constant companion on the road to success in musical theater.