In cities throughout Africa, local inhabitants live alongside large populations of "strangers." Bruce Whitehouse explores the condition of strangerhood for residents who have come from the West African Sahel to settle in Brazzaville, Congo. Whitehouse considers how these migrants live simultaneously inside and outside of Congolese society as merchants, as Muslims in a predominantly non-Muslim society, and as parents seeking to instill in their children the customs of their communities of origin. Migrants and Strangers in an African City challenges Pan-Africanist ideas of transnationalism and diaspora in today's globalized world.

The persecution of the Huguenots in France, followed by the revocation of the Edict of Nantes in 1685, unleashed one of the largest migration waves of early modern Europe. Focusing on the fate of French Protestants who fled to the Dutch Republic, Experiencing Exile examines how Huguenot refugees dealt with the complex realities of living as strangers abroad, and how they seized upon religion and stories of their own past to comfort them in exile.

"Migration throws objects, identities and ideas into flux across a global network of travelling cultures. Examining life-changing journeys that transplanted artists and intellectuals from one cultural context to another, Exiles, Diasporas & Strangers offers a thematic overview of the critical and creative role of estrangement and displacement in the story of 20th-century art.Revealing the traumatic conditions that shaped numerous variants of modernism – among indigenous artists in Australia and Canada as much as émigré art historians from Central Europe – these critical studies also highlight multidirectional patterns of cross-appropriation that trouble the settled boundaries of national belonging, whether manifested in 1920s Nigeria or in post-modern works by black British artists of the 1980s. Coming up to date with historical perspectives on conceptual art’s engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history’s rapprochement with the post-colonial turn.--

World Relief staffers Matthew Soerens and Jenny Yang move beyond the rhetoric to offer a Christian response to immigration. With careful historical understanding and thoughtful policy analysis, they debunk myths about immigration, show the limits of the current immigration system, and offer concrete ways for you to welcome and minister to your immigrant neighbors.

Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer’s The Black Cat (1934), William Dieterle’s The Life of Emile Zola (1937), Ernst Lubitsch’s To Be or Not to Be (1942), Bertold Brecht and Fritz Lang’s Hangmen Also Die (1943), Fred Zinneman’s Act of Violence (1948), and Peter Lorre’s Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.

"Modernity as exile tackles the themes of migration, displacement, and multiculturalism in the modern world." "Throughout John Berger's writings, whether an art, literature or sociology, the figure of the stranger signals both the pain of uprooting and the insight gained from 'another way of seeing'." "Nikos Papastergiadis uses this figure to argue that 'exile' is not merely a political or social fact, but is an inner condition, central to the postmodern self. He analyses the cultural dynamics that connect migration and exile, not simply as the negative consequence of contemporary culture, but as its fundamental driving force. Peoples are displaced not only by wars and famine but by economics, tourism, global telecommunications. How this explodes our notions of home, of community and our sense of belonging is the central question addressed by this provocative and powerful book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Designed for both ordained and lay ministers at the diocesan and parish levels, this document challenges us to prepare to receive newcomers with a genuine spirit of welcome.

"This brilliant book, by two of the most eminent scholars of immigration, compares the integration of immigrants on both sides of the Atlantic. Alba and Foner provide a cogent account of the history, sociology, economics, and politics of immigrant integration, and challenge many things we thought we knew about the subject. This is a tour de force."--Mary C. Waters, Harvard University "Integration is not just about the desires of immigrants or availability of jobs--it is fundamentally about institutions and policies that shape incorporation. In this deft tour de force exploring six countries and multiple areas of life, Strangers No More reveals that simple narratives of integration break down in the face of complex institutional arrangements. A must-read for students and scholars alike."--Irene Bloemraad, University of California, Berkeley "Although all developed nations have become countries of immigration, prior studies have only analyzed immigrant assimilation on a country-by-country basis. Strangers No More undertakes the first comprehensive look at immigrant integration in six diverse nations. Revealing broad similarities and stark differences in the forces that shape immigrant outcomes, this book is essential reading for all students of international migration in the world today."--Douglas S. Massey, coauthor of Climbing Mount Laurel "In many societies throughout the world, immigrants and their descendants are growing to become the lion's share of the population. How have diverse immigrant groups and their subsequent generations fared in this transition? Alba and Foner offer no simple answers, but rather show complex relations of contextual factors, processes, and outcomes. Looking at six nations on both sides of the Atlantic, this comparative work is a masterly exploration."--Steven Vertovec, Max Planck Institute for the Study of Religious and Ethnic Diversity "With its unique scope, this excellent book is a must-read for anybody interested in immigration. It deals with two continents, various immigrant groups, and many fields of inclusion. There is no other book like it."--Jan Willem Duyvendak, University of Amsterdam "This accessible and ambitious book thoughtfully compares the experiences and outcomes for immigrants in six host countries--Canada, France, Germany, Britain, Netherlands, and the United States. Exploring how national and local policies impact the reception and lives of immigrants, the authors demonstrate that no country has all the answers when it comes to immigration. This work fills a real gap in the literature and will have an impact."--Caroline B. Brettell, Southern Methodist University

In Strangers to Family Shively Smith reads the Letter of 1 Peter through a new model of diaspora. Smith illuminates this peculiarly Petrine understanding of diaspora by situating it among three other select perspectives from extant Hellenist Jewish writings: the Daniel court tales, the Letter of Aristeas, and Philo's works. While 1 Peter tends to be taken as representative of how diaspora was understood in Hellenistic Jewish and early Christian circles, Smith demonstrates that 1 Peter actually reverses the most fundamental meaning of diaspora as conceived by its literary peers. Instead of connoting the scattering of a people with a common territorial origin, for 1 Peter, diaspora constitutes an "already-scattered-people" who share a common, communal, celestial destination. Smith's discovery of a distinctive instantiation of diaspora in 1 Peter capitalizes on her careful comparative historical, literary, and theological analysis of diaspora constructions found in Hellenistic Jewish writings. Her reading of 1 Peter thus challenges the use of the exile and wandering as master concepts to read 1 Peter, reconsiders the conceptual significance of diaspora in 1 Peter and in the entire New Testament canon, and liberates 1 Peter from being interpreted solely through the rubrics of either the stranger-homelessness model or household codes. First Peter does not recycle standard diasporic identity, but is, as Strangers to Family demonstrates, an epistle that represents the earliest Christian construction of diaspora as a way of life.