Rare is the athlete who captures the imagination of a generation. In Joe DiMaggio and Mickey Mantle, sports culture had two such figures. Undoubtedly, DiMaggio and Mantle are two of the most revered names in baseball literature. However, there is one particular moment that has been overlooked by baseball historians and writers: the 1951 pennant-winning New York Yankees team—DiMaggio's last year and Mantle's rookie season. For that one year, the paths of these two baseball icons converged, the naissance of Mantle's career poignantly juxtaposed with the slow descent of DiMaggio's final season. Strangers in the Bronx is more than a chronicle of a pennant-winning team, it is also a study of heroes: the decline of an all-too mortal American icon and the emergence of the newest sensation in sport.

Strangers in the West is the never before told story about the Syrian/Lebanese immigrants who, beginning in 1880, settled on the lower west side of Manhattan. Coming from what was then known as "Greater Syria," these immigrants gathered near the Battery where they disembarked after their long journey from the Middle East. Settling in tenements recently abandoned by Irish immigrants, these recent arrivals to the New World founded an Arabic-speaking enclave just south of the future site of the World Trade Center. They opened Syrian restaurants, half a dozen Arabic-language newspapers, oriental merchandise and food shops, and four Syrian churches. They capitalized on the orientalist craze sweeping the United States by opening Turkish smoking parlors, presenting belly dancers on vaudeville stages, and performing across the country in native costume. Peddlers and merchants, midwives and doctors, priests and journalists, belly dancers and impresarios--all were part of the small community in its first 20 years. This is their story.

Rare is the athlete who captures the imagination of a generation. In Joe DiMaggio and Mickey Mantle, sports culture had two such figures. Undoubtedly, DiMaggio and Mantle are two of the most revered names in baseball literature. However, there is one particular moment that has been overlooked by baseball historians and writers: the 1951 pennant-winning New York Yankees team--DiMaggio's last year and Mantle's rookie season. For that one year, the paths of these two baseball icons converged, the naissance of Mantle's career poignantly juxtaposed with the slow descent of DiMaggio's final season. "Strangers in the Bronx" is more than a chronicle of a pennant-winning team, it is also a study of heroes: the decline of an all-too mortal American icon and the emergence of the newest sensation in sport.

Over the last seven years, Melissa O'Shaughnessy has photographed daily on the streets of New York. As one of a growing number of women street photographers contributing to this dynamic genre, O'Shaughnessy enters the territory with clarity and a distinctly humanist eye, offering a refreshing addition to the tradition of street photography. Through her curious and quirky vision, we witness the play of human activity on the glittering sidewalks of the city. Woven into her cast of characters are the lonely, the soulful, and the proud. She has fallen for them all--perfect strangers.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

A bold, contemporary and urgent novel from a renowned Italian writer that examines silence in different forms, immigration, family and social class.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

"A down-to-earth, inspiring book about the American promise fulfilled." —President Bill Clinton "Fascinating . . . . Made me wish I had been born in the Bronx." —Barbara Walters A touching and provocative collection of memories that evoke the history of one of America's most influential boroughs—the Bronx—through some of its many success stories The vivid oral histories in Arlene Alda's Just Kids from the Bronx reveal what it was like to grow up in the place that bred the influencers in just about every field of endeavor today. The Bronx is where Michael Kay, the New York Yankees' play-by-play broadcaster, first experienced baseball, where J. Crew's CEO Millard (Mickey) Drexler found his ambition, where Neil deGrasse Tyson and Dava Sobel fell in love with science early on and where music-making inspired hip hop's Grandmaster Melle Mel to change the world of music forever. The parks, the pick-up games, the tough and tender mothers, the politics, the gangs, the food—for people who grew up in the Bronx, childhood recollections are fresh. Arlene Alda's own Bronx memories were a jumping-off point from which to reminisce with a nun, a police officer, an urban planner, and with Al Pacino, Mary Higgins Clark, Carl Reiner, Colin Powell, Maira Kalman, Bobby Bonilla, and many other leading artists, athletes, scientists and entrepreneurs—experiences spanning six decades of Bronx living. Alda then arranged these pieces of the past, from looking for violets along the banks of the Bronx River to the wake-up calls from teachers who recognized potential, into one great collective story, a film-like portrait of the Bronx from the early twentieth century until today.