Presents accounts of true and unusual incidents that are unable to be explained by modern science

Stranger Than Fiction: When Our Minds Betray Us is a spellbinding invitation into the world of the human mind that will change our perceptions of mental illness forever. Despite the growing body of scientific discoveries into the nature of the human mind, the stigma attached to mental illness remains deeply entrenched in the general public's consciousness, the product of inaccurate information and centuries of mystery. In a simple conversational style, two distinguished clinicians, Drs. Marc and Jacqueline Feldman, discuss the complexities of mental disorders and their treatment. Using the metaphor of the lie of the mind, a disorder in which a person's thinking becomes unintentionally distorted, the authors approach mental illness from the perspective that these disorders are merely extreme variations of universally shared thoughts, feelings, and behaviors. Stranger Than Fiction removes the artificial division separating the mentally ill from the general public and demystifies symptoms that often seem bizarre. On this journey through the human psyche, the Feldmans use vivid, enlightening, and often poignant cases from their own professional experience that dramatically illustrate how psychiatrists help patients liberate themselves from the mental conditions that imprison them. The reader is invited into therapy sessions and hospital rooms and receives an insider's view of the difficulties that each therapist confronts when treating disturbed patients. The authors show how clinical decisions often rely more on educated hunches than medical certainties and reveal that the practice of psychiatry is as much an art as it is a science. After finishing this unforgettable book, readers will better understand the true nature of mental illness and witness the joy that even the smallest triumph produces in patients and caregivers alike.

A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation.

The extraordinary story of the 20th century, as told from the furthest fringes of science, art and culture. For readers of Bryson's A Short History of Nearly Everything. Before 1900, history was an account of great discoveries that actually made sense. People understand innovations like the steam engine, agriculture, or electricity. The twentieth century, by contrast, gave us quantum entanglement, cubism, relativity, psychedelics, postmodernism, chaos maths, and the Somme. This is the story of that confusing century as told through the ideas produced at the furthest fringes of our sciences, arts, and culture. Its cast includes well-known geniuses such as Albert Einstein, Francis Crick, and Pablo Picasso, lesser known geniuses like Edward Lorenz, Sergey Korolyov, or Shigeru Miyamoto, and infamous but influential ne'er-do-wells like Timothy Leary, Aleister Crowley and Keith Richards. In this company we take a tour through ideas as strange as general relativity, DNA, the subconscious, Gaia theory, and Dada. In this brilliantly written and original book, John Higgs explores, with great clarity and wit, the extremes of twentieth century thought, and in doing so shows how a world of empires became a world of individuals. You will never see the twentieth century in the same way again.

Malcolm Gladwell, host of the podcast Revisionist History and author of the #1 New York Times bestseller Outliers, offers a powerful examination of our interactions with strangers and why they often go wrong—now with a new afterword by the author. A Best Book of the Year: The Financial Times, Bloomberg, Chicago Tribune, and Detroit Free Press How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to one another that isn’t true? Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.

"Know thyself," a precept as old as Socrates, is still good advice. But is introspection the best path to self-knowledge? Wilson makes the case for better ways of discovering our unconscious selves. If you want to know who you are or what you feel or what you're like, Wilson advises, pay attention to what you actually do and what other people think about you. Showing us an unconscious more powerful than Freud's, and even more pervasive in our daily life, Strangers to Ourselves marks a revolution in how we know ourselves.

I first read the book “Stranger Than Science” By Frank Edwards when I was about 10 years old and it was an important turning point in my life. The book has many stories of strange events and it really built my curiosity about the world. Later I went to Engineering School and also had many paranormal experiences from learning meditation and other practices. I have now researched and written over 100 books on strange and mysterious phenomena. My fascination with strange things has become a major passion in my life. This book is kind of an updated version of that famous Frank Edwards book based on my experiences and research of many phenomena. I’m sure you will find the stories in this book fascinating since they are all samples of much of what I experienced, researched, and have written about. It contains over 32 chapters of my favorite stories on various topics to provide a question mark for your beliefs and assumptions about the world and universe we live in. When you finish this volume maybe you will see my point of view which is that as much as we think we know about this world and the universe, there are still many mysteries and strange things out there.

Originally published in 1956, this is a collection of chilling true stories of occurrences that have baffled the best minds of the world. They include: —The bullet that lay imbedded in a man and waited twenty years to kill him! —The thief who was in two places at the same time: hypnotized on a vaudeville stage and at the scene of his own crime. —The defenseless, besieged town that won a great victory without firing a single shot. —The man who was horribly murdered by a clock! —The woman who proved she was buried alive by giving evidence after her death. ...AND MANY, MANY MORE

From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.

Stranger Than Fiction brings together, for the first time, Mike Jay's distinctive and immensely readable forays into the twilight zones of history, culture and the human mind. Beautifully designed and lavishly illustrated, Stranger Than Fiction is a unique compendium of forgotten histories, untold stories and unexplored worlds.