The classic pulps were detective stories, horror, fantasy, and science fiction, but in the midst of this melange developed a significant subcategory of lurid, titillating tales of lesbian love. Aimed primarily at a heterosexual audience they offered readers a glimpse into a secret world of illicit passion and scandalous sex between delicious and devilish dames. This book is the first to be devoted to the cover art of these wildly wicked novels. Bold, kitschy, colourful, they are fraught with sexual tension. Includes 200 full colour illustrations.

‘See, we love each other. We just don't happen to like each other very much.’ THE WEIRD SISTERS is a winsome, trenchantly observant novel about the often warring emotions between sisters.

From award winning author Lucy Strange comes a thrilling story of six sisters who must fight against circumstance and fate, gorgeously told and steeped in history and legend. On a poor farm surrounded by marshlands, six sisters -- Grace, Willa, Freya, and triplets Deedee, Darcy, and Dolly -- live in fear of their father and the superstition that haunts him: The Curse of the Six Daughters. Their beloved grandmother tries to protect them, but the future seems bleak. When the Full Moon Fayre makes a rare visit to Hollow-in-the-Marsh, the girls slip out to see the famous Shadow Man, an enigmatic puppeteer. Afterwards, oldest sister Grace is missing. Following the Full Moor Fayre and into the Lost Marsh, Willa will have to battle her inner doubts and the legends that have haunted her family. Can she save her sister from one fate, and yet outrun her own? The thrilling new novel from acclaimed author Lucy Strange, author of The Secret of Nightingale Wood, The Ghost of Midnight Lake and the Waterstones Prize-shortlisted Our Castle by the Sea.

This collection of essays stems from the conference 'Nineteenth-Century Literature and Aesthetics', which was held at the University of Milan in 2006 and organised by the editors of this volume. The interface between word and image covered in these essays embraces the fields of literature, architecture, painting, photography, music and art criticism. The authors stress the role of aesthetics in a number of contexts ranging from the early 1830s to the fin de siècle and beyond, as far as the last influences of Victorian taste on the early years of the twentieth century. During the nineteenth century the ancient interaction between literature and aesthetics was challenged and criticised by Martineau, Rossetti, Ruskin, Pater, Wilde, Beardsley, Cameron and Carroll, among others: their awareness of the complexity of visual perception problematised the existing categories of realism, artistic conventions, discourse of description, translation and representation. The essays cover almost a century of debate between literature and aesthetics. They focus on the intersection of word and image by emphasising transgressions in art hierarchies, forms and languages, which restyle existing categories and project them into new aesthetic dimensions beyond the conventional idea of the sister arts.

First Digital Edition She knew it was dangerous, but she knew it had to be this way. No other way was normal—to her. From the moment she fell in love as a teenager with Stella, Kathy knew her life would take a difficult path. She tried to resist her feelings—tried to be the person her family wanted her to be—but the lure of another woman’s love was too powerful. And so Kathy strayed the dark and hidden path among the twilight women, doing things her body urged her to do, until one night she made a choice that would change her life forever and set a devastating series of events in motion. Here is the story of a lesbian, and of the actions she would attempt to undertake, when trying to disavow her body’s urgings.

Presents thirteen twisted versions of such familiar fairy tales as Red Riding Hood, Jack and the Beanstalk, Hansel and Gretel, and The Three Billy Goats Gruff.

A millionaire is in danger from his murderous family in this “difficult to put down” tale from the Edgar Award–winning author (The Boston Globe). Alice Brennan is going to marry a millionaire. She has caught the eye of her boss, Innes Whitlock, but before they can tie the knot she must meet his sisters: three women who are so awful that no amount of money is worth enduring their company. One is blind, one is deaf, one is missing an arm, and they all want their brother dead. The accidents begin as soon as Alice and Innes arrive at the sisters’ creaky old Michigan country house. A lamp falls from the ceiling, narrowly missing Innes’s head. When he goes for a drive, a detour sign disappears, sending him off the road and nearly killing him. Before the sisters can finish the job, Alice contacts her old history professor, MacDougal Duff, who makes his living solving murders. He is the only one who can save Alice’s millionaire from his murderous family.

ONE OF PEOPLE MAGAZINE’S BEST NEW BOOKS “A searing and intimate memoir about love turned deadly.” —The BBC “An intimate illumination of sisterhood and loss.” —People When Sheila Kohler was thirty-seven, she received the heart-stopping news that her sister Maxine, only two years older, was killed when her husband drove them off a deserted road in Johannesburg. Stunned by the news, she immediately flew back to the country where she was born, determined to find answers and forced to reckon with his history of violence and the lingering effects of their most unusual childhood—one marked by death and the misguided love of their mother. In her signature spare and incisive prose, Sheila Kohler recounts the lives she and her sister led. Flashing back to their storybook childhood at the family estate, Crossways, Kohler tells of the death of her father when she and Maxine were girls, which led to the family abandoning their house and the girls being raised by their mother, at turns distant and suffocating. We follow them to the cloistered Anglican boarding school where they first learn of separation and later their studies in Rome and Paris where they plan grand lives for themselves—lives that are interrupted when both marry young and discover they have made poor choices. Kohler evokes the bond between sisters and shows how that bond changes but never breaks, even after death. “A beautiful and disturbing memoir of a beloved sister who died at the age of thirty-nine in circumstances that strongly suggest murder. . . . Highly recommended.” —Joyce Carol Oates

Enter a world of fractured fairy tales and magical mysteries in this first installment of the beloved New York Times bestselling Sisters Grimm series Orphaned sisters Sabrina and Daphne are sent to live with their newly discovered grandmother, Relda Grimm, in the strange town of Ferryport Landing. The girls soon learn a family secret: that they are descendants of the famous Brothers Grimm, whose book of fairy tales is actually a history book. When a terrorizing giant goes on a rampage through the town, it’s up to the Sisters Grimm to stop him and to solve the mystery of who set the giant loose in the first place. Was it Mayor Charming, formerly Prince Charming, who desperately wants his kingdom back? The Three Not-So-Little Pigs, the shifty town cops? Or one of the many other fairy-tale characters who seem to have it out for the Grimms? Repackaged in paperback with new cover art, these anniversary editions of the beloved Sisters Grimm series are the perfect opportunity for existing fans to revisit the adventures of the Grimm family and for new readers to discover the magic of the series for the first time.

An ancient prophecy divides two sisters- One good... One evil... Who will prevail? Twin sisters Lia and Alice Milthorpe have just become orphans. They have also become enemies. As they discover their roles in a prophecy that has turned generations of sisters against each other, the girls find themselves entangled in a mystery that involves a tattoo-like mark, their parents' deaths, a boy, a book, and a lifetime of secrets. Lia and Alice don't know whom they can trust. They just know they can't trust each other.