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Jane’s terrifying ordeal grows more mysterious. The shadow that haunts the halls of the ship stalks her, as well, and she finds herself torn in her trust of Max Archer. Accusations swirl around him and the captain is forced to take action, but against all the evidence Jane believes him to be innocent. Through all the doubt the book is a lighthouse of happiness for her, granting her delicious delights in the night even as her life in the day becomes more confusing. ** The Passenger’s Pleasure series is an episodic serial with cliffhangers and sensual fun. ** KEYWORDS: new adult, mystery, paranormal, supernatural, fantasy, folklore, folktale, folk tale, legend, legends, myth, myths, action adventure, action, adventure, second chances, comedy, humor, horror, free, freebie, free book, free books, book, books, free ebook, ebook, free novel, rich, quick read, read, short, serial, series, college, funny, female protagonist, novel, secret, suspense, thriller, alpha male, literature, story, stories, hero, fiction, box, box set, boxed, boxed set, romance, free romance, free romance ebook, free romance ebooks, free romance book, free romance books, billionaire, wealthy, millionaire, women's fiction, racy, legal, free romance novel, free romance books, billionaire romance, urban, contemporary, 21st century, current, historical, past, monster, creature, occult, demon, devil, workplace, office, boss, work

Contemplating Art is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. The book contains twenty-four essays and is divided into seven parts. The first is about issues relating to art in general, not specific to one art form. The second and longest part of the book is about philosophical problems specific to music. The third part focuses on pictorial art, and the fourth on interpretation, in particular the interpretation of literature and literary language. In the remaining parts of the book Levinson discusses aesthetic properties, issues in historical aesthetics, humour, and intrinsic value. These lively essays, rigorous but accessible, will appeal not only to philosophers but also to musicologists, literary theorists, art critics, and reflective lovers of the arts.

This sixth volume begins with three important works on predestination. The first is A Golden Chain , which treats the main points of theology with an emphasis on “the order of the causes of salvation and damnation.” The second is A Christian and Plain Treatise of the Manner and Order of Predestination , which gives a strident defense of the sovereignty of God in election and reprobation. The third, A Treatise on God’s Free Grace and Man’s Free Will , examines the responsibility of man and how that harmonizes with the will of God in ordaining all things. These treatises showcase Perkins’s scholarly and pastoral concerns on matters vital to the salvation of sinners. Table of Contents: Golden Chain (Foldout poster in the front) Manner and Order of Predestination Treatise on God’s Free Grace and Man’s Free Will Fruitful Dialogue Concerning the End of the World Against Alexander Dickson On Memory

For many, the word 'pleasure' conjures associations with hedonism, indulgence, and escape from the life of the mind. However little we talk about it, though, pleasure also plays an integral role in cognitive life, in both our sensory perception of the world and our intellectual understanding. This previously important but now neglected philosophical understanding of pleasure is the focus of the essays in this volume, which challenges received views that pleasure is principally motivating of action, unanalyzable, and caused, rather than responsive to reason. Like other books in the Oxford Philosophical Concepts series, it traces the development of the focal idea from ancient times through the 20th century. The essays highlight points of departure for new lines of inquiry rather than attempting to provide a full picture of how the idea of pleasure has been explored in philosophy. The volume begins by showing how Plato, Aristotle, early Islamic philosophers, and philosophers in the Medieval Latin tradition, such as Aquinas, honed in on the challenge of unifying the variety of pleasures so that they fall under one concept. In the early modern period, philosophers shifted from understanding the logic of pleasure to treating pleasure as a mental state. As the studies of Malebranche, Berkeley and Kant show, the central problem becomes understanding the relation of pleasure to other sensory experiences, and the role of pleasure in human cognition and knowledge. Short interdisciplinary reflections interspersed between essays focus on art of 16th and 17th century textbooks and the difficult music of composers like Bach, which demonstrate translation of these concerns to cultural production in the period. As the essay on Mill shows, the 19th century development of scientific psychology narrowed the definition of pleasure, and so its philosophical focus. Contemporary accounts of pleasure, however, in both philosophy and psychology, are now recognizing the limitations of this narrow focus, and are once again recognizing the complexity of pleasure and its role in human life.