On a spring morning in 1813 the largest amphibious force in American history to that point - nearly 6,000 troops aboard 140 vessels - stormed ashore near the mouth of the Niagara River, routed the British garrison and captured Fort George. It was a textbook operation, the second consecutive American victory, and a promising sign that events of 1813 would redress the military calamities of 1812. The badly mauled British army, short of provisions and ammunition, reeled westward, its leadership uncertain where or how the retreat would end. The American forces were poised to deliver the critical body blow the War Hawks in Congress dreamed of when they predicted a four-week war to seize Britain's remaining colonies. The fate of Upper Canada hung in the balance. Ten days later, in a field near the hamlet of Stoney Creek, the promise of that triumph was smashed in a terrifying night action the outcome of which hinged on a single bayonet charge that carried the American artillery and decapitated the invading army. Little known or appreciated, Stoney Creek was one of the most decisive reversals of military fortune in the War of 1812 and in no small measure determined the fate of the colony that would become Ontario. Journalist and author James Elliott has compellingly reconstructed the chain of events. From the rise to brigadier general of Maine blacksmith John Chandler, to the Highland heroics of Alexander Fraser, Strange Fatality explores the dynamics of a battle that stemmed the tide of invasion, cost two generals their freedom and unseated the highest-ranking soldier in the American army. Book jacket.

Within these pages you'll find the strangest deaths from around the world and discover the bizarre and astounding ways in which some people have met their maker. Freakish fatalities, idiotic accidents and ingenious suicides - if there's a weird way of dying, it's here!

"The story traces the lives and techniques of Alex Raymond (Flash Gordon, RipKirby), Stan Drake (Juliet Jones), Hal Foster (Prince Valiant), and more, dissecting their techniques through recreations of their artwork,and highlighting the metatextual resonances that bind them together"--Page 4 of cove

THE SUNDAY TIMES NUMBER ONE BESTSELLER A WATERSTONES POLITICS PAPERBACK OF THE YEAR, 2018 The Strange Death of Europe is a highly personal account of a continent and culture caught in the act of suicide. Declining birth-rates, mass immigration and cultivated self-distrust and self-hatred have come together to make Europeans unable to argue for themselves and incapable of resisting their own comprehensive change as a society. This book is not only an analysis of demographic and political realities, but also an eyewitness account of a continent in self-destruct mode. It includes reporting from across the entire continent, from the places where migrants land to the places they end up, from the people who appear to welcome them in to the places which cannot accept them. Told from this first-hand perspective, and backed with impressive research and evidence, the book addresses the disappointing failure of multiculturalism, Angela Merkel's U-turn on migration, the lack of repatriation and the Western fixation on guilt. Murray travels to Berlin, Paris, Scandinavia, Lampedusa and Greece to uncover the malaise at the very heart of the European culture, and to hear the stories of those who have arrived in Europe from far away. In each chapter he also takes a step back to look at the bigger issues which lie behind a continent's death-wish, answering the question of why anyone, let alone an entire civilisation, would do this to themselves? He ends with two visions of Europe – one hopeful, one pessimistic – which paint a picture of Europe in crisis and offer a choice as to what, if anything, we can do next.

The Strange Death of Marxism seeks to refute certain misconceptions about the current European Left and its relation to Marxist and Marxist-Leninist parties that existed in the recent past. Among the misconceptions that the book treats critically and in detail is that the Post-Marxist Left (a term the book uses to describe this phenomenon) springs from a distinctly Marxist tradition of thought and that it represents an unqualified rejection of American capitalist values and practices. Three distinctive features of the book are the attempts to dissociate the present European Left from Marxism, the presentation of this Left as something that developed independently of the fall of the Soviet empire, and the emphasis on the specifically American roots of the European Left. Gottfried examines the multicultural orientation of this Left and concludes that it has little or nothing to do with Marxism as an economic-historical theory. It does, however, owe a great deal to American social engineering and pluralist ideology and to the spread of American thought and political culture to Europe. American culture and American political reform have foreshadowed related developments in Europe by years or even whole decades. Contrary to the impression that the United States has taken antibourgeois attitudes from Europeans, the author argues exactly the opposite. Since the end of World War II, Europe has lived in the shadow of an American empire that has affected the Old World, including its self-described anti-Americans. Gottfried believes that this influence goes back to who reads or watches whom more than to economic and military disparities. It is the awareness of American cultural as well as material dominance that fuels the anti-Americanism that is particularly strong on the European Left. That part of the European spectrum has, however, reproduced in a more extreme form what began as an American leap into multiculturalism. Hostility toward America, however, can be transformed quickly into extreme affection for the United States, which occurred during the Clinton administration and during the international efforts to bring a multicultural society to the Balkans. Clearly written and well conceived, The Strange Death of Marxism will be of special interest to political scientists, historians of contemporary Europe, and those critical of multicultural trends, particularly among Euro-American conservatives.

On a humid July day in 1993, White House deputy counsel Vincent W. Foster was found dead in Fort Marcy Park in suburban Virginia. One of the nation's highest-ranking federal officers, Foster was a boyhood friend of President Bill Clinton and a close confidant of First Lady Hillary Rodham Clinton. His death sent shock waves through the White House and the nation's capital. The death was quickly pronounced a suicide. According to the official story that soon emerged, Foster was depressed, angry, and isolated. With nowhere else to turn, he went to a secluded park near the Potomac River, put a gun in his mouth, and killed himself. But is that what really happened? In this compelling and fully documented report, investigative journalist Christopher Ruddy answers that critical question. Ruddy, who has covered the case almost from the start, details the disturbing inconsistencies surrounding Foster's alleged suicide, chronicles the botched investigations, documents the frenzied illegal activity in the White House in the hours after Foster's death, and notes the persistent failure of mainstream media to ask the right questions. Throughout his thorough investigation of the available forensic and circumstantial evidence, Ruddy weaves a disturbing tale of cover-ups, abuse of power, police and prosecutorial incompetence, and press indifference. His startling conclusion -- that despite the official line, Foster could not have killed himself in Fort Marcy Park -- will persuade even the most skeptical reader to demand a full public investigation into the mysterious circumstances of the death of Vincent Foster and the troubling events in its aftermath.

This book focuses on the chaos that overtook England on the eve of the First World War. Dangerfield weaves together the three wild strands of the Irish Rebellion (the rebellion in Ulster), the Suffragette Movement and the Labour Movement to produce a vital picture of the state of mind and the most pressing social problems in England at the time. The country was preparing even then for its entrance into the twentieth century and total war.Dangerfield argues that between the death of Edward VII and the First World War there was a considerable hiatus in English history. He states that 1910 was a landmark year in English history. In 1910 the English spirit flared up, so that by the end of 1913 Liberal England was reduced to ashes. From these ashes, a new England emerged in which the true prewar Liberalism was supported by free trade, a majority in Parliament, the Ten Commandments, but the illusion of progress vanished. That extravagant behavior of the postwar decade, Dangerfield notes, had begun before the war. The war hastened everything - in politics, in economics, in behavior - but it started nothing.George Dangerfield's wonderfully written 1935 book has been extraordinarily influential. Scarcely any important analyst of modern Britain has failed to cite it and to make use of the understanding Dangerfield provides. This edition is timely, since the year 2010 has seen a definitive resurrection of Liberal power. Subsequent to the General Election of July 2010 the government of the United Kingdom has been in the hands of a Conservative/Liberal Democrat coalition. The Deputy Prime Minister is the leader of the Liberal Democratic Party - the direct successor of the old Liberal Party examined by Dangerfield. Five Liberal Democrat members of Parliament were appointed to the Cabinet and there are Liberal Democrat ministers in all governmental departments. After decades of absence from government power, Liberalism seems to be back with a vengeance.

The financial crisis seemed to present a fundamental challenge to neo liberalism, the body of ideas that have constituted the political orthodoxy of most advanced economies in recent decades. Colin Crouch argues in this book that it will shrug off this challenge. The reason is that while neo liberalism seems to be about free markets, in practice it is concerned with the dominance over public life of the giant corporation. This has been intensified, not checked, by the recent financial crisis and acceptance that certain financial corporations are ‘too big to fail'. Although much political debate remains preoccupied with conflicts between the market and the state, the impact of the corporation on both these is today far more important. Several factors have brought us to this situation: The lobbying power of firms whose donations are of growing importance to cash-hungry politicians and parties The weakening of competitive forces by firms large enough to shape and dominate their markets The moral initiative that is grasped by enterprises that devise their own agendas of corporate social responsibility Both democratic politics and the free market are weakened by these processes, but they are largely inevitable and not always malign. Hope for the future, therefore, cannot lie in suppressing them in order to attain either an economy of pure markets or a socialist society. Rather it lies in dragging the giant corporation fully into political controversy.

A woman starved to death. A tech genius with his hands hacked off. The heist of the century. When DC Fiona Griffiths and her colleagues piece together the clues to several grim crimes, they realise they're staring at one of the world's most daring robberies. Fiona is asked to take on her toughest case yet: will she go undercover to penetrate this criminal gang from within? When Fiona says yes, she has to give up her old life entirely. She becomes Fiona Grey, a homeless woman struggling to get her life back together again. When the criminal gang adopt her as one of their own, she's totally alone, vulnerable - and dangerous as hell. Praise for the Fiona Griffiths mystery series: 'With Detective Constable Fiona 'Fi' Griffiths, Harry Bingham...finds a sweet spot in crime fiction...think Stieg Larsson's Lisbeth Salander...[or] Lee Child's Jack Reacher... The writing is terrific' The Boston Globe 'The easiest five stars I've ever awarded a book. Fiona Griffiths is by far the most original detective I've come across' Loretta Milan 'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today 'Compelling...a new crime talent to treasure' Daily Mail 'Fiona Griffiths may be the most fascinating protagonist in fiction. She is similar to Lisbeth Salander, an intelligent but profoundly damaged young woman, but Fiona is less hostile and more curious, sort of a good guy sociopath. This is definitely one my favourite thriller series' Audrey, Top 500 Reviewer Fans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead 2. Love Story, With Murders 3. The Strange Death of Fiona Griffiths 4. This Thing of Darkness 5. The Dead House 6. The Deepest Grave (coming soon!) If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it. ** Each Fiona Griffiths thriller can be read as a standalone or in series order **