Mystery and the Fantasy merge in the mind of Robert E. Howard! Mystery and the Fantasy merge in the mind of Robert E. Howard! Mystery and the Fantasy merge in the mind of Robert E. Howard! Mystery and the Fantasy merge in the mind of Robert E. Howard!

A compilation of stories by twenty-first century authors featuring paranormal investigators, occult detectives, ghost hunters, and monster fighters.

This book features a marvellous collection of murderous, greedy and immoral villains brought to book by the greatest fictional detectives, who date from the golden age of crime literature as well as the present day. Follow in the footsteps of criminal masterminds and marvel at the inspired deductions of Sherlock Holmes, Hercule Poirot and the brilliant (if timid) Mr Budd. Nick Hardcastle's line drawings make these riveting stories come alive

Orginally published: United Kingdom: Atlantic Books, 2016.

Early one evening, I was patrolling alone and decided to stop a vehicle with its taillight out. I had no way of knowing that this seemingly routine decision would lead to a strange twist of fate years later... These true, first-hand accounts from law enforcement officials across the nation reveal how intuition, apparitions, UFOs, prophetic dreams, and other forces beyond our understanding have impacted them in the course of duty. The weird and unexplained experiences in this book take place in the midst of the death-defying gun battles, thrilling rescues, and heart-searing tragedies that police officers face every day—and reveal the fascinating inner lives of the heroic men and women behind the badge.

Contains thirteen mystery stories, written between 1841 and 1920, and includes "The Murders in the Rue Morgue," by Edgar Allan Poe, "Three Detective Anecdotes," by Charles Dickens, and "The Leopard Man's Story," by Jack London.

P. D. James, the undisputed queen of mystery, gives us an intriguing, inspiring and idiosyncratic look at the genre she has spent her life perfecting. Examining mystery from top to bottom, beginning with such classics as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and then looking at such contemporary masters as Colin Dexter and Henning Mankell, P. D. James goes right to the heart of the genre. Along the way she traces the lives and writing styles of Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, and many more. Here is P.D. James discussing detective fiction as social history, explaining its stylistic components, revealing her own writing process, and commenting on the recent resurgence of detective fiction in modern culture. It is a must have for the mystery connoisseur and casual fan alike.

Fulton Oursler was one of the great editors of his time, ruling over the Macfadden publishing empire for two decades. He created the first true-crime magazine, True Detective Mysteries, and off-beat titles like Brain Power, Ghost Stories and True Strange Stories. He achieved national fame in the '30s as the editor of Liberty. But stage magic was his first love, and, in his heart, he remained a conjurer in a black cape and top hat. In this collection of early fiction, Oursler's bewitching imagination takes flight in tales of magic, murder and mesmerizing mystery. Apparitions, half-wits, secret panels, devious deceptions, lunatic asylums, warring magicians, criminal masterminds-it's all here. Also featured is an in-depth exploration of the amazing career of Fulton Oursler.

This is a collection of eight ghost stories, written by the remarkably prolific husband and wife team of Claude and Alice Askew, centering on Aylmer Vance, an investigator of the supernatural. Dexter, the narrator, meets Vance during a fishing holiday and Vance tells him three ghost stories on successive nights, each story involving Vance more closely in the action. The fourth story brings Dexter himself into the action, and reveals him to have unsuspected clairvoyant powers. The remaining stories feature Vance and Dexter as a sort of Holmes-and-Watson team investigating incidents not all of which prove to have supernatural causes. The final story, "The Fear" is very effective, describing a house in which a general feeling of extreme fear grips the inhabitants at various times and locations; the emotion of fear is effectively evoked and an interesting tale is constructed as Vance and Dexter work to assign the fear "a local habitation and a name".

The fifteenth installment of the internationally bestselling Inspector Banks series When Alan Banks receives a disturbing telephone call from his brother, Roy, he abandons the peaceful Yorkshire Dales for the bright lights of London to search him out. But Roy has vanished into thin air, and now Banks fears this could have been their final conversation. Meanwhile, DI Annie Cabbot is called to a murder scene on a quiet stretch of road just outside Eastvale. A young woman called Jennifer Clewes has been found dead in her car, and in the back pocket of her jeans, written on a slip of paper, police discover Banks’s name and address. Living in his brother’s empty, luxurious South Kensington flat, Banks finds himself digging into the life of the brother he never really knew, or even liked. He begins to uncover some troubling surprises, leaving Annie to track down Jennifer Clewes’s friends and colleagues alone. It seems that both trails are leading towards frightening conclusions. And when the cases begin to intersect, the consequences for Banks and Annie become terrifying . . .