From the acclaimed author of The Elegance of the Hedgehog, A Strange Country, the sequel to The Life of Elves and described as a 'strange and poetic fantasy similar to the work of Tolkien' by the San Francisco Book Review, will transport readers to a lost world and remind them of the power of poetry and imagination. ‘Bewitching’ … ‘[an] enchanting hero’s journey’ Foreword Reviews Alejandro de Yepes and Jesús Rocamora, young officers in the Spanish regular army, are stationed alone at Castillo when a friendly redhead named Petrus appears out of nowhere. There is something magnetic and deeply mysterious about him. Alejandro and Jesús are bewitched, and, in the middle of the sixth year of the longest war humankind has ever endured, they abandon their post to follow him across a bridge that only he can see. Petrus brings them to a world of lingering fog, strange beings, poetry, music, natural wonders, harmony and extraordinary beauty. This is where the fate of the world and all its living creatures is decided. Yet this world too is under threat. A long battle against the forces of disenchantment is drawing to a climactic close. Will poetry and beauty prevail over darkness and death? And what role will Alejandro and Jesús play?

The New York Times–bestselling series continues with the murder of an American soldier in Venice: “This is definitely an author to watch (Kirkus Reviews). Early one morning, Commissario Guido Brunetti of the Venice police confronts a grisly sight when the body of a young man is fished out of a fetid canal. All clues point to a violent mugging, but for Brunetti the motive of robbery seems altogether too convenient. When something discovered in the victim’s apartment suggests the existence of a high-level conspiracy, Brunetti becomes convinced that somebody, somewhere, is taking great pains to provide a ready-made solution to the crime. Rich with atmosphere and marvelous plotting, Death in a Strange Country is a superb novel in Donna Leon’s chilling Venetian mystery series. Praise for Donna Leon and the Commissario Brunetti Mysteries “One of the best international crime writers is Donna Leon, and her Commissario Guido Brunetti tales set in Venice are at the apex of continental thrillers.” —Rocky Mountain News “Leon’s books shimmer in the grace of their setting and are warmed by the charm of her characters.” —The New York Times Book Review “Brunetti . . . long ago joined the ranks of the classic fictional detectives.” —Evening Standard “Commissario Brunetti, most charismatic current Euro-cop, uncovers deadly ants’ nest of corruption. A highly accomplished, scary read.” —The Guardian

'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.

Strange Country identifies the origin, the development, and the success of the Irish literary tradition in English as one of the first literature that is both national and colonial.

A New York Times Notable Book of 2020 A Bloomberg Best Non-Fiction Book of 2020 A Behavioral Scientist Notable Book of 2020 A Human Behavior & Evolution Society Must-Read Popular Evolution Book of 2020 A bold, epic account of how the co-evolution of psychology and culture created the peculiar Western mind that has profoundly shaped the modern world. Perhaps you are WEIRD: raised in a society that is Western, Educated, Industrialized, Rich, and Democratic. If so, you’re rather psychologically peculiar. Unlike much of the world today, and most people who have ever lived, WEIRD people are highly individualistic, self-obsessed, control-oriented, nonconformist, and analytical. They focus on themselves—their attributes, accomplishments, and aspirations—over their relationships and social roles. How did WEIRD populations become so psychologically distinct? What role did these psychological differences play in the industrial revolution and the global expansion of Europe during the last few centuries? In The WEIRDest People in the World, Joseph Henrich draws on cutting-edge research in anthropology, psychology, economics, and evolutionary biology to explore these questions and more. He illuminates the origins and evolution of family structures, marriage, and religion, and the profound impact these cultural transformations had on human psychology. Mapping these shifts through ancient history and late antiquity, Henrich reveals that the most fundamental institutions of kinship and marriage changed dramatically under pressure from the Roman Catholic Church. It was these changes that gave rise to the WEIRD psychology that would coevolve with impersonal markets, occupational specialization, and free competition—laying the foundation for the modern world. Provocative and engaging in both its broad scope and its surprising details, The WEIRDest People in the World explores how culture, institutions, and psychology shape one another, and explains what this means for both our most personal sense of who we are as individuals and also the large-scale social, political, and economic forces that drive human history. Includes black-and-white illustrations.

"This book is about the people I met as I crisscrossed Australia by train and plane and L-plated car: the undefeated dreamers and wild-hearted romantics, the obsessed hobbyists and beautiful failures. It is about heroes and legends, illusions, delusions and hope, and one or two men with shit for brains who ought to be locked up." As anyone who's ever read Mark Dapin's column and features in Good Weekend knows, he's an immensely funny, acute and vivid observer of Australian life. In Strange Country, he takes us on a journey through a very different Australia - a country that's eccentric, puzzling, big-hearted, small-minded, nostalgic and sometimes just plain mad. From the last travelling boxing tent to feral urban sewer rats to Vietnam Veteran bikies and the annual Parkes Elvis Festival, his writing illuminates the stranger side of Australian life in a travel book like no other.

A New York Times Editors' Choice and Notable Book of 2021 "Best Science Fiction, Fantasy and Horror of 2021"—The Washington Post From one of the most exciting voices in contemporary Chinese literature, an uncanny and playful novel that blurs the line between human and beast… In the fictional Chinese city of Yong’an, an amateur cryptozoologist is commissioned to uncover the stories of its fabled beasts. These creatures live alongside humans in near-inconspicuousness—save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self. Part detective story, part metaphysical enquiry, Strange Beasts of China engages existential questions of identity, humanity, love and morality with whimsy and stylistic verve.

"In her debut poetry collection One Strange Country, Russian-American poet Stella Hayes replaces one strange country with another she calls home, mapping an origin story of identity, exile and loss. In stark and sharp language, Hayes conveys poems of witness, longing and love. With lyrical urgency, Hayes interrogates displacement and belonging, what it means to grow attached to places as much as to people. This collection takes a reader from a child's understanding of family life in the former U.S.S.R., to an understanding of what it means to come of age, marry, and give birth to children in an adopted country. "An exile's life is planned one day at a time," Hayes declares in one poem which informs her own experiences, as a daughter, sister, mother, and poet. "One Strange Country is as much a collection of maps as it is a collection of poems." (Erica Wright) Hayes has embraced what Frank Bidart would call her "radical givens," those writerly obsessions that we cannot escape"--