Chaos and fractals are new mathematical ideas that have revolutionized our view of the world. They have application in virtually every academic discipline. This book shows examples of the artistic beauty that can arise from very simple equations, and teaches the reader how to produce an endless variety of such patterns. Disk includes a full working version of the program.

Strange Attractors is a collection of approximately 150 poems with strong links to mathematics in content, form, or imagery. The common theme is love, and the editors draw from its various manifestations-romantic love, spiritual love, humorous love, love between parents and children, mathematicians in love, love of mathematics. The poets include li

This book, based on lectures given at the Accademia dei Lincei, is an accessible and leisurely account of systems that display a chaotic time evolution. This behaviour, though deterministic, has features more characteristic of stochastic systems. The analysis here is based on a statistical technique known as time series analysis and so avoids complex mathematics, yet provides a good understanding of the fundamentals. Professor Ruelle is one of the world's authorities on chaos and dynamical systems and his account here will be welcomed by scientists in physics, engineering, biology, chemistry and economics who encounter nonlinear systems in their research.

The monster could strike at any time and any place, and it’s up to Mac and Abi to figure out how to stop it, while the surviving passengers do what they can to find refuge from the horror! With Jake as their eye in the sky, can Abi and Mac discover the looming monstrosity before it kills again?

An award-winning poet living in Prague, Armand presents a collection of his work that pursues the complex challenges language poses.

The equations which we are going to study in these notes were first presented in 1963 by E. N. Lorenz. They define a three-dimensional system of ordinary differential equations that depends on three real positive parameters. As we vary the parameters, we change the behaviour of the flow determined by the equations. For some parameter values, numerically computed solutions of the equations oscillate, apparently forever, in the pseudo-random way we now call "chaotic"; this is the main reason for the immense amount of interest generated by the equations in the eighteen years since Lorenz first presented them. In addition, there are some parameter values for which we see "preturbulence", a phenomenon in which trajectories oscillate chaotically for long periods of time before finally settling down to stable stationary or stable periodic behaviour, others in which we see "intermittent chaos", where trajectories alternate be tween chaotic and apparently stable periodic behaviours, and yet others in which we see "noisy periodicity", where trajectories appear chaotic though they stay very close to a non-stable periodic orbit. Though the Lorenz equations were not much studied in the years be tween 1963 and 1975, the number of man, woman, and computer hours spent on them in recent years - since they came to the general attention of mathematicians and other researchers - must be truly immense.

Viking.

Accompanying our 2020-21 Haegue Yang exhibition at Tate St Ives, this beautiful exhibition book focuses on the context of the Cornish landscape and its ancient archaeological heritage as an important point of departure for Yang. A vital expansion of the ideas that punctuate the Tate St Ives exhibition, the exhibition catalogue brings together installation photography and new texts on the artist. Yang's work combines materials, theories and cultural references to make astute and surprising connections between local contexts and wider geographies and histories. Recurring themes of migration, postcolonial diasporas, political struggle and social mobility underpin Yang's research, culminating in a body of work that is an apposite comment on our own time. Born in South Korea in 1971, Haegue Yang is renowned for creating immersive environments from a diverse range of materials. Yang's sculptures and installations conjure abstract narratives which play with our sensory pre-conceptions of scent, sound, light and tactility. Often using recognisable household objects, her work liberates forms from their functional context and applies new connotations and meanings to them. Interweaving industrially made objects with labour intensive and craft-based processes, Yang articulates her interest in folk and pagan cultures, and their deep connection with seasonal rituals in relation to natural phenomena.