This book theorizes and describes the concept of transformative critical whiteness pedagogies that are rooted in theories and practices of improvisation. It shows how these pedagogies invite people, especially white people, into the urgent work of resisting the ongoing production and affirmation of white supremacy. Using the frameworks of storytelling and story analysis, this book uses narrative to invite the reader into ongoing work to design and make sense of teaching and learning about whiteness that would meaningfully account for a grapple with white supremacy. Chapter 1 offers the conceptual framework rooted in theories and practices of improvisation that allow for new ways to think about engaging whiteness in anti-racist pedagogies, which the authors name transformative critical whiteness pedagogies. Chapters 2–4 tell and analyze the stories that emerged out of this work to design and facilitate transformative critical whiteness pedagogies with white elementary students, white college students, and then black elementary students in the US. Chapters 5 and 6 discuss the challenges of developing and implementing transformative critical whiteness pedagogies in K-12 contexts. The final chapters offer a discussion of the improvisational ethos, as well as an overview of the authors’ ongoing work to engage people, especially white people, in getting smarter about whiteness. Using simple, straightforward language to address complex ideas about anti-racist pedagogies, this volume will be important reading for pre-service teachers and teacher educators in Critical Whiteness Studies, Critical Multicultural Education, Social Foundations of Education, Elementary Education, and Race and Culture Studies.

By introducing a framework for culturally sustaining Systemic Functional Linguistics (SFL) praxis, Harman, Burke and other contributing authors guide readers through a practical and analytic exploration of youth participatory work in classroom and community settings. Applying an SFL lens to critical literacy and schooling, this book articulates a vision for youth learning and civic engagement that focuses on the power of performance, spatial learning, community activism and student agency. The book offers a range of research-driven, multimodal resources and methods for teachers to encourage students’ meaning-making. The authors share how teachers and community activists can interact and support diverse and multilingual youth, fostering a dynamic environment that deepens inquiry of the arts and disciplinary area of knowledge. Research in this book provides a model for collaborative engagement and community partnerships, featuring the voices of students and teachers to highlight the importance of agency and action research in supporting literacy learning and transformative inquiry. Demonstrating theoretically and practically how SFL praxis can be applied broadly and deeply in the field, this book is suitable for preservice teachers, teacher educators, graduate students and scholars in bilingual and multilingual education, literacy education and language policy.

Storytelling is a powerful tool to be utilized within racial justice education. It humanizes our experiences, promotes empathy, and allows us to connect across difference. Existing literature illustrates the influence of storytelling being rooted in marginalized populations and its ability to transcend cultural contexts (Banks-Wallace, 1998; Bell, 2009; Chin & Rudelius-Palmer, 2010; Delgado, 1989; Delgado Bernal et al., 2012; Pyke, 2010; Solórzano & Yosso, 2002). What is lacking from existing literature is narrative accounts of racially diverse college students' experiences with storytelling as a pedagogical approach in social justice, and more specifically, racial justice education contexts. Additionally, although some literature exists on how storytelling can disrupt the system of whiteness, there is a lack of narrative accounts of how whiteness can disrupt storytelling as a pedagogy. In this instrumental case study, I utilize a Critical Whiteness Studies (CWS) theoretical framework to highlight the narratives of five, racially diverse, undergraduate college students about their experiences with storytelling as a teaching tool for racial justice education within an intercultural leadership course. Through interview and document analysis data, I identified three overarching themes that illustrate how students of diverse racial backgrounds perceived storytelling as a teaching tool for racial justice education including: 1) Storytelling is a Powerful and Empowering Teaching Tool, 2) Hesitancy in Being the Storyteller, and 3) The Classroom Door is not a Whiteness Gatekeeper. Results from this study can increase our understanding of storytelling as a pedagogy for racial justice education and the ways in which the pervasive nature of whiteness manifests in storytelling communities. While the power of storytelling was reflected in participants' experiences, the study also raises our consciousness about the considerations educators should make in implementing a storytelling pedagogy in predominantly white classroom settings. Based on these findings I provide implications for research and practice.

There is growing pressure on teachers and faculty to understand and adopt best practices to work with diverse races, cultures, and languages in modern classrooms. Establishing sound pedagogy is also critical given that racial, cultural, and linguistic integration has the potential to increase academic success for all learners. To that end, there is also a need for educators to prepare graduates who will better meet the needs of culturally diverse learners and help their learners to become successful global citizens. The Handbook of Research on Diversity and Social Justice in Higher Education is a cutting-edge research book that examines cross-cultural perspectives, challenges, and opportunities pertaining to advancing diversity and social justice in higher education. Furthermore, the book explores multiple concepts of building a bridge from a monocultural pedagogical framework to cross-cultural knowledge through appropriate diversity education models as well as effective social justice practices. Highlighting a range of topics such as cultural taxation, intercultural engagement, and teacher preparation, this book is essential for teachers, faculty, academicians, researchers, administrators, policymakers, and students.

Beyond the commonplace inequalities that many minoritized youth face in the United States, the post-Trump contemporary moment has created rampant racialized material and symbolic violence occurring against Latinx, immigrant and undocumented immigrant communities, Asian American, and African American populations. Race Frames in Education advances the conversation about racial equity in educational contexts with a unique analysis centered on the concept of racial projects—a way of thinking not only about systems of racial domination and subjugation, but also of resistance. Chapter authors center racial analyses across multiple educational and community-based settings to underscore how racial projects advance equity or reproduce inequality. This much-needed anthology addresses a pressing issue in society: how to center race and expose systemic racism in order to transform communities, schooling, and educational policies. It challenges White dominance in education and social policy and practice in order to understand the material effects of race, racism, and White supremacist logic on minoritized populations. Contributors: Jeremy Acree, Felicia Arriaga, Jorge Ballinas, Socorro E. Cambero, Gilberto Q. Conchas, Victor Dealba, Sarah Diem, Eric Felix, Joy Howard, Marina Lambrinou, Ruth Lopez, Enrique Ochoa, Gilda L. Ochoa, Leticia Oseguera, Katherine Rodela, Sophia Rodriguez, Rhianna Thomas, Adrian Trinidad, Kindel Turner-Nash, Sarah Walters

Abstract This thesis presents and examines ways in which Black vernacular arts traditions can be applied as part of an Afrocentric, anti-racist, and emancipatory (liberatory) pedagogy in both primary and secondary school settings. Full of stories of resistance, these performative arts traditions have the capacity to serve as "counter stories," or counter narratives-those stories that push back against the "master scripts" that perpetuate dominant White ideologies about race and racism in America. As a metaphorical, theoretical, and educational framework for my thesis, the term "potlikker" serves as a literary designation for both spoken and musical Black vernacular arts traditions that have the narrative capacity to remember, tell, teach, and nourish. The Black vernacular arts traditions I present in this pedagogical framework include the antebellum ring shout and ring play traditions, Trickster tales, and spirituals, and later 20th century forms including toast ballads, the dozens, blues, jazz, rap, and spoken word. Taken together, these expressions bring into focus a constellation of educational goals and perspectives, at once historical, political, cultural, and aesthetic. They contain narratives about African heritage, about the hard history of the Black Holocaust, about African American freedoms fought for and gained, and about the rich, diverse legacy of Black musical and spoken vernacular arts traditions in America. In the broadest theoretical terms, this thesis is a transdisciplinary narrative arts project, methodologically and philosophically aligned with African heritage knowledge (King & Swartz, 2018), Folkarts in Education (FAIE), and Critical Race Theory (CRT). Within these intersecting educational theories, I present data that include stories, raps, blues lyrics, spoken word pieces, and visual art works created by students, family members, and guest artists during lessons and projects I carried out in elementary and middle schools in Milwaukee and Madison, Wisconsin, between the years 2011-2020. Each of these community participants contributed, in no small way, to my understanding of how Black arts traditions reflect and communicate a Black aesthetic that I am calling freedom.

This updated second edition unpacks the discussions surrounding the finest qualitative methods used in contemporary educational research. Bringing together scholars from around the world, this Handbook offers sophisticated insights into the theories and disciplinary approaches to qualitative study and the processes of data collection, analysis and representation, offering fresh ideas to inspire and re-invigorate researchers in educational research.

A New York Times Best Seller "Essential reading for all adults who work with black and brown young people...Filled with exceptional intellectual sophistication and necessary wisdom for the future of education."—Imani Perry, National Book Award Winner author of South To America An award-winning educator offers a much-needed antidote to traditional top-down pedagogy and promises to radically reframe the landscape of urban education for the better Drawing on his own experience of feeling undervalued and invisible in classrooms as a young man of color, Dr. Christopher Emdin has merged his experiences with more than a decade of teaching and researching in urban America. He takes to task the perception of urban youth of color as unteachable, and he challenges educators to embrace and respect each student’s culture and to reimagine the classroom as a site where roles are reversed and students become the experts in their own learning. Putting forth his theory of Reality Pedagogy, Emdin provides practical tools to unleash the brilliance and eagerness of youth and educators alike—both of whom have been typecast and stymied by outdated modes of thinking about urban education. With this fresh and engaging new pedagogical vision, Emdin demonstrates the importance of creating a family structure and building communities within the classroom, using culturally relevant strategies like hip-hop music and call-and-response, and connecting the experiences of urban youth to indigenous populations globally. Merging real stories with theory, research, and practice, Emdin demonstrates how by implementing the “Seven Cs” of reality pedagogy in their own classrooms, urban youth of color benefit from truly transformative education.

Literacy is the foundation for all learning and must be accessible to all students. This fundamental truth is where Kimberly Parker begins to explore how culturally relevant teaching can help students work toward justice. Her goal is to make the literacy classroom a place where students can safely talk about key issues, move to dismantle inequities, and collaborate with one another. Introducing diverse texts is an essential part of the journey, but teachers must also be equipped with culturally relevant pedagogy to improve literacy instruction for all. In Literacy Is Liberation, Parker gives teachers the tools to build culturally relevant intentional literacy communities (CRILCs) with students. Through CRILCs, teachers can better shape their literacy instruction by * Reflecting on the connections between behaviors, beliefs, and racial identity. * Identifying the characteristics of culturally relevant literacy instruction and grounding their practice within a strengths-based framework. * Curating a culturally inclusive library of core texts, choice reading, and personal reading, and teaching inclusive texts with confidence. * Developing strategies to respond to roadblocks for students, administrators, and teachers. * Building curriculum that can foster critical conversations between students about difficult subjects—including race. In a culturally relevant classroom, it is important for students and teachers to get to know one another, be vulnerable, heal, and do the hard work to help everyone become a literacy high achiever. Through the practices in this book, teachers can create the more inclusive, representative, and equitable classroom environment that all students deserve.