Make your character’s story arc resonate more emotionally with readers. What is the Heroine’s Journey? Joseph Campbell originally wrote about the Hero’s Journey in his book, The Hero With a Thousand Faces, as a psychological analysis of the classical myth formula. Maureen Murdock took Campbell’s work, her own psychology experience, and other psychoanalytical writings and world myths to develop The Heroine’s Journey for women. Often, a male and female character will respond differently to conflict in a story because culture and time period will affect a character differently due to gender. As a result, their internal story arcs will differ according to gender, also. Whether in romances or women’s fiction, often a heroine’s story arc is more about internal awakening as opposed to the “quest” style of the Hero’s Journey. This makes the Heroine’s Journey a good template for a heroine’s story arc. If readers comment that there’s “something off” with a character’s story arc, the Heroine’s Journey applied to a heroine will often make her story more psychologically resonant and satisfying for a reader. How this worksheet can help you: This worksheet consists of the Heroine's Journey explained in detail, questions for you to answer about your heroine, and examples to explain each stage of the Heroine's Journey. It will guide you in an easy way toward applying the Heroine’s Journey structure for your heroine. This worksheet will help you: —Create a more emotionally resonant internal arc for your heroine —Or change up your hero’s internal journey with one of self-discovery by applying the Heroine’s Journey to his story arc —Fix and strengthen disjointed character development —Manipulate and strengthen story pacing —Keep a character’s internal arc in a forward-moving motion rather than stagnating —Build the internal arc toward the “Black Moment” crisis —Draw the internal arc full circle in a way that will satisfy readers —Use the Heroine’s Journey even in a romance where there’s also a hero taking up 50% of the book —Double-check that the external events in the story are fueling and forwarding the character’s internal arc —Revise a synopsis or a completed manuscript Please note: this tool is not meant to replace a synopsis because it doesn’t focus as strongly on the external events and conflicts in the story—it’s more focused on the internal events and internal conflicts of your heroine. This worksheet was created by utilizing the compilation of information on the Heroine’s Journey derived not only from Maureen Murdock’s book, but also other psychology writings and an understanding of Joseph Campbell’s original Hero’s Journey. This newly revised edition includes extra examples for each stage of the Heroine’s Journey and more detail on previous examples. Are you unsure why your heroine’s emotional story doesn’t strike the right chord with readers? This worksheet will help set you on the right track.

Since the first literature about the Threshold Concepts Framework was published in 2003, a considerable body of educational research into this topic has grown internationally across a wide range of disciplines and professional fields. Successful negotiation of a threshold concept can be seen as crossing boundaries into new conceptual space, or as a portal opening up new and previously inaccessible ways of thinking about something. In this unfamiliar conceptual terrain, fresh insights and perceptions come into view, and access is gained to new discourses. This frequently entails encounters with ‘troublesome knowledge’, knowledge which provokes a liminal phase of transition in which new understandings must be integrated and, importantly, prior conceptions relinquished. There is often double trouble, in that letting go of a prevailing familiar view frequently involves a discomfiting change in the subjectivity of the learner. We become what we know. It is a space in which the learner might become ‘stuck’. Threshold Concepts on the Edge, the fifth volume in a series on this subject, discusses the new directions of this research. Its six sections address issues that arise in relation to theoretical development, liminal space, ontological transformations, curriculum, interdisciplinarity and aspects of writing across learning thresholds.

The Heroine’s Journey describes contemporary woman’s search for wholeness in a society where she has been defined according to masculine values. Drawing on cultural myths and fairy tales, ancient symbols and goddesses, and the dreams of contemporary women, Murdock illustrates the need for—and the reality of—feminine values in Western culture. This special anniversary edition, with a new foreword by Christine Downing and preface by the author, illuminates that this need is just as relevant today as it was when the book was originally published thirty years ago.

Dexter the dog is so little that Cleevis the tomcat bullies him. But little Dex has dreams—big dreams. He wants to be a superhero. So he reads all the comic books he can, builds his muscles, and even orders a hero suit. Suddenly, even Cleevis needs his help! Dexter has determination, spirit, and heart as he proves, above all, that no matter how little you are, you can still do very big things.

The Writer's Journey is an insider's guide to how master storytellers from Hitchcock to Spielberg have used mythic structure to create powerful stories. This new edition includes analyses of latest releases such as The Full Monty.

Voytilla takes the mythic structure developed by Christopher Vogler in "The Writer's Journey" and applies this idea to 50 classic motion pictures. 100 original carts with mythic icons.

From We Need Diverse Books, the organization behind Flying Lessons & Other Stories, comes another middle-grade short-story collection--this one focused on exploring acts of bravery--featuring some of the best own-voices children's authors, including R. J. Palacio (Wonder), Rita Williams-Garcia (One Crazy Summer), Linda Sue Park (A Long Walk to Water), and many more. Not all heroes wear capes. Some heroes teach martial arts. Others talk to ghosts. A few are inventors or soccer players. They're also sisters, neighbors, and friends. Because heroes come in many shapes and sizes. But they all have one thing in common: they make the world a better place. Published in partnership with We Need Diverse Books, this vibrant anthology features thirteen acclaimed authors whose powerful and diverse voices show how small acts of kindness can save the day. So pay attention, because a hero could be right beside you. Or maybe the hero is you. AUTHORS INCLUDE: William Alexander, Joseph Bruchac, Lamar Giles, Mike Jung, Hena Khan, Juana Medina, Ellen Oh, R. J. Palacio, Linda Sue Park and Anna Dobbin, Cynthia Leitich Smith, Ronald L. Smith, Rita Williams-Garcia, and short-story contest winner Suma Subramaniam “As with the two previous anthologies from We Need Diverse Books, this collection admirably succeeds in making available to all readers a wider and more representative range of American voices and protagonists.” —The Washington Post

Joseph Campbell, arguably the greatest mythologist of our time, was certainly one of our greatest storytellers.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

Twenty-nine tales from the folklore of Turkey, India, Denmark, Armenia, and the Sudan.