Hooked rugs can tell stories. The rug hooking artists in this book "... put words to wool, sentences to lines of loops, a page of creative musing to a blank yard of linen." Open the book and turn the pages to learn how you can make your own story rug. How to design and tell a story in your own hooked rug How to "read" a story rug 6 masterful fiber artists and their story rugs Gallery of story rugs

Features 30 years of articles from Jane Olson's Rugger's Roundtable Learn the best techniques of hooking a rug from beginning to end Detailed step-by-step directions and easy-to-follow text plus how to hook the same design four different ways Using Jane Olson's 30 years of articles from her Rugger's Roundtable as a base, The Rug Hooker's Bible, brought to you by Rug Hooking magazine, is an easy-to-use standard text for beginner and teacher alike. Decades of experience is edited, expanded, and updated so students can easily study the very best techniques of hooking a rug. See how the same designs can be hooked in as many as four different ways-fine shaded, primitive outline and fill, dip dyed, and with artistic scraps. This book is an indispensable tool for all levels of hookers.

In a time of drought in the Kingdom of Morocco, a storyteller and a boy weave a tale to thwart a Djinn and his sandstorm from destroying their city.

Geraldine, a goat, describes each step as she and her Navajo friend make a rug, from the hair clipping and carding to the dyeing and actual weaving.

“Faraj” is a Farsi word meaning an opening, a blessing, a space of possibility. Ābtin journeys for a whole year, across deserts and mountains to the sea. The young Zoroastrian hopes to come to terms with his harsh father and his own ambivalence about the art of carpet weaving. He dreams of Mitrā, a Muslim girl who waits for him back home, gathering medicinal plants in the barren lands, struggling with her family’s pressure to marry and a stranger’s accusations of sorcery. Once reunited, Ābtin and Mitrā realize that both of their religions will forbid their marriage. Gossip is rampant and persecution of Zoroastrians is on the rise. Faraj: A Space of Possibility is set amidst the mud-brick houses, wind towers, and tiled mosques of 17th century Yazd—a crossroads on the Silk Road. We follow Ābtin and Mitrā as they work to reconcile their communities, often at risk to themselves. Together they experience mysticism, danger, and the ups and downs of young love. Gaining confidence in their callings as carpet weaver and healer, Ābtin and Mitrā search for a way to be together. They yearn for a space of possibility – faraj.

From the Pulitzer Finalist and universally beloved author of the New York Times best sellers Swamplandia! and Vampires in the Lemon Grove, a stunning new collection of short fiction that showcases Karen Russell’s extraordinary, irresistible gifts of language and imagination. Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In“Bog Girl”, a revelatory story about first love, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors,” two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant’s safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void—yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.

Bahar is determined to help her family earn more money than what she makes selling rugs at the local bazaar. So she decides to become a fortune teller. After some lucky "accidents" telling correct fortunes, the king has summoned her to the palace to be his fortune teller. How will she get herself out of this situation without the king and everyone else discovering the truth that she's a fraud?