This adventurous work records Robert Edison Fulton's solo round-the-world tour on a two-cylinder Douglas motorcycle between July, 1932 and December, 1933. First published in 1937.

This book tells of the story of Sprite caravans, from early primitive designs to the sophisticated Sprite of today. It describes how one man - Sam Alper OBE - was driven to provide the caravanning public with cheap affordable holidays, by bringing the VW/Ford mass-production ethos to the caravan industry.

In the spring of 1970, seventeen women set out from Vancouver in a big yellow convertible, a Volkswagen bus, and a pickup truck. They called it the Abortion Caravan. Three thousand miles later, they “occupied” the prime minister’s front lawn in Ottawa, led a rally of 500 women on Parliament Hill, chained themselves to their chairs in the visitors’ galleries, and shut down the House of Commons, the first and only time this had ever happened. The seventeen were a motley crew. They argued, they were loud, and they wouldn't take no for an answer. They pulled off a national campaign in an era when there was no social media, and with a budget that didn't stretch to long-distance phone calls. It changed their lives. And at a time when thousands of women in Canada were dying from back street abortions, it pulled women together across the country.

THE FAIRY CARAVAN is the story of a miniature circus, William and Alexander's Travelling Circus. It is no ordinary circus, for Alexander is a highland terrier and William is Pony Billy who draws the caravan. Beatrix Potter wrote this chapter book for older children towards the end of her writing career. She wrote it for her own pleasure and at the request of friends in America who shared her love of the Lake District and north country tales.

You've just boarded a plane. You've loaded your phone with your favorite podcasts, but before you can pop in your earbuds, disaster strikes: The guy in the next seat starts telling you all about something crazy that happened to him--in great detail. This is the unwelcome storyteller, trying to convince a reluctant audience to care about his story. We all hate that guy, right? But when you tell a story (any kind of story: a novel, a memoir, a screenplay, a stage play, a comic, or even a cover letter), you become the unwelcome storyteller. So how can you write a story that audiences will embrace? The answer is simple: Remember what it feels like to be that jaded audience. Tell the story that would win you over, even if you didn't want to hear it. The Secrets of Story provides comprehensive, audience-focused strategies for becoming a master storyteller. Armed with the Ultimate Story Checklist, you can improve every aspect of your fiction writing with incisive questions like these: • Concept: Is the one-sentence description of your story uniquely appealing? • Character: Can your audience identify with your hero? • Structure and Plot: Is your story ruled by human nature? • Scene Work: Does each scene advance the plot and reveal character through emotional reactions? • Dialogue: Is your characters' dialogue infused with distinct personality traits and speech patterns based on their lives and backgrounds? • Tone: Are you subtly setting, resetting, and upsetting expectations? • Theme: Are you using multiple ironies throughout the story to create meaning? To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both--and so much more--with The Secrets of Story.

Brace yourself for a roller coaster thrill ride as you join the Tattoo the Earth 2000 summer tour of America, the most insane tour ever inflicted on a continent. Featuring twenty of metal’s biggest bands, including Metallica, Slipknot, and Slayer, plus Filip Leu, Sean Vasquez, and the world’s best tattoo artists, these renegade outsiders pissed off all the wrong music business heavyweights but left delirious inked fans in their wake. Caravan of Pain is a rip-roaring music business underdog tale: compelling, hysterical, and cautionary. Its unique peek inside the world of music festivals, metal, and tattooing gives the reader a front row seat to a watershed time in our culture at the turn of the millennium. Told with candor and humor by the tour’s creator Scott Alderman and illustrated with memorabilia and never-before-seen photos, Caravan of Pain is a story of inspiration, persistence, and the dark side of following a dream. "...a rare chronicle of the era in which tattooing went from an underground activity to a part of the mainstream—a shift that Tattoo the Earth can lay claim to having energized. A highly entertaining account of one of rock's most colorful tours." - Kirkus Reviews "...provides interesting, hilarious and often harrowing insight into an era when tattooing was still largely an underground subculture and metal was feared by many." - Revolver "For anyone thinking of starting something like this it shows that you better do a deep background check into the type of people that you might be dealing with if you choose to move forward." - Kevin Lyman, Warped Tour Founder

An insightful and actionable guide to creating a hero that readers will fall in love with, from the author of The Secrets of Story The hardest yet most essential element of writing great fiction is character – specifically, creating a central hero who is relatable, compelling, and worth the reader’s precious time. In this entertaining and practical guide, popular blogger, writing coach and screenwriter Matt Bird breaks down what makes characters embraceable and unforgettable, and presents insider tips and tricks for writers of all levels and genres. Generously packed with examples from popular books and movies analyzed with engaging specificity, this expert guide reveals what makes audiences believe, care, and invest in great characters – and how to bring your own characters vividly to life.

To the mountain fastness of Afghanistan comes Mark Miller, an American diplomat attached to the Embassy in Kabul. He is investigating the disappearance of Ellen Jasper, an independent young woman in search of the freedom offered by the wildest and weirdest land on earth.

No man could hope to draw together the various fields from which the materials of this book are derived if he were a scholar in any one of them. No one could feel less scholarly than I do. This becomes particularly evident when the subject of Arabic transliteration arises, as it always does in forewords to books on the Middle East. I have before me the handiwork of Hitti, Gibb, and Calverley, three men whose erudition and integrity are of the highest order, and yet I cannot find complete agreement among them.1