From the Fall of France in June 1940 to Hitler's suicide in April 1945, the swastika flew from the peaks of the High Savoy in the western Alps to the passes above Ljubljana in the east. The Alps as much as Berlin were the heart of the Third Reich.'Yes,' Hitler declared of his headquarters in the Bavarian Alps, 'I have a close link to this mountain. Much was done there, came about and ended there; those were the best times of my life . . . My great plans were forged there.'With great authority and verve, Jim Ring tells the story of how the war was conceived and directed from the Fuhrer's mountain retreat, how all the Alps bar Switzerland fell to Fascism, and how Switzerland herself became the Nazi's banker and Europe's spy centre. How the Alps in France, Italy and Yugoslavia became cradles of resistance, how the range proved both a sanctuary and a death-trap for Europe's Jews - and how the whole war culminated in the Allies' descent on what was rumoured to be Hitler's Alpine Redoubt, a Bavarian mountain fortress.

For English read British which is not to quibble with the title but, as Jim Ring himself explains, 'During the period on which this book focuses, it was the custom - in the words of a Scot - ''to let the part - the larger part - speak for the whole.'' Those countries which received them - France, Italy, Austria, Germany, and above all Switzerland - all talked of the English, and the presence of the English in the Alps was precisely so described. To use the term British would thus have been an anachronism.' The nineteenth century will forever be associated with the growth of the British Empire, but nearer home there was a quieter conquest taking place. Gradually the English were taking over the Alps, scaling their peaks, driving railways through them, and introducing both winter sports and those quintessential English institutions - tea, baths, lawn tennis and churches - to remote mountain villages. Jim Ring tells the remarkable story of the English love affair with the Alps, from its beginnings with the Romantic movement, when poets such as Byron and Shelly wrote of the mountains with awed delight, through the great days of the 1850s and 1860s and the formation of the Alpine Club, to the inter-war years when the English assured the future prosperity of the alpine resorts by virtually inventing and then popularizing downhill-skiing. Part history, part biography, How the English made the Alps brings the characters - the artists, the scientists, the gentleman-adventurers, the invalids, the aristocrats, eccentrics and mountain-scramblers - vividly to life. 'Jim Rings's book cannot be bettered.' Daily Mail 'Fascinating' Stephen Venables, Daily Telegraph 'Evocative and entertaining' Financial Times 'A comprehensive, well-written account of a fascinating subject' Guardian

Immortalized as the author of The Riddle of the Sands, Erskine Childers led a life quite as enigmatic and adventurous as his classic novel. Childers was orphaned at an early age. Though he was brought up in County Wicklow, he received an English education that culminated in a clerkship to the House of Commons, voluntary service in the Boer War, and the writing of his great novel. Thus far he appeared patriotic, imperialist and largely conformist. But marriage to a strong-willed Bostonian and an increasing interest in the affairs of Ireland led to his questioning the imperial Zeitgeist. At first this took constitutional forms, but such was Childers' frustration with progress towards any manner of Irish independence from British rule, that on the eve of the First World War he instigated gun-running to supporters of the Home Rule movement. Nonetheless, he still regarded it as his duty to serve England, and during the war he distinguished himself as an observer in the early seaplanes and torpedo boats. Traumatized, however, by the Easter Rising of 1916, he finished the war profoundly divided in his loyalties. With the Irish question now critical, Childers settled his fate by becoming the official propagandist for the Republican movement. He opposed the treaty that established the Irish Free State, regarding the compromise as anathema, and joined the IRA. Hunted by the Free State authorities, he was eventually captured and executed in November 1922. Set against the backdrop of Britain's imperial zenith, the great naval arms race and the First World War, Jim Ring's acclaimed biography of Childers does full justice to this dramatic and intriguing story. 'Jim Ring has written a fine and fluent biography of an extraordinary man, navigating the angry waters [of Irish politics] with a sure hand but dodging none of the difficulties.' Independent on Sunday

Reproduction of the original: The Boys' Book of Famous Rulers by Lydia Hoyt Farmer

Writing A Novel is not a set of rules and regulations. It is an atlas, a guide to finding your own way over the treacherous passes of your first novel. Pulling together his years of experience as a novelist and a teacher, Richard Skinner covers the basics of writing great fiction - narrators, characters, settings - with charm and rigour. But more than that, he argues that the journey towards a final manuscript is as important as the finished article itself.His approach works: many of Richard's students have gone on to secure publishing deals and many more have left his courses with work to be proud of. With its balance of warmth and wisdom, Writing a Novel will give any aspiring writer the confidence to face the blank page -- and to fill it.

Hailed as the greatest novel of the Mexican Revolution, The Underdogs recounts the story of an illiterate but charismatic Indian peasant farmer’s part in the rebellion against Porfirio Díaz, and his subsequent loss of belief in the cause when the revolutionary alliance becomes factionalized. Azuela’s masterpiece is a timeless, authentic portrayal of peasant life, revolutionary zeal, and political disillusionment.

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF 2022 One of Bill Gates’s “5 books to read this summer,” this New York Times and Wall Street Journal bestseller shows us that America’s political system isn’t broken. The truth is scarier: it’s working exactly as designed. In this “superbly researched” (The Washington Post) and timely book, journalist Ezra Klein reveals how that system is polarizing us—and how we are polarizing it—with disastrous results. “The American political system—which includes everyone from voters to journalists to the president—is full of rational actors making rational decisions given the incentives they face,” writes political analyst Ezra Klein. “We are a collection of functional parts whose efforts combine into a dysfunctional whole.” “A thoughtful, clear and persuasive analysis” (The New York Times Book Review), Why We’re Polarized reveals the structural and psychological forces behind America’s descent into division and dysfunction. Neither a polemic nor a lament, this book offers a clear framework for understanding everything from Trump’s rise to the Democratic Party’s leftward shift to the politicization of everyday culture. America is polarized, first and foremost, by identity. Everyone engaged in American politics is engaged, at some level, in identity politics. Over the past fifty years in America, our partisan identities have merged with our racial, religious, geographic, ideological, and cultural identities. These merged identities have attained a weight that is breaking much in our politics and tearing at the bonds that hold this country together. Klein shows how and why American politics polarized around identity in the 20th century, and what that polarization did to the way we see the world and one another. And he traces the feedback loops between polarized political identities and polarized political institutions that are driving our system toward crisis. “Well worth reading” (New York magazine), this is an “eye-opening” (O, The Oprah Magazine) book that will change how you look at politics—and perhaps at yourself.

An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.

Friedrich Hölderlin's only novel, Hyperion (1797-99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation. Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin's language to an English-speaking reader.