Stories, Senses and the Charismatic Relation offers a uniquely intimate and auto-ethnographic exploration of Christian experience, rendering a deep, phenomenological account of how devotional worlds become real – how they are experienced, shaped, constituted and performed by those who live them. The book starts from a reflexive exploration of the author’s own experiences of the divine, considers the spiritual journeys of family members and the ‘spiritual community’ of which he was a part, and draws on ethnographic fieldwork in the southern Balkans where that community was based. Jamie Barnes considers three main elements: firstly, the role that sensory aspects of experience play in constituting one’s lived world and one’s ideas about the kinds of beings inhabiting it; secondly, how stories and metaphors are tactically employed, not only in the process of expressing aspects of past experience, but also in shaping and forming both desired worlds and future pathways; thirdly, how such sensed, narrated and lived worlds are tentatively held together - in hope, trust and love – through charismatic relationships of devotion with a divine Other. This unusual and innovative ethnography offers a unique and reflexive view from within the world of Christian experience.

Stories, Senses and the Charismatic Relation offers a uniquely intimate and auto-ethnographic exploration of Christian experience, rendering a deep, phenomenological account of how devotional worlds become real - how they are experienced, shaped, constituted and performed by those who live them. The book starts from a reflexive exploration of the author's own experiences of the divine, considers the spiritual journeys of family members and the 'spiritual community' of which he was a part, and draws on ethnographic fieldwork in the southern Balkans where that community was based. Jamie Barnes considers three main elements: firstly, the role that sensory aspects of experience play in constituting one's lived world and one's ideas about the kinds of beings inhabiting it; secondly, how stories and metaphors are tactically employed, not only in the process of expressing aspects of past experience, but also in shaping and forming both desired worlds and future pathways; thirdly, how such sensed, narrated and lived worlds are tentatively held together - in hope, trust and love - through charismatic relationships of devotion with a divine Other. This unusual and innovative ethnography offers a unique and reflexive view from within the world of Christian experience.

What is the work that miracles do in American Charismatic Evangelicalism? How can miracles be unanticipated and yet worked for? And finally, what do miracles tell us about other kinds of Christianity and even the category of religion? A Diagram for Fire engages with these questions in a detailed sociocultural ethnographic study of the Vineyard, an American Evangelical movement that originated in Southern California. The Vineyard is known worldwide for its intense musical forms of worship and for advocating the belief that all Christians can perform biblical-style miracles. Examining the miracle as both a strength and a challenge to institutional cohesion and human planning, this book situates the miracle as a fundamentally social means of producing change—surprise and the unexpected used to reimagine and reconfigure the will. Jon Bialecki shows how this configuration of the miraculous shapes typical Pentecostal and Charismatic religious practices as well as music, reading, economic choices, and conservative and progressive political imaginaries.

This book uses perceptions and experiences of Qur’anic schools in West Africa to outline a much-needed postsecular approach, reconsidering the place of Islamic education within African decolonial debates about educational pluralism, and the contributions of religious perspectives in academic and international development spaces. Decolonial theory is used to overcome the challenges of problematic Eurocentric and colonialist stereotypes about religious actors and faith-based schools which persist within international education scholarship and global policy agendas. Through fine-grained ethnography, chapters discuss how parents and young people today engage with classical Qur’anic schools, Islamic schools and French-medium secular education in Senegal, thereby exposing inequalities around gender, descent-based or caste identities and socioeconomic status, as well as their influence on young people’s pursuit of knowledge. These findings are valuable for scholars exploring the development-education-religion nexus and promoting Education for All in communities characterised by other-than-secular worldviews. The book will be of interest to academics, researchers and postgraduate students working in the sociology of education, international education, anthropology and religious education. Practitioners involved in postcolonial and decolonial debates will also benefit from recommendations regarding educational reform in plural educational contexts.

This book provides a vivid account of the political valence of weaving queer into native positionality and the struggle for decolonisation in the settler colonial context of Palestine, referred to as decolonial queering. It discusses how processes of gender and sexuality that privilege hetero-colonising authority shaped and continue to define both the Israeli-Zionist conquest of Palestine and the Palestinian struggle for liberation, thus future imaginings of free Palestine. This account emerges directly from the voices and experiences of Palestinian activists and artists; particularly, it draws on fieldwork with Palestine’s most established queer grassroots movement, alQaws for Sexual and Gender Diversity in Palestinian Society, and a variety of artistic Palestinian productions (photography, fashion, music, performance, and video art). Offering a comprehensive and in-depth engagement with the situated context, history, and local practices of Palestinian queerness, scholars, students, and activists across (de)colonial, race, and gender/sexuality studies would appreciate its unique insights; its empirical focus also reaches to those academics in the wider fields of Middle Eastern, anthropological, and political studies.

This book provides an inventory of modes of inquiry for ethnographic research and presents fieldwork as an act of relational invention. It advances contemporary debates in ethnography by arguing that the empirical practice of anthropology is and has always been an inventive activity. Bringing together contributions from scholars across the world, the volume offers an expansive vision of the resourcefulness that anthropologists unfold in their empirical investigations by compiling inventive social and material techniques, or field devices, for anthropological inquiry. The chapters seek to inspire both novel and experienced practitioners of ethnography to venture into the many possibilities of fieldwork, to demonstrate the essential creative and inventive practices neglected in traditional accounts of ethnography, and to invite anthropologists to confidently engage in inventive fieldwork practices.

Focusing on everyday experiences of sexuality in the South African province of KwaZulu-Natal, this book considers personal narratives and other queer artefacts to shed light on linguistic and performative strategies of resistance, referred to as queer word- and world-making. Questions of non-normative expressions of gender and sexuality in South Africa refer to the politics of words, and to their contested meanings and valuations reflected in the way that they roll off tongues. If sexualities are not merely acts, feelings, or identities, but embodiments of desires which invoke and influence social contexts, assumptions about sexuality as a realm of situated knowledge cannot be trusted at face-value. Taylor Riley considers the meanings coded in words used to depict same-sexualities and the productive silences which surround them, and how those meanings are embraced, altered, and resisted through labors of everyday existence. The volume sheds new light on and personalizes the highly contested meanings which surround queer life and LGBTI rights in South Africa. It will be of interest to scholars and upper-level students of anthropology, queer studies and African studies.

Chris and I receive a divine gift in 1988.While cooling down a three year-old thoroughbred at Belmont Park, I see Chris walking down the shed row. One glance and we (know). We recognize each other at the deepest level of our being. However, we aren't quite ready for the exalted state of Charismatic Connection.Our souls are saying, “I know you, I love you," but our insecurities are saying,” I am not worth loving and knowing."It's not until 1999, when an unlikely long shot named Charismatic and a long forgotten jockey named Chris Antley make history winning the Kentucky Derby that our connection crystallizes.If you've ever longed to find a love that is beyond the ordinary, join me on this journey from the high-society parties of Saratoga Springs, to the great capitals of Europe,to the fabled cities of the ancient world, as I search for Charismatic Connections with myself, others and with life.

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships. Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

The genres of sung tales that are the subject of this volume are one of the most striking aspects of the cultural scene in the Papua New Guinea Highlands. Composed and performed by specialist bards, they are a highly valued art form. From a comparative viewpoint they are remarkable both for their scale and complexity, and for the range of variation that is found among regional genres and individual styles. Though their existence has previously been noted by researchers working in the Highlands, and some recordings made of them, most of these genres have not been studied in detail until quite recently, mainly because of the challenging range of disciplinary expertise that is required--in anthropology, linguistics, and ethnomusicology. This volume presents a set of interrelated studies by researchers in all of those fields, and by a Papua New Guinea Highlander who has assisted with the research based on his lifelong familiarity with one of the regional genres. The studies presented here (all of them previously unpublished and written especially for this volume) are of groundbreaking significance not only for specialists in Melanesia or the Pacific, but also for readers with a more general interest in comparative poetics, mythology, musicology, or verbal art.