Hymns are a form of worship and prayer that are capable of expressing what mere words alone cannot. Many favorite Christian hymns and their authors have incredible stories that will make you listen to and sing these songs in an entirely different way. Our team spent thousands of hours researching and finding the most inspiring stories that will uplift those who take time to read or listen.

Nearly all religious traditions have reserved a special place for sacred music. Whether it is music accompanying a ritual or purely for devotional purposes, music composed for entire congregations or for the trained soloist, or music set to holy words or purely instrumental, in some form or another, music is present. In fact, in some traditions the relation between the music and the ritual is so intimate that to distinguish between them would be inaccurate. The A to Z of Sacred Music covers the most important aspects of the sacred music of Buddhism, Christianity, Confucianism, Hinduism, Islam, Judaism, and other smaller religious groups. It provides useful information on all the significant traditions of this music through the use of a chronology, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions.

A history of the Mormon faith and people as they use the art of music to define and re-define their religious identity

The story of a Mormon pioneer who triumphed over hardship, came to a new land, established a settlement in a new territory, became a renowned musician and teacher, local businessman, and church leader. Includes a sketch of his life written by his son, Alfred M. Durham and Thomas Durham's personal journal covering the years 1854 to 1871.

Dale L. Morgan (1914–1971) remains one of the most respected historians of the American West—and his broad and influential career one of the least understood. Among today’s scholars his reputation rests largely on his studies of the fur trade and overland trails, yet throughout his life, Morgan’s perennial goal was to complete a history of the Latter Day Saints. In this volume—the second of a two-part set—Morgan’s writings on the Mormons finally receive the attention and analysis they merit. Dale Morgan on the Mormons is a far-reaching compilation of the historian’s published and unpublished writings. Edited and annotated by Morgan scholar Richard L. Saunders, the collection includes not only essays but also book reviews and bibliographic studies, many published here for the first time. At the heart of this second volume is a newly corrected presentation of Morgan’s unfinished magnum opus, “The Mormons.” Also included are a number of forgotten treasures, including Morgan’s still-definitive article on the Emmett Company, which headed west from Nauvoo in 1844 as the first party of westering Latter Day Saints; his privately distributed bibliography of the lesser Mormon churches; and the historian’s last published reflections on the Mormon experience. Throughout, Saunders provides informative introductions that place each of the writings or groups of writings into biographical and historical context.

Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.

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