Over one hundred vignettes in Stories of Life and Death create haunting images of the author's favorite subjects: women in love, children coping with tragedy, eccentrics, the emotions of compassion, bitterness, envy and longing.Meet Mercedita Saro, the shy, perfectly-groomed beggar-child of the local drunk, whom Jimenez loves, protects, and treats with sweets, forbidden by her father. And Max, "the blue child," a West Indian boy traveling on the same ship as Jimenez to live with relatives in South America, who covered his black face with white powder "to look whiter to my brothers." See a woman in love, "white tender, bray, submissive, delicate." and the tiny ray of sun awakening a baby, which "has opened in his eyes a magic and flowery garden that holds him bewitched." Feel sadness at the death of a village girl, empathy for the mother of a sailor lost at sea, and compassion for an angry man who gets drunk for the first time.The author creates an impressionistic landscape with subtle nuances of light and shadow, leaving tantalizing ambiguities to be resolved only in the eye of the beholder.As might be assumed from the title bestowed on this work, Jimenez's prose and poetical observations of the world around him, previously encountered in Platero and I, take on a somewhat darker more transcendent hue in this further collection. Gone is the unifying theme of itinerant man and donkey, and the physical boundaries of time and space. Here Jimenez allows his poetic vision to sweep far and wide, distilling and concentrating his art into thumbnail sketches of such disparate characters among many are a beggar-girl, a grape-harvester, an elderly canary and even the moon itself. Prefaced by a scholarly introduction from the translator, this is a fine and sensitive translation which captures gloriously the sheer lyrical beauty of Jimenez's writing. British Bulletin of Publications

No institution has so captivated and intrigued Americans as the hospital. It is where the miracles of modern medicine meet the mysteries of the human body. It is where life begins-- and often ends. It embodies our hopes and fears, our capacity for heroism and compassion. Now, based on an unforgettable series of first-person narratives, LIFE AND DEATH takes us behind the scenes for an intimate and inspiring look at one of the best hospitals in the country, New York's Columbia-Presbyterian. We witness the pressure-packed decision-making process of the hospital's elite heart transplant team; spend a morning in the delivery room as twelve new lives enter the world; share the emergency staff's struggle to care for one midsummer night's wounded in New York City. From the ravages of AIDS and cocaine to the rigors of internship to the remarkable redemptive powers of our great healers, LIFE AND DEATH captures the entire range of human experience -- the poignancy, pain, and humor that are all part of a day's work at this extraordinary institution.

Emergencies—landing a malfunctioning plane, resuscitating a heart attack victim, or avoiding a head-on car crash—all require split-second decisions that can mean life or death. Fortunately, designers of life-saving products have leveraged research and brain science to help users reduce panic and harness their best instincts. Life and Death Design brings these techniques to everyday designers who want to help their users think clearly and act safely.

The poignant, “powerful” (The Boston Globe) look at how to appreciate life from an extraordinary professor who teaches about death: “Poetic passages and assorted revelations you’ll likely not forget” (Chicago Tribune). Why does a college course on death have a three-year waiting list? When nurse Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year students crowd into her classroom, and the reason is clear: Norma’s “death class” is really about how to make the most of what poet Mary Oliver famously called our “one wild and precious life.” Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. In The Death Class, award-winning journalist Erika Hayasaki followed Norma for more than four years, showing how she steers four extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind. Through this unorthodox class on death, Norma helps kids who are barely hanging on to understand not only the value of their own lives, but also the secret of fulfillment: to throw yourself into helping others. Hayasaki’s expert reporting and literary prose bring Norma’s wisdom out of the classroom, transforming it into an inspiring lesson for all. In the end, Norma’s very own life—and how she lives it—is the lecture that sticks. “Readers will come away struck by Bowe’s compassion—and by the unexpectedly life-affirming messages of courage that spring from her students’ harrowing experiences” (Entertainment Weekly).

“An honest, practical, as well as emotional guide to working through the processing of mourning” (Vogue), Grief Works is a lifeline for all of us dealing with loss and a handbook to help others—from the “expected” death of a parent to the sudden and unexpected death of a child or spouse. Death affects us all. Yet it is still the last taboo in our society, and grief is still profoundly misunderstood. Julia Samuel, a grief psychotherapist, has spent twenty-five years working with the bereaved and understanding the full repercussions of loss. In Grief Works, Samuel shares case studies from those who have experienced great love and great loss—and survived. People need to understand that grief is a process that has to be worked through, and Samuel shows if we do the work, we can begin to heal. “As a guide for the newly grieving, Grief Works succeeds on many levels, and the author’s compassionate storytelling skills provide even broader appeal…and consistently hit an authentically inspiring note” (Kirkus Reviews, starred review). “Illuminating” (The New York Times), intimate, warm, and helpful, Samuel is a caring and deeply experienced guide through the shadowy and mutable land of grief, and her book is as invaluable to those who are grieving as it is to those around them. She adroitly unpacks the psychological tangles of grief in a voice that is compassionate, grounded, real, and observant of those in mourning. Divided into case histories grouped by who has died—a partner, a parent, a sibling, a child, as well section dealing with terminal illness and suicide—Grief Works shows us how to live and learn from great loss. This important book is “essential for anyone who has ever experienced grief or wanted to comfort a bereaved friend” (Helen Fielding, author of Bridget Jones’s Diary).

The final literary testament of “one of the most innovative, brilliant novelists in the Western World” (New York Times), Between Life and Death is a startling, brave, funny, and poetic autobiographical novel about the four months Yoram Kaniuk spent in a coma near the end of his life. In Between Life and Death, celebrated Israeli writer Yoram Kaniuk relives the four months during which he lay unconscious in a Tel Aviv hospital, hovering between the worlds of the living and of the dead. With an arresting, dreamlike style that blends playfulness with fearless honesty, Kaniuk attempts to penetrate his own lost consciousness. Shifting between memory and illusion, imagination and testimony, Kaniuk explores the place of death in society, his own lust for life, and the encompassing struggles of the twentieth century. He writes about the colorful characters of his childhood neighborhood, battles in the 1948 War of Independence, and his defiant voyages across the Mediterranean on ships packed with Jewish refugees from war-torn Europe. With renewed vitality at the age of seventy-four, Kaniuk announced his rebirth with Between Life and Death, and left us a treasure of world literature that is destined for immortality. “How can one even review the final work of a writer as rewarding, innovative, and rebellious as Kaniuk?... Kaniuk’s achievement is inconceivable and awe-inspiring: at the age of seventy-seven, with a broken body, after his soul almost parted from this life, he managed to pull himself together for a short while, get back to his writing desk, and recount his near-death experience.… The writing is skilful and you cannot stop turning the pages.” —Time Out “Kaniuk’s best novel to date…The author captures a rare voice, a tone which is elegiac, full of rhythm, paratactic, and irresistible in its pull.… It achieves excellence and transparent wonder.” —Frankfurter Allgemeine Zeitung

In 1590, I sold my soul to the Devil. I was 23. Elizabeth Murray has been condemned to burn at the stake. As she awaits her fate, a strange, handsome man visits her cell. He offers her a deal: her soul in return for immortality, but what he offers is not a normal life. To survive Elizabeth must become Death itself. Elizabeth must ease the passing of all those who die, appearing at the point of death and using her compassion to guide them over the threshold. She accepts and, for 500 years, whirls from one death to the next, never stopping to think of the life she never lived. Until one day, everything changes. She - Death - falls in love. Desperate to escape the terms of her deal, she summons the man who saved her. He agrees to release her on one condition: that she gives him five lives. These five lives she must take herself, each one more difficult and painful than the last.

A speckled horse wonders why he was made a horse and discovers that everything in the world has purpose, created to bring joy to someone or something else.

Upon receiving his execution date, one of the thousands of men living on death row in the United States had an epiphany: “All there ever is, is this moment. You, me, all of us, right here, right now, this minute, that's love.” Right Here, Right Now collects the powerful, first-person stories of dozens of men on death rows across the country. From childhood experiences living with poverty, hunger, and violence to mental illness and police misconduct to coming to terms with their executions, these men outline their struggle to maintain their connection to society and sustain the humanity that incarceration and its daily insults attempt to extinguish. By offering their hopes, dreams, aspirations, fears, failures, and wounds, the men challenge us to reconsider whether our current justice system offers actual justice or simply perpetuates the social injustices that obscure our shared humanity.