"Describes first-hand accounts of World War I from those who lived through it"--Provided by publisher.

The experiences of World War I from the perspectives of soldiers on the battle field and their families at home.

2018 SABR Baseball Research Award Winner Baseball, like the rest of the country, changed dramatically when the United States entered World War I, and Jim Leeke brings these changes to life in From the Dugouts to the Trenches. He deftly describes how the war obliterated big league clubs and largely dismantled the Minor Leagues, as many prominent players joined the military and went overseas. By the war's end more than 1,250 ballplayers, team owners, and sportswriters would serve, demonstrating that while the war was "over there," it had a considerable impact on the national pastime. Leeke tells the stories of those who served, as well as organized baseball's response, including its generosity and patriotism. He weaves into his narrative the story of African American players who were barred from the Major Leagues but who nevertheless swapped their jerseys for fatigues, as well as the stories of those who were killed in action--and by diseases or accidents--and what their deaths meant to teammates, fans, and the sport in general. From the Dugouts to the Trenches illuminates this influential and fascinating period in baseball history, as nineteen months of upheaval and turmoil changed the sport--and the world--forever.

Tatiana L. Dubinskaya’s autobiographical novel of life in the Russian army marked the first major work published by a female World War I soldier in the Soviet Union. Often compared to All Quiet on the Western Front, Dubinskaya’s stark and unsparing story presents a rare look at women in combat and one of the few works of fiction set on the eastern front. Zinaida, a Russian schoolgirl, runs away from home to join the army. Sent to the front, she endures the horrors of trench warfare and the hardships of military life. Undercurrents of revolutionary thinking filter into the ranks as morale begins to crumble. Zinaida must come to grips with the havoc unleashed by the czar’s overthrow and the new socialist government’s attempts to impose revolutionary reforms on the army. Destabilization and desertion follow, and her regiment joins the chaotic mass retreat of the Russian army in the summer of 1917. In addition to Dubinskaya’s original novel, this edition includes selections from her 1936 autobiographical work, Machine Gunner, which she rewrote to satisfy Stalinist censors.

Part of the million-selling MY STORY series that brings the past into the real world, giving it a truly human touch. TRENCHES is set in 1917 and is the story of Billy Stevens, a telegraph operator, stationed near Ypres. The Great War has been raging for three years when Billy finds himself taking part in the deadly Big Push. But he is shocked to discover that the bullets of his fellow soldiers aren't just aimed at the enemy. Vividly imagined and historically accurate, readers are taken on a first-hand journey of danger and peril.

The theme of this book will be around life as a fundraiser. Fundraising is not a bad word. It's what I do. And I can honestly say, it is a pretty noble profession. It wasn't always a profession - many people "fell" into fundraising - they started their careers in something very different.My goal is to share some of the stories from the fundraising world. I will document some of the things I have learned from "being in the trenches". Being in the trenches, you ask? Am I dramatic?Nope.There are usually only three occasions where one would use the word campaign:1.Fundraising2.Politics3.War (hence the reference to trenches)I do hope you enjoy the book and my lessons learned. In some instances, I have given a "Second Thought" to the original article, particularly in light of this COVID-19 pandemic and the consequences that charities are feeling. I may not have all of the answers, but I try to tell it like it is. I am so proud to call myself a fundraiser.L'chaim (to life!)

NEW YORK TIMES BESTSELLER • From the pages of Vogue to the runways of Paris, this “captivating” (Time) memoir by a legendary style icon captures the fashion world from the inside out, in its most glamorous and most cutthroat moments. “The Chiffon Trenches honestly and candidly captures fifty sublime years of fashion.”—Manolo Blahnik NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Fortune • Garden & Gun • New York Post During André Leon Talley’s first magazine job, alongside Andy Warhol at Interview, a fateful meeting with Karl Lagerfeld began a decades-long friendship with the enigmatic, often caustic designer. Propelled into the upper echelons by his knowledge and adoration of fashion, André moved to Paris as bureau chief of John Fairchild’s Women’s Wear Daily, befriending fashion's most important designers (Halston, Yves Saint Laurent, Oscar de la Renta). But as André made friends, he also made enemies. A racially tinged encounter with a member of the house of Yves Saint Laurent sent him back to New York and into the offices of Vogue under Grace Mirabella. There, he eventually became creative director, developing an unlikely but intimate friendship with Anna Wintour. As she rose to the top of Vogue’s masthead, André also ascended, and soon became the most influential man in fashion. The Chiffon Trenches offers a candid look at the who’s who of the last fifty years of fashion. At once ruthless and empathetic, this engaging memoir tells with raw honesty the story of how André not only survived the brutal style landscape but thrived—despite racism, illicit rumors, and all the other challenges of this notoriously cutthroat industry—to become one of the most renowned voices and faces in fashion. Woven throughout the book are also André’s own personal struggles that impacted him over the decades, along with intimate stories of those he turned to for inspiration (Diana Vreeland, Diane von Fürstenberg, Lee Radziwill, to name a few), and of course his Southern roots and faith, which guided him since childhood. The result is a highly compelling read that captures the essence of a world few of us will ever have real access to, but one that we all want to know oh so much more about.

A compelling and unique collection of photographs with complementary text.

Breaking In: Tales from the Screenwriting Trenches is a no-nonsense, boots-on-the-ground exploration of how writers REALLY go from emerging to professional in today’s highly saturated and competitive screenwriting space. With a focus on writers who have gotten representation and broken into the TV or feature film space after the critical 2008 WGA strike and financial market collapse, the reader will learn from tangible examples of how success was achieved via hard work and specific methodology. This book includes interviews from writers who wrote major studio releases (The Boy Next Door), staffed on television shows (American Crime, NCIS New Orleans, Sleepy Hollow), sold specs and television shows, placed in competitions, and were accepted to prestigious network and studio writing programs. These interviews are presented as Screenwriter Spotlights throughout the book and are supported by insight from top-selling agents and managers (including those who have sold scripts and pilots, had their writers named to prestigious lists such as The Black List and The Hit List) as well as working industry executives. Together, these anecdotes, learnings and perceptions, tied in with the author's extensive experience in and knowledge of the industry, will inform the reader about how the industry REALLY works, what it expects from both working and emerging writers, as well as what next steps the writer should engage in, in order to move their screenwriting career forward.

“My name is Weetaltuk; Eddy Weetaltuk. My Eskimo tag name is E9-422.” So begins From the Tundra to the Trenches. Weetaltuk means “innocent eyes” in Inuktitut, but to the Canadian government, he was known as E9-422: E for Eskimo, 9 for his community, 422 to identify Eddy. In 1951, Eddy decided to leave James Bay. Because Inuit weren’t allowed to leave the North, he changed his name and used this new identity to enlist in the Canadian Forces: Edward Weetaltuk, E9-422, became Eddy Vital, SC-17515, and headed off to fight in the Korean War. In 1967, after fifteen years in the Canadian Forces, Eddy returned home. He worked with Inuit youth struggling with drug and alcohol addiction, and, in 1974, started writing his life’s story. This compelling memoir traces an Inuk’s experiences of world travel and military service. Looking back on his life, Weetaltuk wanted to show young Inuit that they can do and be what they choose. From the Tundra to the Trenches is the fourth book in the First Voices, First Texts series, which publishes lost or underappreciated texts by Indigenous writers. This new English edition of Eddy Weetaltuk’s memoir includes a foreword and appendix by Thibault Martin and an introduction by Isabelle St-Amand.