A collection of stories which appeared in issues of Everybody's Magazine in 1910. Everybody's Magazine was founded in 1899 and ceased publication in 1929. Authors in this collection include: Theodosia Garrison, Emerson Hough, Melville Chater, Alice Macgowan, Grace Macgowan Cooke, Maximilian Foster, Walter Prichard Eaton, Jack London, William Hanna Thomson and others.

A popular story from 1910. "Mary Alice came home quietly from the party. Most of the doors in the house were closed, because it was cold, and the halls were hard to heat. Mary Alice knew exactly what she should see and hear if she opened that door at her right as she entered the house, and went into the sitting-room."

Early twentieth-century collection of short stories by Edna Ferber, the American novelist, author and playwright.

Edna Ferber (1885-1968) was an American novelist, author and playwright, born in Kalamazoo, Michigan. She briefly attended Lawrence University and took jobs at the Appleton Daily Crescent and the Milwaukee Journal before publishing her first novel. Her novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character. In 1925, she won the Pulitzer Prize for her book So Big (1924). Several theatrical and film productions have been made based on her works, including: Show Boat (1926) and Cimarron (1930) which won an Oscar. Other works include: Buttered Side Down (1912), Fanny Herself (1917), Cheerful by Request (1918), and Half Portions (1920).

Early twentieth-century short story collection by Edna Ferber, the American, novelist, author and playwright whose novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

Early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

Early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

Early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

Early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.