Stories by English Authors: Africa by Various: Embark on a literary journey across the diverse landscapes of Africa with this collection of short stories. Written by various English authors, these narratives offer glimpses into the continent's rich cultures, traditions, and unique challenges. Key Aspects of the Book "Stories by English Authors: Africa by Various": Cultural Diversity: The collection features stories that span different regions of Africa, highlighting the cultural and geographical diversity of the continent. Exploration of Themes: The narratives touch on a range of themes, from the encounters between cultures to the exploration of personal and societal struggles faced by individuals in Africa. Authentic Voices: Each author brings their distinct perspective and style to the stories, contributing to a rich tapestry of narratives that celebrate the complexities of Africa. The compilation Stories by English Authors: Africa features works by various English authors. These authors, through their imaginative storytelling, offer readers an opportunity to engage with the cultures, histories, and landscapes of Africa from unique and diverse viewpoints.

Stories by English Authors: Africa is a masterful anthology that showcases a vibrant tapestry of literary perspectives on the African continent, encapsulating themes of adventure, mystery, and the colonial imagination. The collection features a diverse range of literary styles, from the gripping detective narratives to riveting adventure tales, each piece immersing readers into the heart of Africa as seen through the eyes of English authors. Its standout pieces reveal the complexity and allure of Africa, balancing on the fine line between the exoticized and the real, making it a significant compilation in the literary canon. The contributing authors, including luminaries like Arthur Conan Doyle and H. Rider Haggard, among others, were pivotal in shaping Western perceptions of Africa during their time. Their works reflect the zeitgeist of the British Empire's zenith and its complex interactions with Africa. This anthology serves not only as a collection of compelling stories but also as a cultural artifact, reflecting the various facets of colonial attitudes, the spirit of exploration, and the fictionalization of African settings and characters. This anthology is recommended for readers seeking to explore the confluence of fiction and history through the lens of African adventure stories. It offers a unique glimpse into the literary imagination of the late 19th and early 20th centuries, providing educational value and insights into how Africa was romantically envisaged and narratively constructed. Stories by English Authors: Africa is an invaluable resource for understanding the dialogue between cultures and the legacy of these narratives in contemporary discussions about representation and cultural appropriation.

Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition

Presenting a diverse and dazzling collection from all over the continent, from Morocco to Zimbabwe, Uganda to Kenya. Helon Habila focuses on younger, newer writers - contrasted with some of their older, more established peers - to give a fascinating picture of a new and more liberated Africa. These writers are characterized by their engagement with the wider world and the opportunities offered by the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: 'If you're a writer for a specific nation or specific race, then f*** you." These are the stories of a new Africa, punchy, self-confident and defiant. Includes stories by: Fatou Diome; Aminatta Forna; Manuel Rui; Patrice Nganang; Leila Aboulela; Zo Wicomb; Alaa Al Aswany; Doreen Baingana; E.C. Osondu.

From the legendary author of Things Fall Apart—a long-awaited memoir of coming of age in a fragile new nation, and its destruction in a tragic civil war For more than forty years, Chinua Achebe maintained a considered silence on the events of the Nigerian civil war, also known as the Biafran War, of 1967–1970, addressing them only obliquely through his poetry. Decades in the making, There Was a Country is a towering account of one of modern Africa’s most disastrous events, from a writer whose words and courage left an enduring stamp on world literature. A marriage of history and memoir, vivid firsthand observation and decades of research and reflection, There Was a Country is a work whose wisdom and compassion remind us of Chinua Achebe’s place as one of the great literary and moral voices of our age.

'Sparklingly funny' Wired Magazine '[Nwaubani] not merely explores a side of modern existence that touches millions every day, but does so with wit, warmth and insight' Independent 'Beautifully written' Sunday Herald Kingsley is fresh out of university, eager to find an engineering job so he can support his family and marry the girl of his dreams. Being the opara of the family, he is entitled to certain privileges - a piece of meat in his egusi soup, a party to celebrate his graduation. But times are hard in Nigeria and jobs are not easy to come by. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. But when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in his country, but it is money that does the talking. In desperation he turns to his uncle, Boniface-aka Cash Daddy-an exuberant character who suffers from elephantiasis of the pocket. He is also rumoured to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise under its shell. It is up to Kingsley now, to reconcile his passion for knowledge with his hunger for money, to fully assume his role of first son. But can he do it without being drawn into this outlandish milieu?

A dazzling collection from across the African continent and diaspora here SHORT STORY DAY AFRICA has assembled the best nineteen stories from their 2013 competition. Food is at the centre of stories from authors emerging and established, blending the secular, the supernatural, the old and the new in a spectacular celebration of short fiction. Civil wars, evictions, vacations, feasts and romances the stories we bring to our tables that bring us together and tear us apart.

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.

Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.