Since 2015, British photographer Mark Neville (born 1966) has been documenting life in Ukraine, with subjects ranging from holidaymakers on the beaches of Odessa and the Roma communities on the Hungarian border to those internally displaced by the war in Eastern Ukraine. Employing his activist strategy of a targeted book dissemination, Neville is committed to making a direct impact upon the war in Ukraine. He will distribute 2,000 copies of this volume free to policy makers, opinion makers, members of parliament both in Ukraine and Russia, members of the international community and those involved directly in the Minsk Agreements. He means to reignite awareness about the war, galvanize the peace talks and attempt to halt the daily bombing and casualties in Eastern Ukraine which have been occurring for four years now. Neville's images are accompanied by writings from both Russian and Ukrainian novelists, as well as texts from policy makers and the international community, to suggest how to end the conflict.

There is a story that no one in the media seems willing to tell, one in which journalists have a vested interest: the death of newspapers. Traditionally known to break the biggest headlines, to chase the rumours to their source, and to undertake the most in-depth reporting, newspapers are now grappling with the most formidable challenges since the advent of print. Reporter Rachel Buchanan started work at The Age in 1993, as a subeditor. In 2012, after a decade out of the newsroom, she returned to subediting, but in a markedly different environment: along with a host of other jobs in newspaper production, the role had been outsourced. The title of subeditor no longer exists at the paper. In this insightful, passionate book, Buchanan chronicles her experiences, providing a unique insider’s perspective on the rise and slow decline of the printed newspaper. She exposes the brutal cost-cutting measures of companies intent on squeezing every drop of profit from print before they turn to digital, and examines the consequences for those affected — for it is not only the journalists and editors who are losing their jobs, but also printers, paper-makers, and distributors whose livelihood is disappearing. Investigating one of the most fundamental transitions in the Australian media today, Stop Press is a brilliant account from a journalist at the front lines of history.

Real News on real paper. Newspapers-- a free press-- were the cornerstone of the Founding Fathers' working model of democracy. And they remain so. Whether read at the kitchen table, in the boardroom, or on a laptop on the subway, newspapers-- as has been said of them for more than a half-century-- are "the first draft of history."Veteran journalist Patt Morrison proves it, and then some, in the pages of Don't Stop the Presses! Truth, Justice, and the American Newspaper.

In sheer numbers, no form of government control comes close to the police stop. Each year, twelve percent of drivers in the United States are stopped by the police, and the figure is almost double among racial minorities. Police stops are among the most recognizable and frequently criticized incidences of racial profiling, but, while numerous studies have shown that minorities are pulled over at higher rates, none have examined how police stops have come to be both encouraged and institutionalized. Pulled Over deftly traces the strange history of the investigatory police stop, from its discredited beginning as “aggressive patrolling” to its current status as accepted institutional practice. Drawing on the richest study of police stops to date, the authors show that who is stopped and how they are treated convey powerful messages about citizenship and racial disparity in the United States. For African Americans, for instance, the experience of investigatory stops erodes the perceived legitimacy of police stops and of the police generally, leading to decreased trust in the police and less willingness to solicit police assistance or to self-censor in terms of clothing or where they drive. This holds true even when police are courteous and respectful throughout the encounters and follow seemingly colorblind institutional protocols. With a growing push in recent years to use local police in immigration efforts, Hispanics stand poised to share African Americans’ long experience of investigative stops. In a country that celebrates democracy and racial equality, investigatory stops have a profound and deleterious effect on African American and other minority communities that merits serious reconsideration. Pulled Over offers practical recommendations on how reforms can protect the rights of citizens and still effectively combat crime.

"A journalist and once-active Mormon details the behind-the-scenes manipulations of the Mormon Church as it tried to destroy a leading newspaper in Salt Lake City. The author puts the conflict in historical context exposing the deep-seated enmity that is an unfortunate part of Mormon history."--Provided by publisher.

Famous writer, Richard Eliot, has written numerous detective novels, featuring 'The Spider', a daring, clever criminal in earlier books, and an equally canny private investigator in later ones. But when he comes to life Inspector John Appleby is sent to investigate.

FIRST, the saucy film of a nude woman bathing is stolen from a What the Butler Saw machine on Brighton’s Palace Pier. NEXT, the pier’s night-watchman is murdered - his body found in the coconut shy. COLIN CRAMPTON, ace reporter on the Evening Chronicle, senses a scoop when he’s the only journalist to discover a link between the two crimes. HE UNCOVERS a 50-year feud between twin sisters - one a screen siren from the days of silent movies, the other the haughty wife of an aristocrat. BUT COLIN’S investigation spirals out of control - as he RISKS HIS LIFE to land the biggest story of his career. STOP PRESS MURDER, a Swinging Sixties mystery, has more twists and turns than a country lane. It will keep you guessing - and laughing - right to the last page.

In this majestic tour de force, celebrated historian Peter Linebaugh takes aim at the thieves of land, the polluters of the seas, the ravagers of the forests, the despoilers of rivers, and the removers of mountaintops. Scarcely a society has existed on the face of the earth that has not had commoning at its heart. “Neither the state nor the market,” say the planetary commoners. These essays kindle the embers of memory to ignite our future commons. From Thomas Paine to the Luddites, from Karl Marx—who concluded his great study of capitalism with the enclosure of commons—to the practical dreamer William Morris—who made communism into a verb and advocated communizing industry and agriculture—to the 20th-century communist historian E.P. Thompson, Linebaugh brings to life the vital commonist tradition. He traces the red thread from the great revolt of commoners in 1381 to the enclosures of Ireland, and the American commons, where European immigrants who had been expelled from their commons met the immense commons of the native peoples and the underground African-American urban commons. Illuminating these struggles in this indispensable collection, Linebaugh reignites the ancient cry, “STOP, THIEF!”

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.