At Cedar Mountain on August 9,1862, Stonewall Jackson exercised independent command of a campaign for the last time. Robert Krick untangles the myriad original accounts by participants on both sides of the battle to offer an illuminating portrait of the C

“Profusely illustrated . . . an extraordinary and detailed account of a major battle that is often overlooked and underappreciated by Civil War historians.” —Midwest Book Review In early August 1862, Confederate Maj. Gen. Stonewall Jackson took to the field with his Army of the Valley for one last fight—one that would also turn out to be his last independent command. Near the base of Cedar Mountain, in the midst of a blistering heat wave, outnumbered Federal infantry under Maj. Gen. Nathaniel Banks attacked Jackson’s army as it marched toward Culpeper Court House. A violent three-hour battle erupted, yielding more than 3,600 casualties. “The carnage was fearful,” one observer wrote. The unexpected Federal aggressiveness nearly won the day. Jackson, attempting to rally his men, drew his sword—only to find it so rusted, it would not come unsheathed. “Jackson is with you!” he cried, brandishing the sword still in its scabbard. The tide of battle turned—and the resulting victory added to Stonewall’s mystique. Civil War history typically breezes by the battle of Cedar Mountain, moving quickly from the Seven Days’ Battles into the Second Bull Run Campaign, but the stand-alone battle at Cedar Mountain had major implications. It saw the emergence of the Federal cavalry as an effective intelligence collector and screening force. It also provided Confederate Maj. Gen. A.P. Hill’s first opportunity to save the day—and his first opportunity to raise Jackson’s ire. Within the Federal Army, the aftermath of the battle escalated the infighting among generals and led to recriminations and finger-pointing over why the battle was even fought. Some called it outright murder. Most importantly, the Federal defeat at Cedar Mountain halted an advance into central Virginia and provided the commander of the Army of Northern Virginia, Gen. Robert E. Lee, an opportunity to take the fight away from Richmond and toward Washington. For years, Michael Block has been deeply involved in developing interpretation for the Cedar Mountain battlefield. The Carnage was Fearful presents the battle with the full boots-on-the-ground insight Block has earned while walking the ground and bringing its story to life.

No military unit in all the annals of American history exceeds in reputation Robert E. Lee's illustrious Army of Northern Virginia. In ten chapters based on exhaustive research, esteemed Civil War scholar Robert K. Krick gives eloquent examination to aspects of the army ranging from biographical sketches and the best and worst books on the subject, to Confederate troop strengths and locating soldier records. He begins with two key events: Thomas J. Stonewall Jackson's mortal wounding at Chancellorsville; and Jackson's most famous quarrel with a subordinate, which resulted in the unsuccessful court martial of General Richard B. Garnett. Krick continues with chapters on James Longstreet's failure at Knoxville and the prickly relationship between Jubal A. Early and the undisciplined Valley Cavalry. His piece on Robert E. Rodes is the first complete portrait of Lee's best division commander, whose wife methodically burned all of his letters sent home, forever preventing a full-scale biography. Krick, however, has uncovered a wide array of unpublished material on Rodes to sketch him in fresh perspective. Another essay considers the life and career of Colonel R. Welby Carter - a rogue

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A Confederate general who ranks with Lee, Jeb Stuart, and Stonewall Jackson but whose achievements have been unfairly neglected until now, finally receives his due in this invaluable biography by a noted historian of the Civil War. Drawing extensively on newly unearthed documents, this work provides a gripping battle-by-battle assessment of Hill's role in Antietam, Fredericksburg, Gettysburg, and other battles. 8 pages of photographs.

Finalist for the National Book Critics Circle Award, the epic New York Times bestselling account of how Civil War general Thomas “Stonewall” Jackson became a great and tragic national hero. Stonewall Jackson has long been a figure of legend and romance. As much as any person in the Confederate pantheon—even Robert E. Lee—he embodies the romantic Southern notion of the virtuous lost cause. Jackson is also considered, without argument, one of our country’s greatest military figures. In April 1862, however, he was merely another Confederate general in an army fighting what seemed to be a losing cause. But by June he had engineered perhaps the greatest military campaign in American history and was one of the most famous men in the Western world. Jackson’s strategic innovations shattered the conventional wisdom of how war was waged; he was so far ahead of his time that his techniques would be studied generations into the future. In his “magnificent Rebel Yell…S.C. Gwynne brings Jackson ferociously to life” (New York Newsday) in a swiftly vivid narrative that is rich with battle lore, biographical detail, and intense conflict among historical figures. Gwynne delves deep into Jackson’s private life and traces Jackson’s brilliant twenty-four-month career in the Civil War, the period that encompasses his rise from obscurity to fame and legend; his stunning effect on the course of the war itself; and his tragic death, which caused both North and South to grieve the loss of a remarkable American hero.

In Creating a Confederate Kentucky, Anne E. Marshall traces the development of a Confederate identity in Kentucky between 1865 and 1925, belying the fact that Kentucky never left the Union. After the Civil War, the people of Kentucky appeared to forget their Union loyalties and embraced the Democratic politics, racial violence, and Jim Crow laws associated with former Confederate states. Marshall looks beyond postwar political and economic factors to the longer-term commemorations of the Civil War by which Kentuckians fixed the state's remembrance of the conflict for the following sixty years.

The discovery of a long-guarded secret sends young Jamie Lockhart on the adventure of his life. Ultimately, the limits of his courage and endurance are tested during the final, desperate months of the Civil War. Illustrations.

In the first major biography of Stonewall Jackson in more than 30 years, Farwell reveals the quirky, obsessive, dark personality behind the legendary Confederate general who died at Chancellorsville. Despite many limitations, Jackson's genius was unquestionable, as revealed in this meticulously researched narrative. Photos.

During the Civil War and throughout the rest of the nineteenth century there was no star that shone brighter than that of a small red horse who was known as Stonewall Jackson’s Little Sorrel. Robert E. Lee’s Traveller eventually became more familiar but he was mostly famous for his looks. Not so with the little sorrel. Early in the war he became known as a horse of great personality and charm, an eccentric animal with an intriguing background. Like Traveller, his enduring fame was due initially to the prominence of his owner and the uncanny similarities between the two of them. The little red horse long survived Jackson and developed a following of his own. In fact, he lived longer than almost all horses who survived the Civil War as well as many thousands of human veterans. His death in 1886 drew attention worthy of a deceased general, his mounted remains have been admired by hundreds of thousands of people since 1887, and the final burial of his bones (after a cross-country, multi-century odyssey) in 1997 was the occasion for an event that could only be described as a funeral, and a well-attended one at that. Stonewall Jackson’s Little Sorrel is the story of that horse.