Known, unknown, rare and unseen images from former Rolling Stones bassist Bill Wyman, capturing life on-stage, backstage and on the road In addition to this trade edition, there will also be a limited edition of 300 copies, which comes in a slipcase, with an open-edition A4 print As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world's greatest rock 'n' roll band, Wyman continued his hobby. When he didn't have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From travelling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones.

The longtime bass player for the Rolling Stones combines firsthand reminiscences with personal memorabilia to provide an insider's look at four decades or rock 'n' roll history.

"These images are great and have been tucked away for years" RONNIE WOOD "The REAL Rolling Stones... Consider this your AAA pass to touring with Mick 'n' Keith 'n' co." THE SUNDAY TELEGRAPH Take a look inside rock 'n' roll history with over 500 never-before-seen photographs, notes, artworks, diary entries and mementoes from life behind the scenes of the Rolling Stones. Married to legendary Stones guitarist Ronnie Wood for 30 years, Jo Wood lived the rock star life. Her incredible collection of treasures from that time is a once-in-a-lifetime look inside the biggest band in the world. Accompanied by personal memories and behind the scenes anecdotes from Jo, Stoned is a love letter to the rock 'n' roll life and a truly unique window into the eye of the Rolling Stones hurricane.

In this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones’ infamous Altamont concert, the disastrous historic event that marked the end of the idealistic 1960s. In the annals of rock history, the Altamont Speedway Free Festival on December 6, 1969, has long been seen as the distorted twin of Woodstock—the day that shattered the Sixties’ promise of peace and love when a concertgoer was killed by a member of the Hells Angels, the notorious biker club acting as security. While most people know of the events from the film Gimme Shelter, the whole story has remained buried in varied accounts, rumor, and myth—until now. Altamont explores rock’s darkest day, a fiasco that began well before the climactic death of Meredith Hunter and continued beyond that infamous December night. Joel Selvin probes every aspect of the show—from the Stones’ hastily planned tour preceding the concert to the bad acid that swept through the audience to other deaths that also occurred that evening—to capture the full scope of the tragedy and its aftermath. He also provides an in-depth look at the Grateful Dead’s role in the events leading to Altamont, examining the band’s behind-the-scenes presence in both arranging the show and hiring the Hells Angels as security. The product of twenty years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring sixteen pages of color photos, Altamont is the ultimate account of the final event in rock’s formative and most turbulent decade.

A little boy and his family gather at the cemetery for the unveiling of his grandpa’s gravestone, bringing stones to place on the grave, in the Jewish custom. They tell stories that help the boy deal with his loss, reminding him of the wonderful memories he has of his grandpa.

In the 1960s an epic battle was waged between the two biggest bands in the world—the clean-cut, mop-topped Beatles and the badboy Rolling Stones. Both groups liked to maintain that they weren’t really “rivals”—that was just a media myth, they politely said—and yet they plainly competed for commercial success and aesthetic credibility. On both sides of the Atlantic, fans often aligned themselves with one group or the other. In Beatles vs. Stones, John McMillian gets to the truth behind the ultimate rock and roll debate. Painting an eye-opening portrait of a generation dragged into an ideological battle between Flower Power and New Left militance, McMillian reveals how the Beatles-Stones rivalry was created by music managers intent on engineering a moneymaking empire. He describes how the Beatles were marketed as cute and amiable, when in fact they came from hardscrabble backgrounds in Liverpool. By contrast, the Stones were cast as an edgy, dangerous group, even though they mostly hailed from the chic London suburbs. For many years, writers and historians have associated the Beatles with the gauzy idealism of the “good” sixties, placing the Stones as representatives of the dangerous and nihilistic “bad” sixties. Beatles vs. Stones explodes that split, ultimately revealing unseen realities about America’s most turbulent decade through its most potent personalities and its most unforgettable music.

This book covers a little bit of everything Stones related. It answers many questions about the Rolling Stones and their music, including that special magic blend of Mick Jagger and Keith Richards. Many interesting accounts of the lives of the band members are revealed, including, the last week in the life of Brian Jones and what lead to his murder; why Mick Taylor and Bill Wyman left the band; why Ron Wood was the perfect choice to replace Taylor; and, when looking into the band's family, why Charlie Watts is the only Stone who's family life is close to normal. The book also provides lists of songs and explains which were written about drugs, which song writing credits were disputed within the band, and which songs and albums were banned. Over 130 photos spanning forty-five years, some published for the first time, help tell the story of the Rolling Stones.

A “straight-dope, tell-all account” of touring with two of the world’s greatest bands of the 60s and 70s—A “fast-moving narrative of rock-n-roll excess” (Publishers Weekly). In this all-access memoir of the psychedelic era, Sam Cutler recounts his life as tour manager for the Rolling Stones and the Grateful Dead—whom he calls the yin and yang of bands. After working with the Rolling Stones at their historic Hyde Park concert in 1969, Sam managed their American tour later that year, when he famously dubbed them “The Greatest Rock Band in the World.” And he was caught in the middle as their triumph took a tragic turn during a free concert at the Altamont Speedway in California, where a man in the crowd was killed by the Hell’s Angels. After that, Sam took up with the fun-loving Grateful Dead, managing their tours and finances, and taking part in their endless hijinks on the road. With intimate portraits of other stars of the time—including Janis Joplin, Jimi Hendrix, the Band, the Allman Brothers, Pink Floyd, and Eric Clapton—this memoir is a treasure trove of insights and anecdotes that bring some of rock’s greatest legends to life.

Somewhere off the coast and around the corner there are two islands. One island is made mostly of stones and the other mainly of sand, and that’s where the problem began. Young Nye doesn’t understand why the people on her Island of Sand work so hard to build beautiful sandcastles every day if they are destined to be ruined by the stones catapulted over by the people of the Island of Stones every evening. When she asks “Why?” all she ever hears in response is “Because.” As years go by, Nye realizes that the Because is starting to make sense to her and this makes her angry. And an angry Nye decides to take action. Through this story about injustice and challenging the status quo, readers will be inspired to think deeply about why and how we can bring about change in the world.

In 1969 Michael Lydon, a founding editor of Rolling Stone and a leading member of rock writing's first generation, got a dream assignment: to cover the Rolling Stones' hopscotch tour across America that ended at Altamont. His long, intimate piece on the tour, The Rolling Stones Discover America, captures the highs and lows of the grueling tour and has become a classic of rock 'n' roll journalism--one that the Maysles brothers studied to guide the editing of their film, Gimme Shelter.Nobody used the term "embedded reporter" in those days, but that's how Lydon lived on the tour, staying in the Stones' HQ house above LA's Sunset Strip and in suites at New York's Plaza Hotel, flying in private jets to Dallas, Chicago, Philadelphia, and Boston, gambling in Las Vegas, hanging out backstage at the LA Forum and Manhattan's Madison Square Garden, smoking pot with "The Boys" in late-night bull sessions, and night after night digging the overpowering, sensuous, and beautiful music. "This was the peak of my rock 'n' roll reporting career," Lydon has said. "I knew I was where every hippie in America wanted to be, and I jumped into the tour with my eyes and ears wide open, a big grin on my mug."The peaceful miracle of Woodstock's three day "Peace and Music" festival had just happened, and the 60s revolution in electric music, psychedelic drugs, long hair, and free love was spreading across the country. Millions of kids, scared of Vietnam and bored in school, were searching for new ideas and directions in the music of the Beatles, Dylan, and the Stones; the rock stars, kids themselves, were searching for ideas and directions from their peers. "Every Stones' concert on that tour became a mutual celebration of a new generation," Lydon remembers, "Mick and Keith feeding off the energy blossoming up from the darkness in the huge halls and arenas and hurling that energy back at the kids in savage, demonic music."The Stones' concert at the Altamont Raceway, planned as their free gift to San Francisco, turned to disaster, as a bad mix of youthful naiveté, vicious Hell's Angels, drugs, and the mind-bending pressure to top Woodstock engendered first fear and confusion and finally murder in front of the stage as the Stones played "Sympathy for the Devil."In The Rolling Stones Discover America, Lydon also describes his own nervousness living so close to stardom. "The Stones were good guys and hard-working musicians," he says, "but they were the sun kings of the tour universe. The rest of us were minor planets spinning about them in fixed and distant orbits. It's a miracle I managed to keep my feet on the ground, keep taking notes, and get the story down on paper--but I'm glad I did."Praise for Michael Lydon's writing:"It is with the greatest sensitivity and care that Lydon explores the connections between the scene, the men, and the music." Ben Gerson, Fusion."Far and away [Rock Folk is] the best book on pop music I've ever read." George Frazier, Boston Globe.Rock Folk is one of the best books on American music I've ever run across." Dennis McNally, Grateful Dead historian.