Since its inception in 1982, Stone Island has acquired a worldwide cult following for its cutting-edge outerwear by combining fashion, luxury, and streetwear. In this updated edition of Rizzoli’s best-selling monograph, a chapter celebrating the latest collaborations highlights the brand’s ever-expanding universe. In the world where brands take from the culture, through its four-decade existence Stone Island has been contributing to it. The long roster of its celebrity fans includes Oasis frontman Liam Gallagher, rappers Drake and Travis Scott, and football guru Pep Guardiola. But it’s not the celebrity nod that has made Stone Island a cultural cornerstone; it was the brand’s ardent everyday fans who have always appreciated its mix of performance and toughness. At the center of Stone Island’s success lies its relentless pursuit of excellence in design, and uncompromising spirit of experimentation with fabric treatment and dyeing techniques. This product-oriented stance has secured the brand’s unique place outside of fashion’s hierarchy. This definitive monograph captures the story of Stone Island, combining its history and ethos into one definitive source. With never-before-seen images and three major texts capturing the brand’s story, it will surely delight the brand’s diehard fans as well as those who are new to the world of Stone Island.

Dartmoor, 2006. On this vast and desolate moorland stands Long Barrow Maximum Security Prison, home to some of the UK's most dangerous inmates. David Sorrel has just been sentenced to life there following his conviction for murdering his wife and her lover.

A portrait of the first woman archaeologist to work in Polynesia documents Routledge's experiences on Easter Island, beginning with the launch of the 1913 Mana Expedition and continuing with her emersion into local customs and beliefs and battle with schizophrenia.

The Stepford Wives meets Stephen King in this debut mystery: a sleepy New England beach town is wrecked by a hurricane that reveals an unthinkable 30-year-old secret. When a catastrophic hurricane devastates Stone Cove Island, a serene New England resort community, everyone pulls together to rebuild. Seventeen-year-old Eliza Elliot volunteers to clean out the island’s iconic lighthouse and stumbles upon a secret in the wreckage: a handwritten, anonymous confession to a twenty-five-year-old crime. Bess Linsky’s unsolved murder has long haunted the island, and the letter turns the town inside out. Everyone who knew Bess is suddenly a suspect. Soon Eliza finds herself in the throes of an investigation she never wanted. As Stone Cove Island fights to recover from disaster, Eliza plunges the locals back into a nightmare they believed was long buried.

Describes the formation, geography, ecology, and inhabitants of the isolated Easter Island in the Pacific Ocean.

Creating a New life of Healing on Jeju Island Jeju's magic brings both blessings and curses. Its volcanic topography is beautiful, but left the island with a harsh environment; hidden underneath the peaceful fishing villages lie the scars of Korea's painful modern history. Around 25 years ago, after the passing of her young son Tommy, Brenda Paik Sunoo struck out on a journey in search of harbors for the heart. Of all the different places she visited, it was this island that drew her in, and she decided to build a home there. Stone House on Jeju Island is a record of building and moving into a home in a foreign land, and an adventure yarn about tackling a new life in one's twilight years. Within a Tiny Stone Cottage, a Philosophy of Nature, Culture, and Life Brenda and her husband Jan struggle to renovate a traditional stone cottage on an island where they did not speak the language. As culture clashes and natural disasters ensued, what was supposed to be a five-month building period turned into a year and a half before the two finally had their hideaway reflecting their philosophy of life in everything from its materials to its design. Daily life in Jeju is quite different from New Jersey or California. Residents can eat vegetables grown by their neighbors and leave their doors open without fear standing on their own two feet every step of the way. They learn to deal calmly with the odd natural disaster, sharing indescribable warmth and soothing their suffering with their neighbors. At Seventy, Still Dreaming of a New Life Brenda Paik Sunoo turned 70 this year. When asked by one of the construction participants why she was building a home in a foreign land at her age, she replied, Why not? Stone House on Jeju Island is a book for people who are not afraid of challenges as they grow older people seeking to live their lives without losing their sense of purpose and direction. Passing through the seasons twice over in her newly built stone house, she continues awakening to nature's cycles of growth and perishing and to an attitude of hope and affirmation.

As an initial attempt to understand innovation in fashion, this volume focuses on product innovations, realizing that this industry is truly an innovative sector in which diverse technologies, science, art, and tradition have been merged, synthesized, and utilized to solve the needs and concerns of the end-users. In doing so, this book categorizes product innovation into three levels—materials, style and product development—and aims to present the broader scope of innovation in the global fashion industry with the hope that other sectors can learn from these developments and be inspired.

Hotchkiss continued on. Ed! You didnt see it? The use of his captains first name on deck attested to the first lieutenants growing apprehension and maddening confusion. See what, Isaac, my old friend? Pierce recognized his comrades state of mind and did not correct his lapse of quarterdeck etiquette. Clearly, a more personal and comfortable approach was needed. The stars! The stars, Ed! We werent just looking up at them. We were amongst them. There was the sea, and then there wasnt. And the stars were below us as well! And we were there, right among them, like we were the stars themselves, or the moon or... Im sure you saw what youve described. Unfortunately, I chanced not to see it, although I have had a strange feeling of timelessness. Is it possible to sail beyond the oceans edge to another world? In 1802 Royal Navy Lieutenant Edward Pierce is ashore on half pay because of the Peace of Amiens. He fortunately gains command of a vessel searching for a lost, legendary island. When the island is found, Pierce and his shipmates discover that it exists in an entirely different but similar world. Exploring the seas around Stone Island, HMS Island Expedition sails headlong into an arena of mistaken identities, violent naval battles, strange truces, dangerous liaisons, international intrigue, superstition, and ancient prophecies. Detained by that worlds equivalent of Great Britain, Pierce struggles to free his ship and crew. Despondent over giving up his ship and possibly never seeing his beloved Evangeline again, Pierces outlook brightens when he discovers new-found friends working to liberate him and his crew. With time he comes to understand the prophesied role he and his companions are to play in that other world.

A remote island is haunted by wedding crashers from beyond the grave. Dan Poblocki is back with a new spooky ghost story perfect for fans of Mary Downing Hahn and John Bellairs.There is an island, far off the coast of Maine, where the ghosts of the past are restless.Josie Sandoval and Eli Barker are strangers when they board the ferry to Stone's Throw, traveling to the isolated island for a wedding. Then an immense storm blows in, and the wedding party is left stranded with no way to contact the mainland... and no idea that they have been targeted for revenge by the undead. The only clues to the danger they're in are a scrap of an old Nazi uniform -- and an unfamiliar voice, crying out for help in German... Josie and Eli soon realize there's much more to worry about than guest lists and flowers. It's up to them to uncover the chilling history of Stone's Throw Island and put its ghosts to rest -- or this dream wedding will become an absolute nightmare.

A Place to Belong is a profusely illustrated, intimate, contemporary portrait of Calvert, a three-hundred-year-old fishing village on Newfoundland's southern shore. Often using its residents' own words, Gerald Pocius describes in detail the continual creative encounters between past and present, between individual and community, that make up daily life in Calvert. By accepted standards of tradition, Calvert's culture is declining. Old structures are regularly torn down or renovated; antique household items are replaced with modern conveniences. Pocius argues, however, that the tangible expressions of a culture can be misleading. Calvert's essence is not in the things owned and used by its residents but in the spaces in which those things abide and in the attitudes, values, and obligations that delineate the order of those spaces. From woodlands, water, and fields to yards, gardens, and homes, Calvert's physical and social structure is governed by shared concerns about the community's livelihood and welfare. As a resident of Calvert puts it, "Where you're working in the same space with people you know ... it's just not practical to be falling out with everyone." The sense of community that pervades Calvert is best exemplified by its annual draw for fishing berths. Because productivity varies among offshore fishing grounds, there is no private ownership of fishing rights. Rather, a lottery instituted in 1919 ensures each family the same chances for periodic access to the best fishing berths. The draw continues until all the fishing berths are awarded, but it is common for a family to opt out once they have drawn enough good berths. There are also instances of the most successful fishing operations sharing their catches. From his observations of Calvert's people at work and leisure, Pocius provides evidence to confirm the viability and durability of their culture. He reveals that standard assumptions about culture are inadequate, particularly those based on the primacy of artefacts and on sharp dichotomies between tradition and modernity. Calvert, he shows, belies our notion that declining cultural values and social segmentation are unavoidable side-effects of modernisation and a rise in material well-being. A Place to Belong will promote a constructive scepticism about the ways we perceive and interpret cultures and, most important, will remind us of what it really means to belong to a place.