He moves as silently and invisibly as the wind, and strikes with the brute force of a hundred men. He is called Stone Hand, a legendary Cheyenne renegade whose very name instills terror in natives and white men alike. Now, as his bloodthirsty rampage reaches the Camp Supply settlement, an innocent young girl is taken as his hostage, with his demand nothing short of all of the Oklahoma Territory. Retired master tracker Jason Cole must now hunt down this evil incarnate—a hunt that soon becomes a violent test of strength, courage, and skill in this epic and unforgettable tale of the untamed American frontier.

FOUR STARRED REVIEWS! A Stone in My Hand is the haunting story of a sensitive, observant girl who finds her voice in 1988 Gaza City. (Age 11 and up) The year is 1988 in Gaza City, and it has been a month since eleven-year-old Malaak’s father left to seek work in Israel, only to disappear. Every day Malaak climbs to the roof and waits, speaking little to anyone, preferring the company of the little bird she has tamed. But her twelve-year-old brother, Hamid, has a different way of coping. He feels only anger, stoked by extremists who say violence is the only way to change their fate. Malaak’s mother begs him to stay away from harm, but Malaak lives in fear of losing her brother as well. What will it take for her to find her voice--and the strength to move past the violence that surrounds her?

A girl grieves the loss of her dog in an achingly beautiful wordless epic from the Caldecott Honor–winning creator of Journey. This year’s summer vacation will be very different for a young girl and her family without Sascha, the beloved family dog, along for the ride. But a wistful walk along the beach to gather cool, polished stones becomes a brilliant turning point in the girl’s grief. There, at the edge of a vast ocean beneath an infinite sky, she uncovers, alongside the reader, a profound and joyous truth. In his first picture book following the conclusion of his best-selling Journey trilogy, Aaron Becker achieves a tremendous feat, connecting the private, personal loss of one child to a cycle spanning millennia — and delivering a stunningly layered tale that demands to be pored over again and again.

This fascinating and gripping portrayal is the only book-length account ever written about the illicit career of Clarence Ray Allen, one of the most sinister criminal masterminds and mass murderers in American history. Even hardened detectives were shaken by the scene at Fran's Market in rural Fresno County that night in 1980: four young people lay on the market's concrete floor, bloodily murdered by a killer without mercy or remorse. Then a grim investigation became even grimmer when the evidence led to the prime suspect--a convicted murderer already behind the stone walls of Folsom. A true crime story that reads like an intricately woven mystery, the book depicts the chilling scenes of murder, a dogged investigation, and the true story behind the Fran's Market murders and their psychopathic mastermind. Written by former prosecutor James Ardaiz, who was one of the first investigators on the scene at Fran's Market, ""Hands Through Stone"" provides an insider's view of the tortuous, multiyear investigation that brought a killer to justice.

ROBERTO DURAN is a sporting legend. Often called the greatest boxer of all time, he held world titles at four different weights and is the only professional in history to have fought in five different decades. His bouts with fellow greats like Sugar Ray Leonard, Thomas Hearns and Marvin Hagler have gone down in fistic folklore and his pro record of 104 wins, 69 by KO, in 120 fights puts him in an elite group of fighters. They called him Manos de Piedra: “Hands of Stone”. American journalist Christian Guidice has written the first – and definitive – story of Duran’s extraordinary life both in and out of the ring. He has interviewed the fighter himself, his family and closest friends and scores of his opponents to separate truth from myth and get to the heart of one of the most intriguing sports stars of modern times. Duran was born in utter poverty in the Panama Canal Zone, the illegitimate son of a serving US soldier and a local girl. He grew up in the streets, fighting to survive. His talent with his fists was soon apparent, and on one fabled occasion he even knocked down a horse with a single punch for a bet. He grew into a fighter’s fighter, and his willingness to take on anyone, anywhere, anytime and never take a step back made him a huge favorite. From his wild early bouts to his stunning boxing debut in New York, Giudice traces the blazing trail of his career: the controversial title win over Scot Ken Buchanan; his unification of the lightweight crown against great rival Esteban DeJesus; his glorious defeat of Ray Leonard and the subsequent debacle of the No Más encounter; his ferocious comeback and redemption, and the long, eventful twilight of his matchless career. Here also are both the public and private sides of Duran: his volatility, his kindness and reckless generosity, his partying, his links with the notorious regime of General Noriega, and above all his chilling love of battle.

International artists turn to slate for both fine art and folk art. Color, texture, and its primordial quality make slate a surprisingly versatile art medium.

In The Life-Giving Stone, Michael Searcy provides a thought-provoking ethnoarchaeological account of metate and mano manufacture, marketing, and use among Guatemalan Maya for whom these stone implements are still essential equipment in everyday life and diet. Although many archaeologists have regarded these artifacts simply as common everyday tools and therefore unremarkable, Searcy’s methodology reveals how, for the ancient Maya, the manufacture and use of grinding stones significantly impacted their physical and economic welfare. In tracing the life cycle of these tools from production to discard for the modern Maya, Searcy discovers rich customs and traditions that indicate how metates and manos have continued to sustain life—not just literally, in terms of food, but also in terms of culture. His research is based on two years of fieldwork among three Mayan groups, in which he documented behaviors associated with these tools during their procurement, production, acquisition, use, discard, and re-use. Searcy’s investigation documents traditional practices that are rapidly being lost or dramatically modified. In few instances will it be possible in the future to observe metates and manos as central elements in household provisioning or follow their path from hand-manufacture to market distribution and to intergenerational transmission. In this careful inquiry into the cultural significance of a simple tool, Searcy’s ethnographic observations are guided both by an interest in how grinding stone traditions have persisted and how they are changing today, and by the goal of enhancing the archaeological interpretation of these stones, which were so fundamental to pre-Hispanic agriculturalists with corn-based cuisines.