This book presents proceedings of the conference devoted to rock art and graffiti studies in Egypt and Sudan that took place in Cairo from 10th to 12th November, 2019. The thematic spectrum of the contributions is very wide in terms of both their geographical and their chronological range, encompassing figural and textual sources dating from the Late Palaeolithic through the Predynastic, Dynastic, and Graeco-Roman periods, up to Christian and Islamic times. Many of the papers combine evidence from various archaeological domains and also attempt to better integrate graffiti and rock art materials in search of a common ground for research. Thus, the volume provides a good overview of the current state of investigations in these two fields of study in Egypt and Nubia.

After reading The Mysticism of Stone, you will never look at stones in the same way and your perception of our world’s bones will be irrevocably altered. Ismana Carney’s poems are a jubilant exploration of new realms of perception, feeling, and thought, an opportunity to experience the world of stone as a living kingdom of myth, story, vivid sensations and deep musings. This collection of poems calls us back to kinship with the living Earth, where stones remind us that we are born of fire, born of stars. With the evocative language of passion, and pain, ancient legend, of loss and celebration, and “down to stone silence, before the first word was spoken,” Ismana Carney speaks from the heart. The words themselves are revelations, love songs to distant mountains, ancient citadels, and the enduring presence of stone. Like an incantation, the poetess speaks words that awaken wonder and longing, calling us toward transcendent mystical union with the timeless sentience of the power and spirit of place.

After fire destroyed Missouri's capitol in 1911, voters approved a bond issue to construct a new statehouse. The tax to pay the bonds produced a one-million-dollar surplus, leaving a vast amount of money to decorate the new building. A special commission of art-minded Missourians employed some of the nation's leading painters and sculptors to create powerful and often huge pieces of art to adorn Missouri's most important new structure. The art of the Missouri capitol was considered among the finest to adorn any state capitol. But the passage of time has lessened recognition of the pieces and their creators. Most people--even those daily wandering the marble halls--have little knowledge of the significance of the art and the history it portrays. Bob Priddy and Jeffrey Ball return the capitol's decorations to prominence in The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone. The book tells the many stories behind the art: the rigors of its creation, the political roadblocks that endangered the decoration program, and the triumph of the commissioners who devoted more than ten years to the project. The Art of the Missouri Capitol presents the art in 270 images, many by Lloyd Grotjan, mostly of the building's many compelling paintings, murals, and sculptures. Priddy, a journalist who has covered the Missouri legislature for more than three decades, and Ball, an art historian, use a wealth of historical materials to connect the grand design of the capitol decorations with accounts of sometimes temperamental artists and meddling politicians. The authors provide historical and artistic context to explain the many surprising, controversial choices the artists made, and they use Missouri history to explain the tales depicted in the artwork, revealing the events--and inaccuracies--that the paintings bring to life. The authors honor the Missouri capitol's artistic excellence in a way that will appeal to art enthusiasts and history buffs as well as to general readers. The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone is the definitive account of the art's creation, of the men who produced it, and of the Missourians who lived the history that inspired it.

Sir Richard Burton is best known as an explorer and translator of Arabian and Indian books, many of them sexually explicit. He was known as “Ruffian Dick” and led a life well beyond the pale of the typical Victorian. Richard Burton was a very famous actor with a brilliant voice and the looks to accompany it. Sometimes known as “Beer Burton”, he married Elizabeth Taylor twice and led a life which was often as dramatic as the characters that he played. Howard Marks became famous as a cannabis smuggler. He used the alias “Mr Nice” and adopted this as the title of a book that describes his exploits and ultimate incarceration in an American jail. Each of these men has a roguish streak to their character, but they also have a number of other things in common – one of which is that they each began their adult life at Oxford University. In fact they attended three colleges which stand, cheek by jowl on Oxford’s Broad Street: Exeter, Balliol and Trinity. Each was a master of disguise, though for rather different ends. Each was a great traveller, Howard for the drug trafficking, Richard for the film sets and Sir Richard for exploration and consular duties. They were all writers. Two of them were Welsh, two shared a name, two are dead, and all three are famous in their different ways. Finally they were all iconoclasts, mould breakers in different times and in different worlds. This book illuminates the fascinating lives of each of these interesting men, but also speculates on how they might react to each other. It recreates the Oxford that bred them, traces their subsequent lives, and then leads them back to the city so that they can meet and discourse upon: American hegemony, the freedom to consume drugs, the role of feminism and the value of education. These topics are exposed to the soaring intellectuality and conservatism of the older Burton, the articulation of the younger Burton and the liberality of Marks. The results are sometimes shocking, always interesting, and often edifying.

Maintaining its appealing style and presentation, the Yearbook of Astronomy 2024 contains comprehensive jargon-free monthly sky notes and an authoritative set of sky charts to enable backyard astronomers and sky gazers everywhere to plan their viewing of the year’s eclipses, comets, meteor showers and minor planets as well as detailing the phases of the Moon and visibility and locations of the planets throughout the year. To supplement all this is a variety of entertaining and informative articles, a feature for which the Yearbook of Astronomy is known. Presenting the reader with information on a wide range of topics, the articles for the 2024 edition include, among others, Recent Advances in Astronomy; Recent Advances in Solar System Exploration; Riccardo Giacconi: X-ray Astronomy Pioneer; Things Fall Apart – Chaos in the Solar System; Communicating From the Edge of the Solar System; Astronomy in Antarctica; Tracking Older Artificial Satellites; Inner Lives of Dead Stars; and A Triumvirate of Telescope Makers – Thomas Cooke, Howard Grubb and Alvan Clark. This iconic publication made its first appearance way back in 1962, shortly after the dawning of the Space Age. Now into its seventh decade of production, the Yearbook continues to be essential reading for anyone lured and fascinated by the magic of astronomy and who has a desire to extend their knowledge of the Universe and the wonders to which it plays host. The Yearbook of Astronomy is indeed an inspiration to amateur and professional astronomers alike, and warrants a place on the bookshelf of all stargazers and watchers of the skies.

The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas. Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day—through Impressionism, Abstract Expressionism, and other art historical movements—the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers the preservation of a painting’s structure. By focusing on recent studies on the fundamental nature of canvas and its mechanisms of deterioration, the book explains new approaches to the conservation of both contemporary and historical art—including reversible, passive, and preventive treatments, particularly with respect to lining. Written by Stephen Hackney, a conservation practitioner and leader in conservation research, On Canvas is the first book to take a comprehensive look at this important subject and is destined to become an invaluable resource for the field.