One of the funniest and most relatable family comic strips in history, Baby Blues is guaranteed to entertain parents and comic strip fans of all ages. In the newest Baby Blues scrapbook, cartoonists Jerry Scott and Rick Kirkman have returned with another full year's worth of comics and commentary chronicling the family foibles of the MacPhersons and the mischievous antics of Zoe, Hammie, and Wren.

What in the world is a Stink-Eye? How does a KID get Pink-Eye? All EYES are on THE KID (and THE DOG) as they solve these & other mysteries! Second in a series of books on "idioms" and figurative language--words & phrases that mean so much more than just what they say--by best-selling author & retired educator, Dorenda Doyle

What in the world is a STINK-EYE? How does a KID get PINK-EYE? All EYES are on THE KID (and THE DOG) as they get to the bottom of these mysteries! Second in a series of books on "idioms"--words & phrases that mean so much more than just what they say--by best-selling author & retired educator, Dorenda Doyle. Excellent for ages 3-10, grades Pre-K to 5, figurative language studies for various state courses of study, ESL readings, and autism spectrum language arts lessons.

Readers are placed in a new home that proves to be a swamp house and the site of a hidden treasure, a sewer ghoul, and a swamp thing, in a spooky story with more than twenty possible endings. Original.

Introduces the stink bug, describing its physical characteristics, life cycle, habitat, diet, and behavior.

As Nathan Abercrombie, a half-dead zombie, continues his work for the Bureau of Useful Misadventure (B.U.M.), he must find a way to deal with the stink of his own rotting flesh.

Madcap revisions of familiar fairy tales.

Compilation of essays, rants, and images on a variety of topics, including the imprisonment of the Russian feminist group Pussy Riot, the Missouri State Fair, recipes, embroidery instructions, tips on being a good ally for trans* people, nonviolence, analysis of advertisements, word puzzles, and cat comics.

Nothing says "home" like being attacked by humans with very large guns, as Jane and Anyan discover when they arrive in Rockabill. These are professionals, brought into kill, and they bring Anyan down before either Jane or the barghest can react. Seeing Anyan fall awakens a terrible power within Jane, and she nearly destroys herself taking out their attackers. Jane wakes, weeks later, to discover that she's not the only thing that's been stirring. Something underneath Rockabill is coming to life: something ancient, something powerful, and something that just might destroy the world. Jane and her friends must act, striking out on a quest that only Jane can finish. For whatever lurks beneath the Old Sow must be stopped. . .and Jane's just the halfling for the job.

Midwesterner Tanner Fahte, blissful in his new life on the north shore of Kaua'i, pursues his lifelong (if quixotic) dream of melding into a Hawaiian community he has revered since childhood. "The only word to describe it is maika'i," Tanner enthuses, using the all-purpose Hawaiian word for good, well, right and generally neato. The tropical climes, natural beauty, and cultural affinity make him "as happy as a sow in slop!" Politically left of Bernie - and of an ethical rigor that makes Gandhi seem like The Donald - Tanner's convictions and integrationist zeal eventually bring him into the independence movement. Along with kanaka members, he presses for the restoration of Hawaiian national sovereignty, and restitution of land and riches stolen by whites after the illegal 1893 destitution of the monarchy, U.S. annexation and extension of statehood. Tanner's adoring but mercurial wife, Heike, could live without his over-the top, wannabe activism, and keeps him in line just enough to prevent him from making paradise a pain in the 'elemu. But an old kanaka man, Ka'imipono, claims ownership of their property, creating a serious kink in this north shore nirvana. After first dismissing the yammering coot as either a con artist or a doddering loony, Tanner comes to understand the depth of his dilemma when Ka'imipono presents a compelling historical case to substantiate his story. Both fascinated and alarmed, Tanner recognizes Ka'imipono and his ancestral land as a living link to Kaua'i's past - and as a personal challenge to rectify the theft of "his" property from inhabitants dispossessed after the 1893 coup. Can Tanner afford to sacrifice his home and life savings to right the historical wrongs he's unknowingly inherited - and exemplify the wider justice he believes Hawai'i is due? Could he live with himself in betraying his sense of right by protecting his narrow self-interests; passing this historic buck like so many haoles before him; and rebuffing Ka'imipono's claim as invalid under U.S. law? Can a man of even the most noble spirit and utmost reverence for the past be expected to walk away from his beloved adopted home, and his dreams, to accept destitution in a quest for right? With the help and cajoling of Ka'imipono and his extended 'ohana, Tanner gawkily navigates his quandary in ways both funny and touching as he seeks to reconcile Hawaiian identity, history and legacy with his own. Along the way, he not only restores meaning to life he feared he'd forsaken, but ensures that it is pretty goldarn maika'i to boot