(Piano/Vocal/Guitar Artist Songbook). One of pop music's biggest names, Sting has maintained a strong fan following for a quarter of a century, from his days as a member of the Police and throughout his magnificent solo career. This collection features 31 of his definitive hits, including: Brand New Day * Englishman in New York * Fields of Gold * If I Ever Lose My Faith in You * If You Love Somebody Set Them Free * Message in a Bottle * Russians * Shape of My Heart * They Dance Alone (Cueca Solo) * We'll Be Together * and many more.

(Easy Piano Personality). Pianists will love these easy arrangements of 13 Sting songs: All This Time * Brand New Day * Desert Rose * Don't Stand So Close to Me * Englishman in New York * Every Breath You Take * Fields of Gold * If I Ever Lose My Faith in You * King of Pain * Message in a Bottle * Roxanne * Shape of My Heart * Wrapped Around Your Finger.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.

(Guitar Recorded Versions). Note-for-note guitar transcriptions for 12 songs from this definitive English progressive rock band: And You and I * Changes * Clap * I've Seen All Good People * It Can Happen * Long Distance Run Around * Love Will Find a Way * Mood for a Day * Owner of a Lonely Heart * Rhythm of Love * Roundabout * Starship Trooper.

(Piano/Vocal/Guitar Artist Songbook). A collection of 34 of his best, with chords and notation: Anywhere like Heaven * Blossom * The Blues Is Just a Bad Dream * Brighten Your Night with My Day * Carolina in My Mind * Chili Dog * Country Road * Dance * Don't Let Me Be Lonely Tonight * Don't Talk Now * Fanfare * Fire and Rain * Fool for You * Handy Man * Hymn * Knocking 'round the Zoo * Little David * Lo and Behold * Mescalito * New Tune * Night Owl * Nobody But You * Oh Baby Don't Loose Your Lip on Me * One Man Parade * Rainy Day Man * Something in the Way She Moves * Something's Wrong * Steamroller (Steamroller Blues) * Suite for 20g * Sunny Skies * Sunshine, Sunshine * Sweet Baby James * Taking It In * Woh, Don't You Know.

“Sting’s gift for prose and reverence for language, nearly the equal of his musical gifts, shine on every page. Even when Broken Music addresses the quixotic life of an aspiring rock & roller, it reads like literature from a more rarified time when adults didn’t condescend to the vulgarities of pop culture.” —Rolling Stone Having been a songwriter most of my life, condensing my ideas and emotions into short rhyming couplets and setting them to music, I had never really considered writing a book. But upon arriving at the reflective age of fifty, I found myself drawn, for the first time, to write long passages that were as stimulating and intriguing to me as any songwriting I had ever done. And so Broken Music began to take shape. It is a book about the early part of my life, from childhood through adolescence, right up to the eve of my success with the Police. It is a story very few people know. I had no interest in writing a traditional autobiographical recitation of everything that’s ever happened to me. Instead I found myself drawn to exploring specific moments, certain people and relationships, and particular events which still resonate powerfully for me as I try to understand the child I was, and the man I became.

From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction

(Piano Solo Personality). Stellar solo piano arrangements of a dozen smash hits from Coldplay: Clocks * Fix You * In My Place * Lost! * Paradise * The Scientist * Speed of Sound * Trouble * Up in Flames * Viva La Vida * What If * Yellow.

(Guitar Chord Songbook). 50 favorites from Sting and the Police presented in chords & lyrics for strumming fun: Brand New Day * Can't Stand Losing You * Don't Stand So Close to Me * Driven to Tears * Every Breath You Take * Fields of Gold * Fortress Around Your Heart * King of Pain * Message in a Bottle * Roxanne * We'll Be Together * more.

From a seductive storyteller who dares to plumb the dark, passionate depths of the heart and soul comes an absorbing new erotic thriller that is also a gripping tale of psychological suspense. SHEET MUSIC Grief-stricken Justine Pagett fled to Paris after her mother’s death, but scandal forces her back to the States to redeem her tarnished reputation as a journalist. Commissioned to write a piece on the eccentric classical composer Sophie DeLyon, Justine finds herself part of a mysterious deception. At Euphonia, the exclusive institution DeLyon created to nurture America’s most gifted music prodigies, a malevolent presence is composing a deadly work. Threatening cybermessages meant to intimidate convince a determined Justine that fascinating secrets await her. But when Sophie suddenly disappears, Justine’s assignment to mine the story behind the legend becomes an even greater challenge. The disharmonious DeLyon family seems more interested in Sophie’s estate than in her artistic legacy, and a group of devoted fans is fiercely defending the name of the enigmatic genius. Wrestling with her own demons while searching for the truth, Justine is clear about one thing: Someone is orchestrating a deadly deceit . . . from which no one will emerge unscathed. An expertly crafted opus of obsessive passions and poisonous shame, of brilliant achievements and brutal deception, Sheet Music confirms M. J. Rose’s place at the forefront of today’s top psychological suspense writers.