"Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre."--BOOK JACKET.

Rudy VanderLans has been documenting California's landscape for years. For his latest monograph, This Vehicle Makes Frequent Stops, he's selected more than 100 photographs spanning a decade and thousands of miles of California highways. Along the way he's captured vignettes that punctuate the beauty and absurdity of the California environment. Empty of people but littered with the traces of human enterprise these often surprising and always beautifully composed images will give readers much to ponder. In the spirit of his ongoing photographic road trip these photos are printed at postcard size, a format and medium perfectly fitted to Vanderlans's unique approach to photography. "I'm not interested in the editioned gallery print," states VanderLans. "Offset printing is my medium, and to have these photos printed in book form is my primary ambition." From Hopland to Hollywood and Modesto to the Mojave, this is California as uncovered by the ever-curious author. Rudy VanderLans lives in Berkeley, CA where he published the infamous Emigre magazine.

Twelve shocking paintings. Eleven famous murders. One missing artist . . . and one woman driven to find her—this Reese's Book Club x Hello Sunshine Selection is a “stunning achievement” (Los Angeles Times). Kim Lord is an avant–garde figure, feminist icon, and agent provocateur in the L.A. art scene. Her groundbreaking new exhibition Still Lives is comprised of self–portraits depicting herself as famous, murdered women―the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others―and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women. As the city’s richest art patrons pour into the Rocque Museum’s opening night, all the staff, including editor Maggie Richter, hope the event will be enough to save the historic institution’s flailing finances. Except Kim Lord never shows up to her own gala. Fear mounts as the hours and days drag on and Lord remains missing. Suspicion falls on the up–and–coming gallerist Greg Shaw Ferguson, who happens to be Maggie’s ex. A rogue’s gallery of eccentric art world figures could also have motive for the act, and as Maggie gets drawn into her own investigation of Lord’s disappearance, she’ll come to suspect all of those closest to her. Set against a culture that often fetishizes violence, Still Lives is a page–turning exodus into the art world’s hall of mirrors, and one woman’s journey into the belly of an industry flooded with money and secrets. “It’s a thrilling mystery that will leave you wondering which characters you can and can’t trust . . . There’s a twist at the end that still keeps us up at night, it's THAT good.” —Reese Witherspoon (A Reese’s Book Club x Hello Sunshine Selection)

Comprising more than two hundred photos taken over the course of three weeks, the third book in the Still Life series leaves the United States for the busy streets of Tokyo, resulting in a volume that is both of a piece with and dramatically different from Still Lifes: California and Still Lifes: USA. The roughly translated advertising blurb for the Tokyo hotel where Rudy VanderLans booked his stay promised 'a world of stillness and motion', and VanderLans used this as his creative prompt. Conspicuously devoid of human figures for such a populous city, these photos capture a Tokyo beneath the surface of the crowd, presenting a version of the city rarely seen in media of any kind.

Completely revised and updated, Let's Go: California is your insider's guide to the Golden State. Let's Go's forty-five years of travel savvy deliver the practical facts you'll need, from navigating L.A.'s freeways to finding the hottest nightlife. Expanded coverage of national parks, beaches, hiking, and skiing get you out of the city, while listings in the alternatives to tourism chapter show you how to make a difference or become a movie star. Whether you'd rather trek Yosemite's backcountry trails or sample California cuisine in Berkeley's gourmet ghetto, Let's Go can lead the way.

The first full-length study of the life and works of Henry Lee McFee, pioneer American cubist and prominent member of the Woodstock artists colony. McFee's still lifes are considered in detail and a survey of the critics, art theorists, and aestheticians of the period is presented. Nearly 200 illustrations, including 22 color plates. A Center Gallery Publication.

Illuminating one thousand years of history, The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq. Spanish galleons delivered porcelain to Peru and Mexico while aristocrats in Europe ordered tableware from Canton. The book tells the fascinating story of how porcelain became a vehicle for the transmission and assimilation of artistic symbols, themes, and designs across vast distances—from Japan and Java to Egypt and England. It not only illustrates how porcelain influenced local artistic traditions but also shows how it became deeply intertwined with religion, economics, politics, and social identity. Bringing together many strands of history in an engaging narrative studded with fascinating vignettes, this is a history of cross-cultural exchange focused on an exceptional commodity that illuminates the emergence of what is arguably the first genuinely global culture.

Laszlo traces the spectacular rise and spread of citrus across the globe, from southeast Asia in 4000 BC to modern Spain and Portugal, whose explorers inroduced the fruit to the Americas. This book explores the numerous roles that citrus has played in agriculture, horticulture, cooking, nutrition, religion, and art.

In 1985, winemaker Joe Benziger and Sonoma artist Bob Nugent struck on the idea of putting original art on special releases of Imagery Estate wines. The goal was straight-forward: commission the world's modern art luminaries to create works for reproduction onto wine labels. Two decades and 160 labels later, they have assembled a staggering collection of contemporary art, from the likes of Sol Lewitt, Terry Winters, Nancy Graves, John Baldessari, Judy Pfaff, and Bob Arneson. This book highlights 133 works of art, the best of the Imagery collection. The images are big and lush, and accompanied by biographical sketches of the artists' careers, as well as a short description of their individual ideas and methods. The pictorial index shows the works in their label-form, from 1985 to the most recent vintages. These images are evocations of wine's multi-faceted ability to inspire us.

This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.