A history of the families of Barbados and a personal account of the experiences of growing up in this culture.

Meet Josephine, the most loveable mischief-maker in Barbados, in a magical, heartfelt adventure inspired by Caribbean mythology. * “A heart-wrenching adventure with big laughs and well-earned surprises.” –Kirkus Reviews, Starred Review Eleven-year-old Josephine knows that no one is good enough for her daddy. That's why she makes a habit of scaring his new girlfriends away. She's desperate to make it onto her school's cricket team because she'll get to play her favorite sport AND use the cricket matches to distract Daddy from dating. But when Coach Broomes announces that girls can't try out for the team, the frustrated Josephine cuts into a powerful silk cotton tree and accidentally summons a bigger problem into her life . . . The next day, Daddy brings home a new catch, a beautiful woman named Mariss. And unlike the other girlfriends, this one doesn't scare easily. Josephine knows there's something fishy about Mariss but she never expected her to be a vengeful sea creature eager to take her place as her father's first love! Can Josephine convince her friends to help her and use her cricket skills to save Daddy from Mariss's clutches before it's too late?

In this clear-eyed, candid, and ultimately reassuring

On a pleasure trip to Barbados, David and Robyne befriend a stray beach dog and Robyne decides he must come and live with her in America. Thus opens the story of the adventures of this “local” dog as he waits for the day when he can fly to Chicago and live with Robyne and David. Learn how he got his name—Bajan. Meet Basker-Ville Bajan’s worst enemy. Among Bajan’s local “friends” are Deedra Dread and Jeb the Kennel Master. Fly with Bajan and his companion Richard the Roach. You will enjoy meeting Tyler—and Jezebel, Bajan’s brother and sister. And live with the ache and pains of illness, the joys of a three dog family and the incredible magnetism of “just a beach dog” from Barbados. Enjoy the recognition Bajan receives from friends and organizations. Most of all feel the warmth and love and gratefulness of a lovely dog toward his parents and friends. He never forgets that he is a lucky dog!

Behind the Smile is an inside look at the world of Caribbean tourism as seen through the lives of the men and women in the tourist industry in Barbados. The workers represent every level of tourism, from maid to hotel manager, beach gigolo to taxi driver, red cap to diving instructor. These highly personal accounts offer insight into complex questions surrounding tourism: how race shapes interactions between tourists and workers, how tourists may become agents of cultural change, the meaning of sexual encounters between locals and tourists, and the real economic and ecological costs of development through tourism. This updated edition updates the text and includes several new narratives and a new chapter about American students' experiences during summer field school and home stays in Barbados.

1. This is unusual, a memoir written by someone under fifty years of age. What made you write? My parents were growing old, and I wanted to record their stories for my children. My father, who is halfway through his ninth decade, was born during the heyday of Prohibition, twenty years before the discovery of penicillin and thirty years before the hospital that I was born in was even built. He was the first Bahamian qualified civil engineer, and his connection to the public board of works helped to influence development of the City of Nassau at a critical time in its history. As president of the Bahamian Amateur Athletic Association, he traveled with our Olympic team to Rome in 1960. He is really the one who ought to have written a biography, and so should have my mother, whose story is equally compelling, but it was never going to happen. So I took it upon myself to write their stories, and over time, the narrative became my own. 2. Why the title Westward? The title reflects a dual movement, figuratively, toward a sunset that is hopefully still a good ways off, and physically, I have moved house farther and farther westward on the island of New Providence over the last twenty years. I grew up in the eastern community of Danottage Estates, moved to Westward Villas after marriage, and lately, farther west to Old Fort Bay. The subtitle Walk is a reference to life and how it is lived. Walk good is a well-known expression in our region of Jamaican origin that means good-bye and be well. 3. Why do you tell crime stories? Firstly, I am a true crime buff, a fan of Forensic Files and truTV. When I discovered that a man who shared my last name appeared on the list of persons sent to the gallows in the Bahamas, I simply had to research the event, and the fascinating story that I unearthed ended up in the book. Two decades ago, our neighbors were slaughtered, and story of the familys grisly murder is recounted in Westward. Other harrowing crime stories retold in Westward appear because on top of being so interesting, they mark important signposts on my journey, or they help to underscore a general theme. I did not want to write a mundane memoir. 4. Other doctors have written about their medical school and internship experience. Whats new here? Nowhere in the publicly available literature is there to be found a personal account of the making of a doctor in the Caribbean. This is a process that has relevance outside of this region because the University of the West Indies in Jamaica has been producing doctors for sixty years, and hundreds of its graduates have emigrated to the USA, Canada, and Great Britain where they practice and teach. While the university adheres to the standard model of a grueling course of preclinical and clinical studies followed by a punishing internship, there are significant differences in the education style and substance. The West Indies style is evident in Westward. 5. Why do you say that Westward is a sort of spiritual journey? Looking backward over ones life, the benefit of maturity almost always takes on a spiritual dimension. I have had a Christian upbringing in a nation that has written our recognition of these values into the preamble of our Constitution. My mother has always told me that I am blessed, and in Westward, I probe the interplay of luck, hard work, and divine intervention in my own personal achievements. The conclusion is by no means foregone. 6. Have you any regrets in writing your memoir? Ten years ago, two old men, Gasper Weir and Cleophas Adderley Sr., who were friends of my late grandfather, invited me to their homes to talk about the bygone days. I wish that I had taken them up on the offer. 7. What was your most memorable experience in researching Westward? There

Austin Clarke’s luminous novel, written in vivid, hypnotic prose, reveals the dislocations of place and the nature of memory and the past. Two elderly Barbadian men, childhood friends who haven’t seen each other in fifty years, collide in a snowstorm on a Toronto street. In the warmth of a nearby bar, through the afternoon and into the night, they relate stories, exchange opinions, and share memories of a past in Barbados when, as children, neither could conceive any other place existed for them. As these two men confess to each other their innermost truths, their exploits and their love affairs, one tells the haunting story of a young Chinese woman, the other of the real reason for his visit to Toronto. Infused with pathos and humour, and with an affecting nostalgia for the idea of home, The Origin of Waves is a stunning and original novel by one of the country’s most gifted writers.

This electronic version has been made available under a Creative Commons (BY-NC) open access license. This book outlines the ways sport helps to create transnational social fields that interconnect migrants dispersed across a region known as the Black Atlantic: England, North America and the Caribbean. Many Caribbean men's stories about their experiences migrating to Canada, settling in Toronto, finding jobs and travelling involved some contact with a cricket and social club. It offers a unique contribution to black diaspora studies through showing sport in Canada as a means of contending with ageing in the diaspora, creating transnational relationships, and marking ethnic boundaries on a local scale. The book also brings black diaspora analysis to sport research, and through a close look at what goes on before, during and after cricket matches provides insights into the dis-unities, contradictions and complexities of Afro-diasporic identity in multicultural Canada. It will be of interest to students and scholars in sociology, sport studies and black diaspora studies.

In Plenty and in Time of Need uses music and performance as sites of analysis for the competing ideals and realities of Barbadian national culture. The book demonstrates complex relations between national, gendered, and sexual identities in Barbados, and how these identities are represented and interpreted on a global stage.

Written by two former students of perhaps one of the Caribbean's most famous educational institutions, book elucidates school's evolution and analyzes its contribution to the development of Barbadian society. Although scarcity of adequate documentation results in an uneven treatment of different periods, work examines roles of various headmasters and their administrations in the school's evolution. Additionally, work places Combermere, and the changes it underwent, within the larger framework of societal changes that Barbados experienced. Useful case study. -Handbook of Latin American Studies, v. 58