Steve Canyon like you've never seen it before — reproduced directly from Milton Caniff's personal set of syndicate proofs! For the first time: the definitive edition of the Steve Canyon newspaper strip by Milton Caniff featuring every Sunday in color and the daily strips in their original, uncropped versions. Caniff quit Terry and the Pirates in 1946 to begin Steve Canyon and it became his biggest-selling work. Forever known as the "Rembrandt of the Comic Strip," Caniff is at the absolute peak of his artistic prowess in these strips. Your passport is stamped for Adventure, Intrigue, and Danger on your expedition to exotic locales with your pilot, the one and only Steve Canyon! The horizons are unlimited after World War II when Steve Canyon assembles a flight crew of veterans for his new air-transport business. Action flies high as Canyon and his men befriend Happy Easter, cross swords with the hirsute Herr Splitz, and match wits with Chief Izm. The Caniff women are also on display, as Canyon meets the steely yet sexy “Copper” Calhoon; the beautiful schemer, Delta; that modern-day Mata Hari, Madame Lynx; Dr. Deen Wilderness, who is as capable as she is lovely; plus Captain Shark, Convoy, and the footloose Fancy. The Library of American Comics launches this highly-awaited reprinting by collecting every daily and full-color Sunday from 1947 to 1948 in a single hardcover volume. There’s excitement, humor, lovely women, and wonderful art in the exciting Caniff style!

The entire first year of the great Milton Caniff's landmark action and adventure comic strip featuring All-American flyboy Steve Canyon and a menagerie of faithful comrades and diabolical rogues. Four complete stories which began Canyon's forty-year run in the pages of newspapers throughout the world. With b/w illustrations throughout.

Features the stories which ran through the seventh year of the adventure strip: Indian Cafe, The Princess and the Doctor and The Halls.

Beginning a new four-book series collecting the entire run of the Tarzan newspaper strip by Russ Manning. In 1967, Manning was selected by the Edgar Rice Burroughs estate to take over the strip and bring it back to the original Burroughs vision. With assists by Bill Stout, Mike Royer, and Dave Stevens, Manning created 26 original Sunday storylines and seven daily stories. The action took place from Pal-ul-don to Opar and Pellucidar and beyond. The first volume includes more than 650 daily and Sunday strips from December 1967 through October 1969, reproduced from the Edgar Rice Burroughs file copies.

Celebrating the centennial of cartoonist Milton Caniff's birth, IDW Publishing will publish a six-book series, collecting the entirety of Caniff's groundbreaking newspaper adventure strip Terry and the Pirates. The Sunday pages will be reproduced in their original color, alongside the daily black-and-white strips.

Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.

"In this volume, scholars from a variety of disciplines explore the myriad ways print was used in the Cold War. Looking at materials ranging from textbooks and cookbooks to art catalogs, newspaper comics, and travel guides, they analyze not only the content of printed matter but also the material circumstances of its production, the people and institutions that disseminated it, and the audiences that consumed it. Among topics discussed are the infiltration of book publishing by propagandists East and West; the distribution of pro-American printed matter in postwar Japan through libraries, schools, and consulates; and the collaboration of foundations, academia, and the government in the promotion of high culture as evidence of superiority of Western values"--Fly leaf.

In Volume 4 in The Complete Li'l Abner...You'll Believe a Hillbilly Can Fly! High-octane humor and cockeyed characters -- it's the Cappian way! Sit a spell and you'll meet Available Jones (Is yo' available, Available?), Swami Riva, Big Stanislouse, Joe Btfsplk (the world's greatest jinx!), Dorothy Lamour (yes, that Dorothy Lamour), Lorna Goon, Orville Wolf, Cherry Blossom, the parents of Gat Garson, Sadie Hawkins V, Dinsmore Jerque, J.P. Fangsby, Tiny Mite, and that hog-wallowin' bundle of pulchritude, Moonbeam McSwine! They help make 1941 and 1942 fast, funny, and unforgettable!

Superman may be faster than a speeding bullet, but even he can't outrun copyright law. Since the dawn of the pulp hero in the 1930s, publishers and authors have fought over the privilege of making money off of comics, and the authors and artists usually have lost. Jerry Siegel and Joe Shuster, the creators of Superman, got all of $130 for the rights to the hero. In Empire of the Superheroes, Mark Cotta Vaz argues that licensing and litigation do as much as any ink-stained creator to shape the mythology of comic characters. Vaz reveals just how precarious life was for the legends of the industry. Siegel and Shuster—and their heirs—spent seventy years battling lawyers to regain rights to Superman. Jack Kirby and Joe Simon were cheated out of their interest in Captain America, and Kirby's children brought a case against Marvel to the doorstep of the Supreme Court. To make matters worse, the infant comics medium was nearly strangled in its crib by censorship and moral condemnation. For the writers and illustrators now celebrated as visionaries, the "golden age" of comics felt more like hard times. The fantastical characters that now earn Hollywood billions have all-too-human roots. Empire of the Superheroes digs them up, detailing the creative martyrdom at the heart of a pop-culture powerhouse.

In this translation of the Greek poetess's work, Barnstone remains faithful to the words of the fragments, only very judiciously filling in a word or phrase in cases where the meaning is obvious.