Featuring individual images as well as original design collages, this one-of-a-kind compilation from Dover's vast archives offers more than 500 images that range from dirigibles and sea vessels to corsets and pocket watches.

A campy redefinition of Victorian style, steampunk fashion blends elements of technology and romance. These 12 color postcards, created from authentic 19th-century graphics, abound in distinctive combinations of human and machine imagery. Original collages portray top-hatted gents and corseted ladies adrift in a sea of cogs, levers, and steam-powered machinery.

Abounding in cherubs, nymphs, soldiers, kings, dragons, and other flamboyant motifs, this compilation of ornamental designs was originally published in Paris during the 1840s. The extravagant images are based on a wide variety of historical examples that date back as far as the 1500s and include imaginative renderings by Watteau and Durer. Created as embellishments for walls, arms and armor, and everyday objects, these designs remain eminently useful for graphic and decorative purposes. Professional and amateur artists and designers as well as cardmakers and scrapbookers will find this compilation a practical resource of versatile and royalty-free art. This volume is the successor to Dover Publications' "Fantastic Ornament, "another modern reprint of a rare nineteenth-century publication. Dover (2013) new selection of material from "Portefeuille Historique de l'Ornement/Ornaments of the Classical Masters: Comprising Ornamental Borders, Decorations, Shields, Vases, Alphabet of Letters, Grotesque Designs, Patterns for Gold and Silver-Smiths, " A. Hauser, Paris, 1841. See every Dover book in print at www.doverpublications.com

This comprehensive volume contains all the essentials for creating ads with a retro look and feel. Drawn from typographic sourcebooks as well as sign-painting manuals of the early 20th century, the contents include a wealth of borders, frames, images, and typographic elements for re-creating authentic styles of the 1890s–1920s.

Skull Sourcebook explores the symbolism, meaning, and breathtaking, cultural art of the human skull, one of the most iconic symbols in the world.

A treasury of hard-to-find Inca artwork, this compilation features hundreds of striking designs. The images are drawn from the collections of a 19th-century anthropologist whose expeditions to Peru yielded a remarkable store of artifacts that reside today in museums throughout Germany. Designs, paintings, and relief representations depict ancient people, animals, and rituals. Reprint of selections from Ancient Peruvian Art, Dodd, Mead & Co., New York, 1902–03.

Inspired by authentic Korean arts and crafts dating from the 1st through the 19th centuries, these 142 bold black-and-white line drawings include abstract forms, costumed figures, birds, flowers, and landscapes in many sizes and shapes, all royalty-free.

Speculative Imperialisms: Monstrosity and Masquerade in Postracial Times explores the(settler) colonial ideologies underpinning the monstrous imaginings of contemporary popular culture in the Britain and the US. Through a close examination of District 9, Avatar, Doctor Who, Planet of the Apes, and steampunk culture, Susana Loza illuminates the durability of (settler) colonialism and how it operates through two linked yet distinct forms of racial mimicry: monsterization and minstrelsy. Speculative Imperialisms contemplates the fundamental, albeit changing, role that such racial simulations play in a putatively postracial and post-colonial era. It brings together the work on gender masquerade, racial minstrelsy, and postcolonial mimicry and puts it in dialogue with film, media, and cultural studies. This project draws upon the theoretical insights of Stuart Hall, Homi K. Bhabha, Edward Said, Philip Deloria, Michael Rogin, Eric Lott, Charles Mills, Falguni Sheth, Lorenzo Veracini, Adilifu Nama, Isiah Lavender III, Gwendolyn Foster, Marianna Torgovnick, Ann Laura Stoler, Anne McClintock, Eric Greene, Richard Dyer, and Ed Guerrero.

Tracing the genre through fiction, visual art, film and videogames from the 1980s to the present, this book offers a comprehensive exploration of the intersection between neo-Victorianism, urban spaces and Steampunk. Characterised by its interplay between past and present and its anachronistic retro-speculation, Neo-Victorian-infused Steampunk remixes modern collective memory to produce a re-imagined vision of Victorian London. Investigating how Steampunk's re-calibrated Londons both source from and subvert Victorian discourse about the city, Steampunk London offers a deeper understanding of how a popular cultural memory of the Victorian past is shaped and transmitted in light of present-day identity politics. Covering key themes including retrofuturism, gender and sexuality, colonialism and postcolonialism, it considers such ideas as how early Steampunk synthesizes Victorian urban ethnography; how Victorian urban Gothic shapes shared transmedia memory to challenge reactionary, nostalgic meta-narratives; how Steampunk video games mobilize urban space as an immersive storytelling device with cities open to play; and how Steampunk interprets the modern metropolis as an opportunity for feminist and queer agency. Through examination of Victorian-era writers from Charles Dickens to Arthur Conan Doyle, the book digs into works of fiction and media alike, looking at The Difference Engine, Soulless, and The League of Extraordinary Gentlemen, From Hell, Guy Ritchie's Sherlock Holmes, cyberpunk classic Blade Runner, and Assassin's Creed: Syndicate and The Order 1886. An important intervention in the study of steampunk, Helena Esser demonstrates how the works explored invite participatory consumption and considers the genre's potential- and failures- to interrogate and challenge our relationship with the Victorian past.

A popular sub-genre of fantasy and science fiction, steampunk re-imagines the Victorian age in the future, and re-works its technology, fashion, and values with a dose of anti-modernism. While often considered solely through the lens of literature, steampunk is, in fact, a complex phenomenon that also affects, transforms, and unites a wide range of disciplines, such as art, music, film, television, fashion, new media, and material culture. In Steaming into a Victorian Future: A Steampunk Anthology, Julie Anne Taddeo and Cynthia J. Miller have assembled a collection of essays that consider the social and cultural aspects of this multi-faceted genre. The essays included in this volume examine various manifestations of steampunk—both separately and in relation to each other—in order to better understand the steampunk sub-culture and its effect on—and interrelationship with—popular culture and the wider society. This volume expands and extends existing scholarship on steampunk in order to explore many previously unconsidered questions about cultural creativity, social networking, fandom, appropriation, and the creation of meaning. With a foreword by popular culture scholar Ken Dvorak, and an afterword by steampunk expert Jeff VanderMeer, Steaming into a Victorian Future offers a wide ranging look at the impact of steampunk, as well as the individuals who create, interpret, and consume it.